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StatistikaArmchair
- 61.0 x 65.0 cm
Preberi več
Umetniška dela, prikazana na tej strani, so zaščitena z avtorskimi pravicami, kar pomeni, da po zakonu ne moremo ustvarjati ali prodajati identičnih reprodukcij. Ta zaščita se izvaja v skladu z mednarodnimi sporazumi, kot so Bernska konvencija in po nacionalnih zakonih, vključno s tistimi, ki jih določa Zakon o avtorskih pravicah ZDA – naslov 17.
Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitenga umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.
Giclée tisk / Umetniški tisk
Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. (
Kupite ročno slikano delo Preklop na digitalno sliko)
P118B €10
P118H €10
P118W €10
P438Z €10
P508JH €12
P508YH €12
P805H €10
P805Z €10
P919BZ €10
P919G €10
P919XJ €10
P959ZH €10
P968JZ €12
W106C €8
W218G €10
W218JH €8
W218Y €10
W307PJ €10
W316G €10
W316PJ €8
W316Y €10
W398PJ €8
W4111J €10
W500HY €15
W500JH €15
W692G €12
W849H €8
W940BG €15
W953PJ €8
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Vnesite širino in višino, ki jih potrebujete za svoj okvir ali steno. Tiskanje se lahko le odreže, vendar ga ni mogoče narediti večjega od slike, zato format z drugačno obliko pomeni izgubo dela slike. Pred tiskanjem vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ne prikazuje dejanskega izrezka — le predogled to omogoča.
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Možnost stekla je na voljo le za velikosti pod 110 cm
Armchair
Giclée tisk / Umetniški tisk
Velikost reprodukcije
-
Skupna cena
€ 56
The LC2 Armchair: A Testament to Minimalist Elegance
The Le Corbusier LC2 Armchairs stand as an enduring emblem of mid-century modern design, embodying principles of functionality and sculptural form that continue to resonate with contemporary aesthetics. Created in 1931 by Ludwig Mies van der Rohe and Pierre Jeanneret for the Maison Citroën showroom in Paris, these chairs represent a pivotal moment in architectural history—a deliberate rejection of ornate decoration in favor of clean lines and geometric precision. Their influence extends far beyond the design world, shaping countless interiors and inspiring generations of designers to prioritize simplicity and beauty.- Design Philosophy: Mies van der Rohe’s unwavering commitment to “less is more” drove the LC2's conceptual framework. Rejecting superfluous ornamentation, the duo sought to distill furniture into its essential elements—structure, material, and form—creating a piece that speaks volumes without resorting to visual clutter.
- Materials: The LC2’s construction utilizes three primary materials: bent plywood for the frame, chrome steel tubing for structural support, and cowhide leather upholstery for comfort and textural contrast. This careful selection reflects the modernist ethos of utilizing industrial processes to achieve refined results.
- Geometric Precision: The chair's design is characterized by impeccable geometric accuracy—tubular frames intersecting at precise angles, creating a stable yet visually arresting structure. The plywood panels are bent into elegant curves that complement the straight lines of the frame, resulting in an harmonious balance between form and function.
Historical Context: Bauhaus Influence & Citroën’s Vision
The LC2 Armchairs emerged during the Bauhaus movement—a German art school founded in Weimar in 1919 that championed functionalist ideals and challenged traditional artistic conventions. Mies van der Rohe, a former Bauhaus instructor, absorbed these principles into his architectural practice and subsequently applied them to furniture design. Simultaneously, Citroën’s desire for a showroom space that reflected the company's innovative spirit fueled the project—a bold statement against prevailing decorative trends. The LC2 Armchairs became synonymous with Citroën’s commitment to modernity and technological advancement.- Bauhaus Legacy: Mies van der Rohe’s Bauhaus training instilled in him a profound understanding of industrial design, emphasizing efficiency and aesthetic harmony. This influence is palpable in the LC2's meticulous construction and restrained materiality.
- Citroën Showcase: The showroom was conceived as an experimental space—a deliberate departure from conventional retail environments. The LC2 Armchairs served as a focal point for this vision of understated elegance, demonstrating how simplicity could convey sophistication.
Symbolism & Emotional Impact
Beyond its technical brilliance, the LC2 Armchair carries symbolic weight—representing the triumph of rational thought over ornamentation and embodying the humanist ideals of Bauhaus. Its sleek form conveys a sense of calm and serenity, inviting contemplation and relaxation. The tactile qualities of cowhide leather contribute to this emotional resonance—providing warmth and texture against the cool sheen of chrome steel. “The LC2 Armchair is not merely furniture; it’s an embodiment of architectural principles translated into domestic comfort,” remarked renowned design historian Norbert Schiele. “It speaks to a desire for clarity, restraint, and timeless beauty—values that continue to define modern interior spaces.” The chair's enduring popularity testifies to its ability to capture the spirit of an era while offering unparalleled aesthetic pleasure.Technique & Reproduction Considerations
The LC2 Armchairs exemplify masterful craftsmanship—a testament to the precision required in bending plywood and assembling tubular frames. Reproductions strive to faithfully recreate these original qualities, utilizing high-quality materials and employing meticulous fabrication techniques. When selecting a reproduction, consider factors such as upholstery material (genuine leather offers superior durability and patina), frame finish (polished chrome maintains its luster over time), and overall dimensional accuracy—ensuring that the resulting piece captures the essence of Le Corbusier’s iconic design.Vprašanja in odgovori
Kakšna je medsebojna skladnost barv v delu "Armchair"?
Barve v delu "Armchair" avtorja Le Corbusier odražajo Softly Mixed Palette harmonijo. Harmonija opisuje odnos barv med seboj.
Ali je "Armchair" ostalo v domovini svojega avtorja?
Ne – umetniško delo se nahaja v tujini. Delo "Armchair" se nahaja v državi Croatia, medtem ko je Le Corbusier rojen/a v državi Switzerland.
Kakšno vzdušje in čustvo se prepletata v "Armchair"?
V "Armchair" Elegant vzdušje dopolnjuje Calm čustvo.
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