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Rendgenski snimak
SlajdoviUntitled
1989
54.0 x 56.0 cm
Royal College of Art
Pročitaj više
Giclee štampa / Umetnički otisak
Giclée štampa ili print na platnu muzejskog kvaliteta uz brzu proizvodnju i fleksibilne opcije završne obrade. (
Pređite na ručno oslikano umetničko delo Prebacite na sliku)
Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.
Možete uneti sopstvene dimenzije kako biste umetničko delo prilagodili specifičnom okviru ili prostoru. Ako odabrani format ne odgovara proporcijama originalne slike, mi ćemo ili iscrtati deo dela ili proširiti sliku pomoću ogledane ivice ili jednobojnog popunjavanja. Digitalni prikaz će vam biti poslat na odobrenje pre početka proizvodnje.
Imajte na umu da pregled na ekranu ne odražava stvarno iscrtavanje ili proširivanje. Samo će prikaz (mockup) precizno pokazati finalnu kompoziciju.
Iako su prilagođene dimenzije dostupne, preporučujemo da odaberete dimenziju sa unapred definisane liste kako biste očuvali originalne proporcije.
Dostava širom sveta () za 2 nedelje umesto uobičajenih 4/5 nedelja. (9 август)
Besplatna ekspresna dostava širom sveta
Visokokvalitetno laneno platno
Kompletno osiguranje transporta
Garancija povraćaja carine i uvoznih dažbina
Garancija vernosti boja
Politika povrata u roku od 60 dana (samo u slučaju nedostataka)
Garancija povrata novca od 100%
Popust pri grupnoj kupovini
Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm
Untitled
Giclee štampa / Umetnički otisak
Dimenzije reprodukcije
-
Konačna cena
$ 62
Srodna umetnička dela
Biografija umetnika
Andrew Grassie (born 1966)
Andrew Grassie is a Scottish artist born in Edinburgh in 1966, whose distinctive approach to painting—characterized by meticulous detail and self-referential explorations of the artistic process—has garnered critical acclaim and secured his place within contemporary art history. Educated at St Martins School of Art and subsequently at the Royal College of Art, Grassie’s formative years instilled in him a profound understanding of both traditional craft techniques and conceptual frameworks that would underpin his subsequent artistic endeavors. Grassie's artistic practice revolves around creating tempera paintings on paper copies of photographs—a method he termed “Extreme Replication”—that simultaneously interrogates the nature of representation and acknowledges the inherent limitations of capturing reality through visual media. This technique, rooted in Renaissance painting traditions yet radically reimagined for the 21st century, involves painstakingly transferring photographic images onto paper using egg tempera, a medium known for its luminosity and ability to preserve tonal nuances over extended periods. The resulting paintings are not mere reproductions but rather complex meditations on perception, materiality, and the artist’s role in mediating between observation and artistic creation. A pivotal moment in Grassie's career arrived with his victory at the 23rd John Moores Painting Prize in 2004 for *The Making of the Painting*. This artwork—a self-portrait depicting the studio space where he executed his paintings—became a symbol of Grassie’s artistic philosophy: an acknowledgement of the artist's presence within the creative process and a deliberate disruption of conventional notions of authorship. The piece’s unsettling juxtaposition of photographic realism and painterly abstraction prompted critical discussion about the relationship between artifice and authenticity, cementing Grassie’s reputation as a provocateur of ideas. Grassie’s work gained considerable recognition through its inclusion in Tate Britain's Art Now series in 2005, where he presented *The Hanging of New Hang*, an ambitious project that involved relocating artworks from the gallery into his studio and photographing them before recreating them in tempera. This conceptual undertaking challenged viewers to reconsider their understanding of art exhibitions and questioned the role of the institution in shaping artistic discourse. The resulting paintings—characterized by subtle tonal variations and a palpable sense of melancholy—were praised for their psychological depth and their ability to evoke profound emotional responses. Grassie’s oeuvre extends beyond individual artworks; he actively engages with teaching roles at institutions such as City and Guilds of London Art School and University of the Arts, Camberwell, fostering the development of young artists and disseminating his artistic vision across generations. Represented by Maureen Paley in London, Grassie continues to refine his practice while maintaining a steadfast commitment to exploring themes of memory, materiality, and the complexities of visual representation—solidifying his legacy as one of Scotland’s most distinctive voices within contemporary art.
andrew grassie
1966 -
Osnovne informacije
- Artistic Movement Or Style: Photorealism
- Artists Or Movements Influenced By This Artist: ['Minimalist Sculpture']
- Artists Who Influenced This Artist:
- Vermeer
- Ladybird Books
- Date Of Birth: 1966
- Full Name: Andrew Grassie
- Nationality: Scottish
- Notable Artworks:
- The Making of the Painting
- Small copies of photographs of 1960s minimalist sculpture
- Place Of Birth: Edinburgh, Scotland
