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Giclée tisk / Umetniški tisk
Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. (
Kupi ročno naslikano sliko Kupi digitalno sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.
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Giclée tisk / Umetniški tisk
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Biografija umetnika
Yasui Sōtarō: A Pioneer of Modern Japanese Painting
Early Life and Training
Yasui Sōtarō, born on May 17, 1888, in Kyoto, Japan, was a pivotal figure in the development of modern Japanese painting. He initially defied his family’s expectations by abandoning commercial studies to pursue art. His formal training began at the Shōgoin Institute of Western Art (later known as Kansai Bijutsuin) under the guidance of Asai Chū. This foundation in Western painting techniques proved crucial for his future artistic explorations, alongside fellow student Ryuzaburo Umehara.Years in France and Artistic Influences
In 1907, at the age of nineteen, Yasui Sōtarō embarked on a transformative journey to Paris, where he studied at the Académie Julian under Jean-Paul Laurens. For seven years (until 1914), he immersed himself in the European art scene. He was profoundly influenced by Realist masters like Jean-François Millet and Pierre-Auguste Renoir, but it was Paul Cézanne’s emphasis on form and structure that left a lasting impression, shaping his unique artistic vision.Artistic Style and Development
Returning to Japan in 1915 with the outbreak of World War I, Yasui Sōtarō began to forge his distinctive style – often referred to as the “Yasui style.” This approach masterfully blended Western painting techniques with Japanese aesthetic sensibilities. His work is characterized by bold deformations, deliberate omissions, and a striking use of color. He sought to move beyond mere imitation of Western styles, aiming for an authentically modern Japanese expression. A period of health challenges followed his return, but he persevered in refining his unique approach.Notable Works and Achievements
Some of Yasui Sōtarō’s most celebrated works include:- Artist and His Model (1934): A prime example of his mastery of Western-style portraiture.
- View of the Boso Peninsula (1932): Demonstrates his ability to capture Japanese landscapes through a distinctly modern lens.
- Black-haired Woman (1924)
- Portrait of a Woman (1930)
- Chin-Jung (1934)
Historical Significance and Legacy
Yasui Sōtarō’s innovative approach revolutionized Japanese portraiture and landscape painting in the 20th century. He played a crucial role in the development of Yōga (Western-style) painting in Japan, successfully integrating Western techniques with Japanese artistic traditions. His work continues to inspire artists today, and his paintings are held in prominent collections such as those at the Art Institute of Chicago and the Hiroshima Museum of Art. He received the Order of Culture from the Japanese government in 1952, recognizing his significant contributions to the nation’s cultural heritage. Yasui Sōtarō passed away on December 14, 1955, leaving behind a legacy as one of Japan's most important modern painters.
yasui sōtarō
1888 - 1955 , Japan
Hitri podatki
- Birth Date: May 17, 1888
- Birth Place: Kyoto, Japan
- Death Date: December 14, 1955
- Influenced By:
- Jean-François Millet
- Pierre-Auguste Renoir
- Paul Cézanne
- Movement: Yōga (Western-style)
- Name: Yasui Sōtarō
- Nationality: Japanese
- Notable Works:
- Artist and his model (1934)
- View of the Boso Peninsula (1932)
