Pregledaj u prostoru
Podeli
Podeli
Detalji
Vodič
Preuzmi sliku
Slični predmeti
Rendgenski snimak
Automatska prezentacija
StatistikaSelf-portrait
Pročitaj više
Ručno rađena uljana reprodukcija
Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. (
Pređi na prodaju štampanih primeraka Pređi na prodaju digitalnih slika)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste prilagodili umetničko delo određenom okviru ili prostoru. Ako odabrana veličina ne odgovara proporcijama originala, slika će biti isečena ili proširena dodatnim elementima koji se ručno oslikavaju. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno prisecanje ili proširenje. Samo mockup će precizno prikazati konačnu kompoziciju.
Iako su dostupne prilagođene veličine, preporučujemo da izaberete dimenziju iz unapred definisane liste kako biste sačuvali originalne proporcije.
Nakon narudžbine, tim ArtsDot.com će klijentu putem e-pošte poslati uputstva i dostaviti prikaz predloženog rešenja
Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (22 септембар). Bez kompromisa po pitanju kvaliteta.
Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Sveobuhvatno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja i autentičnosti pri reprodukciji
Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
Garancija povrata 100% novca
Popust pri većoj količini
Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
Self-portrait
Tehnika izrade reprodukcije
Veličina reprodukcije
-
Ukupna cena
$ 263
Srodna umetnička dela
Biografija umetnika
Christina Robertson: A Scottish Artist at the Russian Court
Early Life and Training
- Born: December 17, 1796, in Kinghorn, Fife, Scotland (though records indicate Edinburgh).
- Family Background: Robertson’s early life was shaped by her artistic family connections. Her mother was the sister of George Saunders, a miniature painter who became her initial mentor.
- Early Training: She received foundational training from her uncle, George Saunders, in London, mastering the art of miniature painting before expanding into oils and watercolors.
Artistic Development and Early Success
- Establishing a Career: Robertson quickly established herself as a successful portraitist, initially attracting Scottish patrons. Her skill allowed her to surpass her mentor financially.
- Royal Academy Exhibition: By 1823, she was exhibiting at the Royal Academy, gaining recognition within the British art world.
- Pioneering Studio Ownership: In 1828, Robertson opened her own studio in London – a remarkable achievement as one of the first women to do so.
- Royal Scottish Academy Honor: A significant milestone came in 1829 when she became the first woman honorary member of the Royal Scottish Academy.
Move to Russia and Imperial Patronage
- Parisian Connections: During the 1830s, Robertson traveled and worked in Paris, where she encountered members of the Russian court who may have already been familiar with her work through engravings.
- St. Petersburg Invitation: She was invited to St. Petersburg in 1839, partly due to increased demand for portraits following the fire that destroyed parts of the Winter Palace in 1837.
- Imperial Commissions: Robertson executed full-length paintings of Tsar Nicholas I and Empress Alexandra Feodorovna, along with their daughters Maria, Olga, and Alexandra.
- Academy Recognition: In 1841, she became the first (and only) woman to be made an honorary member of the Imperial Academy of Arts.
Life as a Court Painter & Later Years
- Ten Years in Russia: Robertson served as a royal artist for ten years, creating portraits of prominent figures within the Russian imperial family.
- Challenges and Commissions: While some portraits were initially rejected (like those of daughters-in-law), she continued to receive commissions, including one from Grand Duchess Maria Alexandrovna for a portrait of herself and her children, and an updated portrait of Empress Alexandra at the Empress’s request.
- Death and Burial: Christina Robertson died in St. Petersburg on April 30, 1854, and was buried in the Volkovo Cemetery.
Artistic Style and Historical Significance
- Portraiture Focus: Robertson’s work primarily focused on portraiture, characterized by academic precision and a keen ability to capture the likeness and personality of her sitters.
- Legacy & Rediscovery: Though largely forgotten after the Russian Revolution, recent exhibitions have helped revive interest in her life and art. Her portraits provide valuable historical documentation of the Russian Imperial family.
- Unique Position: Robertson’s success as a female artist in both Britain and Russia was exceptional for her time, breaking barriers and paving the way for future generations of women artists.
christina robertson
1796 - 1854 , United Kingdom
Brzi pregled
- Birth Date: 17 December 1796
- Birth Place: Kinghorn, United Kingdom
- Death Date: 30 April 1854
- Influenced By: George Saunders
- Movement: Academic Art
- Name: Christina Robertson
- Nationality: British
- Notable Works:
- Portrait of Empress Alexandra Fedorovna
- Portraits of the Russian Imperial Family