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One Day on Two Orbits

Nadia Kaabi-Linke is a Tunis-born, Berlin-based conceptual artist exploring geopolitics, immigration & identity through sculpture & installation. Known for 'Flying Carpets,' her work resides in major museums worldwide.

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Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. (Kupi ročno naslikano sliko Kupi ročno naslikano slikoSwitch to Digital Image Switch to Digital Image)

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Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
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Skupna cena

$ 62

reproduction

One Day on Two Orbits

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Velikost reprodukcije

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Skupna končna cena

$ 62

One Day on Two Orbits is a permanent floor sculpture by Nadia Kaabi-Linke that shows the shadows of a bicycle on the ground over the course of one day, following the gradual transition from day to night, from the sun to the moon. While the bicycle itself is invisible, the shape of the revolving shadow forms an image reminiscent of astronomical photographs of distant galaxies.The work pays homage to Ibn al-Haytham, who introduced the idea that the sun and the moon revolve on geometrically and temporally different orbits. This discovery led to a better understanding of both space and time on Earth and explained the existence of two calendar systems. One Day on Two Orbits is a memorial for a celestial discovery that not only relocated the Earth in the solar system, but also harmonised different cultures of time.

Biografija umetnika

The Cartography of Identity: The Life and Vision of Nadia Kaabi-Linke

Born in the vibrant, multicultural landscape of Tunis in 1978, Nadia Kaabi-Linke has cultivated a creative practice that serves as a profound meditation on the fluidity of borders and the complexities of human movement. Her early life was defined by a nomadic existence, traversing the diverse cultural landscapes of Kyiv, Dubai, and Paris before settling into her current role as a prominent figure in the Berlin art scene. This upbringing, characterized by a constant negotiation between different geographies and languages, instilled in her a deep-seated fascination with narratives that exist beyond nationalistic boundaries. It is this unique perspective—one that views the world not as a collection of fixed territories but as a web of interconnected journeys—that forms the very heartbeat of her conceptual explorations.

Kaabi-Linke’s intellectual foundation is as rigorous as it is expansive. After honing her technical skills at the Tunis Institute of Fine Arts, she pursued a doctorate in the Philosophy of Art from Sorbonne University. This academic depth allows her to approach sculpture and installation not merely as physical objects, but as philosophical inquiries into how art shapes our cultural understanding and challenges established societal structures. Her work rarely relies on purely aesthetic allure; instead, it prioritizes the weight of ideas, using materiality to interrogate the invisible lines that divide and connect us in an era of unprecedented global migration.

Materiality and Movement: The Language of Installation

The essence of Kaabi-Linke’s work lies in its ability to transform physical materials into powerful symbols of displacement and memory. She often utilizes textiles, maps, and architectural elements to create immersive environments that evoke the sensation of transit. Her approach is deeply rooted in the concept of transnational identity, where the medium itself becomes a vessel for stories of movement. By manipulating textures and forms, she invites the viewer to experience the psychological weight of being caught between worlds—the tension between the desire for belonging and the reality of flux.

One cannot discuss her contribution to contemporary art without addressing the monumental impact of her breakthrough project, “Flying Carpets.” Commissioned by the Abraaj Group Art Prize in 2011, this sprawling textile installation stands as a testament to her ability to weave complex geopolitical themes into a tangible, breathtaking experience. The work utilizes intricately woven fabrics to create an atmosphere that is simultaneously ethereal and grounded, reflecting the fragmented yet beautiful nature of migratory experiences. Through this piece, she successfully translated the abstract concept of global displacement into a sensory reality that resonates with audiences worldwide.

Global Recognition and Artistic Legacy

As her career progressed, Kaabi-Linke’s influence expanded far beyond the borders of Europe. Her recognition at prestigious international platforms, such as receiving the Discovery Prize for Emerging Art at Art Basel Hong Kong in 2014, solidified her status as a vital voice in the global contemporary art dialogue. Her exhibitions, spanning solo shows across North America and Europe, continue to challenge viewers to reconsider their perceptions of citizenship, sovereignty, and the human condition.

The historical significance of Nadia Kaabi-Linke’s work lies in its timely interrogation of the most pressing issues of our age: geopolitics, immigration, and the shifting nature of identity. Her ability to bridge the gap between high-level philosophical inquiry and visceral, sculptural installation ensures that her art remains a crucial touchstone for understanding the modern world. As her works find permanent homes in major museums across the globe, she leaves behind a legacy of art that does not merely observe the world's borders, but actively seeks to reimagine them.

nadia kaabi-linke

nadia kaabi-linke

1978 - , Tunisia

Hitri podatki

  • Artistic Movement Or Style: Conceptual art
  • Date Of Birth: 1978
  • Full Name: Nadia Kaabi-Linke
  • Nationality: Tunisian
  • Notable Artworks: ['Flying Carpets']
  • Place Of Birth: Tunis, Tunisia