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Landscape XXII

Dimenzije
54.0 x 74.0 cm

A lively night cityscape filled with warm brick houses and bustling activity defines this 1977 landscape by Brazilian master Carlos Scliar, inviting you to bring a piece of modern history into your collection.

Carlos Scliar (1920-2001) was a versatile Brazilian artist – painter, engraver, illustrator & set designer. Known for abstract and landscape works, he actively participated in key modern art groups like Frente & Neoconcreto, shaping Brazil's artistic

Umetničko delo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski nismo u mogućnosti da kreiramo niti prodajemo identičnu reprodukciju. Ova zaštita se sprovodi u skladu sa međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su definisani u Američki zakon o autorskom pravu – Naslov 17.

Ovaj metod je u potpunosti usklađen sa regulativama o autorskim pravima jer ne podrazumeva kopiranje ili dupliranje zaštićenih umetničkih dela. Umesto toga, reč je o kreativnoj reinterpretaciji – novom slikarskom delu koje je inspirisano originalom, ali nije identično njemu.

Giclee štampa / Umetnički otisak

Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu izradu i raznovrsne opcije završne obrade. ( Kupite ručno oslikano delo Pređi na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118B дин10
Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H дин10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W дин10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z дин10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH дин12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH дин12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H дин10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z дин10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ дин10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G дин10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ дин10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH дин10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ дин12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C дин8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G дин10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH дин8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y дин10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ дин10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G дин10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ дин8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y дин10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ дин8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J дин10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY дин15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH дин15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G дин12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H дин8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG дин15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ дин8

Standardne dimenzije
po meri
CM
INCH

Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

širina
visina

Unesite željenu širinu i visinu kako bi se štampa uklopila u vaš ram ili zid. Štampu je moguće samo iseći, ali nikada povećati iznad dimenzija originalne slike, stoga format sa drugačijim proporcijama uzrokuje gubitak dela slike. Pre početka štampe, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni isrez — to pokazuje samo digitalni prikaz.

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Visokokvalitetno laneno platno
Potpuno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja
Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
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Popust na više proizvoda

Ukupna cena

дин 6601

Landscape XXII

Giclee štampa / Umetnički otisak

Dimenzije reprodukcije

-

Ukupna cena

дин 6601


Biografija umetnika

Carlos Scliar: A Pioneer of Brazilian Abstract Expressionism

Carlos Scliar (1920-2001) stands as a monumental figure in Brazilian art history, recognized for his unwavering dedication to abstract expressionism and landscape painting—styles that profoundly shaped the artistic landscape of mid-century Brazil. Born in Santa Maria, Rio Grande do Sul, he embarked on an artistic journey marked by formal training under Gustav Epstein, fostering a foundational understanding of European avant-garde principles. This early influence would prove crucial as he honed his skills at São Paulo’s Liceu de Artes e Ofícios and subsequently at the Escola Nacional de Belas Artes in Rio de Janeiro.
  • Early Influences & Training: Epstein's guidance instilled a commitment to experimentation and formal exploration, preparing Scliar for his subsequent engagement with Grupo Frente and Grupo Santa Helena – collectives that championed modernist ideals within Brazilian art circles.
  • Parisian Period (1946): A formative trip to Paris saw him immerse himself in the École Nationale Supérieure des Beaux-Arts, absorbing the dynamism of European artistic discourse and solidifying his stylistic vision.
  • New York Exploration (1951): Studying at the Art Students League broadened Scliar’s perspective, exposing him to American abstract expressionist techniques and furthering his exploration of color and texture.

The Grupo Frente & Neoconcreto Movement: Shaping Brazilian Modernism

Scliar's artistic trajectory intersected powerfully with Grupo Frente (1945) and Grupo Neoconcreto (1957), movements that actively sought to redefine Brazilian art’s aesthetic boundaries. Frente, initially driven by a desire for intellectual engagement alongside artistic creation, established Scliar as a key voice advocating for critical dialogue within the art world. Neoconcreto, however, propelled him toward a more radical exploration of geometric abstraction—a stylistic shift that cemented his reputation as a champion of minimalist aesthetics and a pioneer in Brazilian concrete art. His canvases became characterized by bold color palettes and simplified forms, reflecting the broader intellectual currents of the era.

Notable Works & Artistic Style

Scliar’s oeuvre is distinguished by two dominant stylistic approaches: expansive landscapes imbued with atmospheric depth and emotionally resonant abstract paintings that prioritize color and texture as primary expressive elements. Pieces like “Landscape XXII” exemplify his masterful manipulation of pigment to convey mood and evoke a sense of sublime grandeur, mirroring the influence of Turner and Cézanne on his artistic vision. Simultaneously, his abstract compositions—such as "Still Life"—demonstrate an unwavering dedication to exploring the fundamental qualities of visual perception.

Legacy & Historical Significance

Carlos Scliar’s contribution extends beyond individual artworks; he served as a pivotal figure in establishing Brazilian abstract expressionism as a distinct artistic idiom and fostering a critical engagement with art's role in cultural discourse. His unwavering commitment to experimentation, coupled with his participation in influential collectives like Grupo Frente and Grupo Neoconcreto, ensured that his work would resonate throughout the latter half of the 20th century—leaving an indelible mark on Brazilian art history and inspiring generations of artists to pursue innovative approaches to visual representation. He is remembered as a true visionary who championed artistic freedom and intellectual rigor.
Carlos Scliar

Carlos Scliar

1920 - 2001 , Brazil

Osnovne informacije

  • Artistic Movement Or Style: Abstract & Landscape
  • Artists Or Movements Influenced By This Artist:
    • Frente
    • Neoconcreto
  • Artists Who Influenced This Artist: ['Gustav Epstein']
  • Date Of Birth: 1920
  • Date Of Death: 2001
  • Full Name: Carlos Scliar
  • Nationality: Brazilian
  • Notable Artworks:
    • Still Life
    • Landscape XXII
  • Place Of Birth: Santa Maria, Brazil