Soliloquy
1949
53.0 x 38.0 cm
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade.
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno iscrtavanje ili proširivanje. Samo će prikaz (mockup) precizno pokazati finalnu kompoziciju.
Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.
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Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Kompletno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja
Politika povrata u roku od 60 dana (samo u slučaju nedostataka)
Garancija povrata novca od 100%
Popust pri grupnoj kupovini
Soliloquy
Giclee štampa / Umetnički otisak
Dimenzije reprodukcije
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Konačna cena
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Biografija umetnika
Benton Spruance: A Philadelphia Lithographer's Vision
Benton Murdoch Spruance (1904-1967) stands as a singular figure in American printmaking, recognized primarily for his masterful exploration of color lithography and his unwavering dedication to fostering artistic education. Born in Philadelphia, Pennsylvania—a city that would become inextricably linked with his creative output—Spruance’s journey from architectural student to celebrated artist was marked by intellectual curiosity and an enduring passion for capturing the essence of human experience through visual art.Early Influences and Artistic Formation
Spruance's formative years were shaped by a rigorous academic grounding at the Pennsylvania Academy of Fine Arts, where he honed his skills in drawing and painting alongside luminaries like George Stout and Maurice Sterne. This exposure to Beaux-Arts principles instilled in him a profound appreciation for classical aesthetics and compositional balance—influences that would subtly permeate his later works. Notably, Spruance’s fascination with mythology began during this period, fueled by studies of ancient Greek sculpture and literature. These interests would blossom into recurring motifs throughout his oeuvre, reflecting a desire to engage with timeless narratives and explore universal themes.The Rise of Color Lithography and Artistic Experimentation
A pivotal moment in Spruance’s artistic trajectory arrived in 1928 when he embarked on a transformative experience at the studio of Jacques and Edmond Desjobert in Paris—his first foray into color lithography. Recognizing the potential for conveying nuanced emotional depth and textural richness unattainable through monochrome printmaking, Spruance embraced this innovative technique with fervor. He meticulously researched printing methods, experimenting with various pigments and layering techniques to achieve breathtaking visual effects. This pioneering spirit extended beyond mere technical proficiency; Spruance actively sought to push boundaries and challenge conventions within the artistic community.Philadelphia Engagement and Artistic Legacy
Spruance’s commitment to Philadelphia deepened throughout his life, culminating in his appointment to the Philadelphia Art Commission in 1953—a role that profoundly impacted the city's cultural landscape. Driven by a conviction that art should enrich public spaces and inspire civic engagement, Spruance championed the inclusion of artwork in municipal buildings, securing an ordinance mandating one percent of construction costs for artistic endeavors. This initiative solidified his reputation as a champion of artistic patronage and underscored his belief in the transformative power of visual culture. Furthermore, he established Prints in Progress—a program designed to introduce printmaking directly to young students—demonstrating his unwavering dedication to nurturing future generations of artists.A Monumental Collection and Enduring Influence
The Spruance Memorial Collection—assembled by Emerson Greenaway—represents an unparalleled resource for scholars and enthusiasts alike, comprising over 450 lithographs produced during Spruance’s prolific career. These prints serve as tangible evidence of his artistic evolution, reflecting the shifting cultural currents of the mid-century United States while simultaneously embodying Spruance's distinctive aesthetic vision. His work continues to inspire artists today, demonstrating the enduring relevance of meticulous observation and expressive technique in conveying profound emotional resonance—a testament to Benton Murdoch Spruance’s indelible mark on American art history.benton spruance
1904 - 1967
Osnovne informacije
- Artistic Movement Or Style: Regionalism
- Artists Or Movements Influenced By This Artist: ['Walter L. Wolf']
- Artists Who Influenced This Artist:
- Jacques Desjobert
- Jerome Kaplan
- Samuel Maitin
- Date Of Death: 1967
- Full Name: Benton Murdoch Spruance
- Nationality: American
- Notable Artworks:
- Prelude to Rest
- Memorial
- Arrangement for Drums
- Place Of Birth: Philadelphia, Pennsylvania

Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm