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Acrylic On Canvas- WallArt
- Neoclassicism
1786- Renaissance
2359.0 x 395.0 cm
Hermitage Museum
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Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave.
P118B $10
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Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.
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Biografija umetnika
Francesco Bartolozzi: Life and Legacy
Early Life and Training
- Born: Florence, Italy in 1725.
- Initially destined to follow his father’s profession as a goldsmith and silversmith.
- Demonstrated exceptional artistic talent early on, leading him to study painting under Florentine artists Ignazio Hugford and Giovanni Domenico Ferretti.
- Spent three years dedicated to painting before turning his attention to engraving in Venice.
- Influenced by the work of Joseph Wagner, a prominent engraver, during his time in Venice.
Artistic Development and Style
- Bartolozzi’s early engravings were initially in the style of artists like Marco Ricci and Zuccarelli.
- He later developed a distinctive style, becoming renowned for popularizing the “crayon” method of engraving.
- The ‘crayon’ manner imitated the subtle effects of chalk drawings, creating soft, delicate textures and tones.
- His work often featured portraits and allegorical scenes, reflecting Neoclassical influences.
Career in London
- Moved to London in 1764 and remained there for nearly forty years.
- Quickly established himself as a leading engraver, appointed ‘Engraver to the King’ with an annual salary of £300.
- Elected a founding member of the Royal Academy in 1768, solidifying his position within the British art establishment.
- Contributed significantly to Boydell's Shakespeare Gallery, creating engravings based on works by prominent artists.
- Frequently collaborated with artists such as Cipriani and Angelica Kauffman.
Major Achievements and Works
- Notable works include engravings of “Clytie” after Annibale Carracci and the “Virgin and Child” after Carlo Dolci.
- His skill in reproducing paintings with a chalk-like quality made his engravings highly sought after.
- In 1802, he became the founding president of the short-lived Society of Engravers.
- Bartolozzi’s influence extended to numerous pupils, including Michele Benedetti and Luigi Schiavonetti.
Later Life and Historical Significance
- In 1802, Bartolozzi accepted the position of director of the National Academy of Lisbon.
- He died in Lisbon in 1815.
- Bartolozzi’s contribution to engraving lies in his mastery and popularization of the crayon manner, which significantly impacted the aesthetic qualities of engravings during his time.
- His work remains a testament to the skill and artistry of 18th-century engravers and continues to be appreciated for its delicate beauty and technical brilliance.
Francesco Bartolozzi
1725 - 1815 , Italy
Hitri podatki
- Birth Date: 1725
- Birth Place: Florence, Italy
- Death Date: 1815
- Influenced: Michele Benedetti, Ignatius Joseph van den Berghe, Thomas Cheesman, Lambertus Antonius Claessens, Daniel Gardner, Christiaan Josi, Johan Fredrik Martin, Conrad Martin Metz, Luigi Schiavonetti, John Keyse Sherwin, Heinrich Sintzenich, Peltro William Tomkins, Don Bernardo Zilotti, Gabriel Scorodomoff
- Influenced By: Joseph Wagner, Ignazio Hugford, Giovanni Domenico Ferretti
- Movement: Neoclassical
- Name: Francesco Bartolozzi
- Nationality: Italian
- Notable Works: Clytie, Virgin and Child, plates for Shakespeare Gallery
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