Harmagh
1967
121.0 x 153.0 cm
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Ta način v celoti upošteva zakonodajo o avtorskih pravicah, saj ne vključuje kopiranja ali podvajanja zaščitena umetniškega dela. Namesto tega gre za kreativno preinterpretacijo – novo sliko, ki je navdihnjen rezultat originala, vendar ni z njim identična.
Giclée tisk / Umetniški tisk
Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. ( Naročite ročno slikano reprodukcijo
Preklop na digitalno sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Vnesite širino in višino, ki jih potrebujete za svoj okvir ali steno. Tiskanje se lahko le odreže, vendar ga ni mogoče narediti večjega od slike, zato format z drugačno obliko pomeni izgubo dela slike. Pred tiskanjem vam pošljemo digitalni predogled za potrditev. Slika, prikazana na tej strani, ne prikazuje dejanskega izrezkov — le predogled to omogoča.
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Harmagh
Giclée tisk / Umetniški tisk
Velikost reprodukcije
-
Skupna cena
€ 54
Sorodna umetniška dela
Biografija umetnika
Early Life and Education
- Born: October 18, 1906, St. Louis, Missouri
- Family moved to Dallas, Texas in 1916
- Studied art at Southern Methodist University (1922-1924)
- Private lessons with James A. Waddell and Martha Simkins in Dallas
- Moved to New York City in 1926
- Studied at the Art Students League under Boardman Robinson and Kimon Nicolaides
- Worked as a commercial artist to support himself
The WPA Years and Early Murals
- Active in the Works Progress Administration (WPA) Federal Art Project from 1936-1942
- Painted three murals for the WPA, demonstrating social realist style.
- Flight (1940-1942): A significant mural at La Guardia Airport's Marine Air Terminal, depicting the history of aviation. It was the largest WPA mural and later restored after being painted over.
- Friendships with Jackson Pollock and Philip Guston during this period
Abstract Expressionist Period: Style and Development
- Served as a combat artist in the U.S. Army (1942-1945)
- Returned to New York City in 1946, reconnected with Pollock and Krasner
- Shifted towards Abstract Expressionism, influenced by Surrealist principles
- Developed a unique staining technique: Experimenting with the bleed of paste through canvas.
- Early works showed influences of Synthetic Cubism.
- Palette initially featured browns, grays, blacks and vivid colors.
- Later work incorporated larger forms, broader strokes, and simpler compositions using acrylics.
- Often used numbers and letters to identify paintings, incorporating nonsense syllables as titles (e.g., *Pask*, *Burwak*, *Jondol*).
Major Exhibitions and Recognition
- First solo exhibition at the Peridot Gallery in New York City (1949)
- Participated in the historic Ninth Street Exhibition (1951) – a key event in Abstract Expressionism.
- Featured in exhibitions such as Twelve Americans and New American Painting at the Museum of Modern Art.
- Documenta, Kassel, West Germany (1959).
- John Simon Guggenheim Memorial Foundation Fellowship (1969)
Legacy and Historical Significance
- Considered a first-generation Abstract Expressionist painter.
- Known for his innovative staining techniques and lyrical abstraction.
- His work is held in prominent collections including the Art Institute of Chicago, The Museum of Modern Art, Tate Gallery, and National Gallery of Art.
- Brooks's artistic journey reflects the evolution of Abstract Expressionism and his willingness to experiment with new approaches to painting.
- Died on March 9, 1992, in East Hampton, New York.
James Brooks
1906 - 1992 , United States of America
Ključne informacije
- Full Name: James Brooks
- Nationality: American
- Date Of Birth: 1906
- Date Of Death: 1992
- Place Of Birth: St. Louis, United States of America
- Notable Artworks: ['Flight (LaGuardia Airport mural)']
- Artistic Movement Or Style: Abstract Expressionism
- Artists Who Influenced This Artist:
- Jackson Pollock
- Lee Krasner
- Pablo Picasso
- Georges Braque

Možnost stekla je na voljo le za velikosti pod 110 cm