Bertillón-Style Camera

Slika prati vaše izbore: , .

Opis predmeta

Biografija umetnika

Alphonse Bertillon (1853-1914): Pioneer of forensic science & inventor of the mug shot. Developed anthropometry – a system of identification using physical measurements. Explore his impact on law enforcement & criminology.

Ručno rađena uljana reprodukcija

Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po porudžbini od strane naših umetnika. ( Pređi na štampu Pređi na digitalnu sliku)

Saznajte više o ovoj slici

Pregledaj u prostoru AR pregled Pređi na štampu Pređi na digitalnu sliku Pošalji
Detalji o delu Vodič Dodaj u omiljene Preuzmi Slični predmeti Rendgenski snimak Automatska prezentacija Pitanja i odgovori Statistika

Naručite svoju sliku u četiri jednostavna koraka

Ne žurite. Možete promeniti bilo koji odgovor; cena u vašoj korpi se ažurira nakon svakog izbora.

1 Prvi od četiri koraka

Koju veličinu želite?

Ovi formati zadržavaju proporcije originalnog slikarskog dela. Crtež prikazuje vaš izbor na zidu, iznad dvometarske garniture.

Vaša slika: () — sa svojim okvirom.

Ili unesite sopstvene dimenzije

Standardne dimenzije
po meri
CM
INCH

Izaberite jednu od naših unapred definisanih veličina koje odgovaraju originalnim proporcijama umetničkog dela.

širina
visina

Unesite potrebnu širinu i visinu kako bi se slika uklopila u vaš ram ili zid. Pošto je ovo ručno oslikano delo, umetnik može za dimenzije drugačijeg oblika naslikati malo više prostora oko slike ili malo skratiti ivice — izbor je na vama. Pre početka rada, poslaćemo vam digitalni prikaz radi potvrde. Slika prikazana na ovoj stranici ne predstavlja konačan rezultat — samo digitalni prikaz pokazuje stvarnu sliku.

2 Drugi od četiri koraka

Na koji način želite da bude pripremljeno: u rolni, na platnu ili u ramu?

Cene u nastavku odnose se na dimenziju koju ste izabrali u prvom koraku.

Izaberite ivice platna

Izaberite svoj okvir

Corner sample of the WhiteWrap canvas edge finish, stretched on masivno drvo bars
Beli rub дин1
Corner sample of the BlurSideWrap canvas edge finish, stretched on masivno drvo bars
zamrljene ivice дин1
Corner sample of the ExtendedWrap canvas edge finish, stretched on masivno drvo bars
Prošireno дин1
Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118B дин10
Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H дин10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W дин10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z дин10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH дин12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH дин12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H дин10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z дин10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ дин10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G дин10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ дин10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH дин10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ дин12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C дин8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G дин10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH дин8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y дин10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ дин10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G дин10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ дин8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y дин10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ дин8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J дин10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY дин15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH дин15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G дин12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H дин8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG дин15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ дин8
Corner sample of the H24-GOLD picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
H24-GOLD дин30
Corner sample of the H24-SILVER picture frame: rezbarano drvo sa gessoom, 10 cm wide and 6 cm thick
H24-SILVER дин30
Corner sample of the H36-GOLD picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
H36-GOLD дин45
Corner sample of the H36-SILVER picture frame: rezbarano drvo sa gessoom, 15 cm wide and 6.5 cm thick
H36-SILVER дин45

Profil: . Ukupna veličina sa okvirom: .

3 Treći od četiri koraka

Da li biste želeli da nešto promenite na slici?

Većina ljudi odgovara sa ne. Pošto je svaka slika ručno rađena, naš umetnik je može i prilagoditi vašim željama.

Primeri onoga što se može promeniti: Zamena lica fotografijom kupca; Dodavanje ljubimca (npr. zamena mačke psom); Uključivanje skrivene poruke u pozadini; Promena pejzaža ili elemenata u pozadini.
Nakon porudžbine, tim ArtsDot.com će poslati imejl klijentu radi dobijanja uputstava i dostaviti prikaz makete

4 Četvrti korak od četiri

Nekoliko opcija za završnu obradu

Sve su opcione. Odgovori koji su već izabrani ne podrazumevaju dodatni trošak.

Ko je autor?

Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (16 новембар). Bez kompromisa po pitanju kvaliteta.

Plakica, kao u muzeju?

Detalji gravirane bronze ploče

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detalji prozirne akrilne pločice

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detalji crne akrilne pločice

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

Zaštitni lak?

Kada vam je potrebno?

✓ Proverite i naručite

Vaša slika, upravo onakva kakvu ste naručili

Bertillón-Style Camera

Tehnika reprodukcije

Dimenzije reprodukcije

-

Vrhunski maestri umetnosti

Više detalja, prefinjenosti i dodatnog vremena za izradu

-

Okvir za reprodukciju

-

-

Za umetnička dela ili reprodukcije čija je bilo koja strana veća od 105 cm (približno 41 inč), okvir će biti isporučen u obliku rastavljenog seta za sklapanje. Ovaj metod osigurava bezbednu dostavu i sprečava oštećenja tokom transporta.

Potrebna je profesionalna montaža – ovo nije proizvod namenjen samostalnoj izradi.
Set mora sastaviti i platno zategnuti iskusni profesionalni ramitelj, koristeći drveni lepak (nije uključen u set), hvataljku za zatezanje platna i stege kako bi se održao prav ugao okvira dok se lepak suši. Nepravilno sklapanje ili neravnomerno zategnuto platno mogu trajno oštetiti umetničko delo, što nije pokriveno našom garancijom.

  • Sve šipke od masivnog drveta su uključene, precizno isečene po veličini.

  • Montira se pomoću priloženih šrafova, uz dodatno korišćenje lepka za drvo za spojeve u uglovima, koji nije uključen u set i koji vaš čuvar okvira mora obezbediti.

  • Potreban je profesionalni alat koji nije uključen u set: klešta za zatezanje platna (zatezač) i stege za održavanje pravih uglova letvica tokom sušenja lepka.

Važno:
Za spojeve u uglovima neophodan je lepak za drvo, šipke se moraju pričvrstiti stezgama dok lepak potpuno ne osuši, a za zatezanje platna na sklopljenom ramu potrebne su hvataljke za zatezanje platna. Nijedan od ovih alata nije uključen u komplet. Pre naručivanja ove veličine, molimo Vas da unapred obezbedite iskusnog profesionalca za ramačenje.

Kratki opis natpisa

-

-

Zaštitni lak

Sjajni lak (pojačava intenzitet boja, štiti od svetlosti i vlage)

-

Personalizujte svoje umetničko delo

Primeri mogućnosti izmene: Zamena lica fotografijom kupca; Dodavanje ljubimca (npr. zamena mačke psom); Uključivanje skrivene poruke u pozadini; Promena pejzaža ili elemenata pozadine.

-

Hitna dostava

Svetska isporuka () za 3/4 nedelje umesto uobičajenih 5 nedelja. (16 новембар). Bez kompromisa po pitanju kvaliteta.

-

Brza dostava

Dostava širom sveta () u roku od 5 nedelja. (23 новембар).

Uključeno u cenu

Ukupna cena

дин 27438

Ukupna cena дин 27438

Opcija sa staklom dostupna je samo za dimenzije manje od 110 cm

Uključeno uz svaku porudžbinu

  • Besplatna ekspresna dostava širom sveta
  • Visokokvalitetno laneno platno
  • Potpuno osiguranje transporta
  • Garancija povraćaja carine i uvoznih dažbina
  • Garancija vernosti boja
  • Politika povraćaja u roku od 100 dana (samo u slučaju nedostataka)
  • Garancija povrata 100% novca
  • Popust na više proizvoda
Camera for taking photographs of criminals for police records, devised in 1884 by the French anthropologist Alphonse Bertillon. Considered one of the pioneers of anthropometry, he managed to apply the technique to this system of identifying criminals, which was named after him. Anthropometry is based on the study and measurement of different parts of the body that vary between individuals. He applied metric photography, which had fixed rules (for the height of the camera, position, distance from the subject, etc.) and required at least one photograph from the front and one from the side. This camera guaranteed compliance with these rules. Not only that, it could take very precise photographs of the outer ear⁠—another part of the body that the anthropologist discovered to contain numerous details that are unique to each person, allowing them to be identified over a great number of years. This camera was used to photograph the right ear. Over time, as new identification techniques were discovered, such as fingerprints and DNA, this method fell out of use.

Pitanja i odgovori

Da li je dostupno preuzimanje "Bertillón-Style Camera" u visokoj rezoluciji?

„Bertillón-Style Camera“ je dostupan kao preuzimanje digitalne slike visoke rezolucije, a možete ga kupiti direktno na njegovoj Digitalna slika u visokoj rezoluciji stranici.

Gde mogu pronaći umetnička dela slična delu „Bertillón-Style Camera”, autor Alphonse-Joseph-Amédée Bertillon?

Stranica Slična dela za delo „Bertillón-Style Camera”, autor Alphonse-Joseph-Amédée Bertillon prikazuje srodna umetnička dela.

Koliko je godina imao/la Alphonse-Joseph-Amédée Bertillon u vreme nastanka dela "Bertillón-Style Camera"?

Alphonse-Joseph-Amédée Bertillon je kreirao/la "Bertillón-Style Camera" u uzrastu od 31 godina. Umetnik je rođen/a 1853, a delo je datirano na 1884. godinu.

Biografija umetnika

Alphonse Bertillon: The Pioneer of Physical Identification

Alphonse Joseph Amédée Bertillon, born in the bustling heart of Paris in 1853, wasn’t a painter or sculptor—he was a revolutionary figure in the nascent field of forensic science. Often dubbed “the father of criminal identification,” Bertillon’s legacy isn't found in brushstrokes or sculpted form, but rather in the meticulous measurements and photographic records that fundamentally altered how law enforcement approached crime solving. His story is one of quiet observation, relentless organization, and a surprising impact on both French society and the global pursuit of justice.

Bertillon’s early life offered little indication of his future groundbreaking work. Born into a family steeped in intellectual pursuits—his father, Louis-Adolphe Bertillon, was a renowned statistician and professor at the École Pratique de Santé – Alphonse himself struggled academically, ultimately failing to complete medical school. Rather than accepting a conventional career path, he found employment as a clerk within the Parisian police department’s records office in 1879. It was here, amidst a chaotic collection of criminal files and fragmented witness accounts, that Bertillon began to formulate his revolutionary idea: a systematic method for identifying criminals based not on fleeting impressions or unreliable testimonies, but on precise physical measurements.

The Birth of Anthropometry

Bertillon’s system, dubbed “anthropometry,” was far more than simply taking someone's height and weight. It involved a remarkably detailed process, meticulously documented in his 1883 publication, *Identification Anthropométrique*. He developed a series of eleven key measurements – from the width of the skull to the length of the feet, the circumference of the arms, and even the shape of the ears – each carefully recorded and cataloged. Crucially, he also incorporated photographs, creating what became known as “mug shots” – standardized portraits that captured not just a person’s likeness but also their unique physical characteristics. These photographs were then meticulously filed alongside the measurement data, forming a comprehensive ‘speaking portrait’ of each individual.

The system was initially met with skepticism by some within the police force, who questioned its practicality and potential for error. However, Bertillon's unwavering conviction and the demonstrable success of his method – he successfully identified 241 recidivist criminals using his system in a remarkably short period – eventually won over the authorities. The Paris police department formally adopted anthropometry in 1884, marking a pivotal moment in the history of law enforcement.

A System Superseded

Bertillon’s anthropometric system enjoyed widespread adoption throughout Europe and even extended to North America during the late 19th century. It offered a tangible solution to the challenges of identifying criminals who frequently changed their appearance, relying instead on immutable physical traits. However, Bertillon's method was not without its limitations. The process was time-consuming, requiring highly trained technicians and meticulous record keeping. Furthermore, measurements could fluctuate over time due to factors such as age and growth spurts. As a result, the system gradually began to be superseded by fingerprinting – a far more reliable and efficient method of identification.

Despite this decline in prominence, Bertillon’s contributions were profound. He pioneered the use of standardized photography in criminal investigations, establishing protocols for capturing consistent and detailed images that remain relevant today. His meticulous record-keeping practices laid the groundwork for modern forensic databases, and his emphasis on systematic observation influenced subsequent developments in crime scene investigation.

A Troubled Legacy

Sadly, Bertillon’s legacy is inextricably linked to one of the most infamous injustices in French history: the Dreyfus Affair. In 1894, Alfred Dreyfus, a Jewish officer in the French army, was wrongly accused of treason and convicted based largely on flawed anthropometric evidence compiled by Bertillon. The system's inherent biases – particularly its susceptibility to misinterpretation and racial prejudice – contributed significantly to the wrongful conviction. The subsequent public outcry and eventual exoneration of Dreyfus exposed the dangers of relying solely on flawed scientific methods, highlighting the importance of critical thinking and due process.

Despite this tragic episode, Alphonse Bertillon’s impact on law enforcement remains undeniable. He transformed the way criminals were identified, establishing a framework for physical identification that paved the way for modern forensic science. Born from a desire to bring order to chaos, Bertillon's legacy serves as both a testament to human ingenuity and a cautionary tale about the potential consequences of flawed judgment.