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Predvajaj diaporamaUntitled
1989
54.0 x 56.0 cm
Royal College of Art
Razviljaj več
Giclée tisk / Umetniški tisk
Giclée ali platnati odtis muzejske kakovosti z hitro proizvodnjo in prilagodljivimi možnostmi končne obdelave. (
Preklopite na ročno slikano delo Preklop na sliko)
Izberite eno od naših vnaprej določenih velikosti, ki ustrezajo prvotnim proporcijam umetničkega dela.
Svoje dimenzije lahko vnesete sami, da bodo ustrezne za določen okvir ali prostor. Če izbrana velikost ne bo skladna z razmerji izvirne slike, bomo umetniško delo orezali ali podaljšali s pomočjo ogledalnega odraza ali barvno polnega roba. Pred začetkom proizvodnje vam bomo poslali digitalni predogled za potrditev.
Upoštevajte, da predogled na zaslonu ne prikazuje dejanskega orezovanja ali podaljševanja. Le digitalni predogled bo natančno prikazal končno kompozicijo.
Čeprav so na voljo prilagojene velikosti, priporočamo izbiro dimenzije s predhodno določenega seznama, da ohranite prvotna razmerja.
Globalna dostava () v 2 tednih namesto standardnih 4/5 tednov. (9 avgust)
Brezplačna ekspresna dostava po vsem svetu
Visokokakovostno laneno platno
Popolno zavarovanje pošiljke
Garancija povračila carine in uvoznih davkov
Garancija popolnega ujemanja barv
60-dnevna politika vračanja (le v primeru napak)
Garancija 100% povračila denarja
Popust pri večjem naročilu
Možnost stekla je na voljo le za velikosti pod 110 cm
Untitled
Giclée tisk / Umetniški tisk
Velikost reprodukcije
-
Skupna končna cena
$ 62
Sorodna umetniška dela
Biografija umetnika
Andrew Grassie (born 1966)
Andrew Grassie is a Scottish artist born in Edinburgh in 1966, whose distinctive approach to painting—characterized by meticulous detail and self-referential explorations of the artistic process—has garnered critical acclaim and secured his place within contemporary art history. Educated at St Martins School of Art and subsequently at the Royal College of Art, Grassie’s formative years instilled in him a profound understanding of both traditional craft techniques and conceptual frameworks that would underpin his subsequent artistic endeavors. Grassie's artistic practice revolves around creating tempera paintings on paper copies of photographs—a method he termed “Extreme Replication”—that simultaneously interrogates the nature of representation and acknowledges the inherent limitations of capturing reality through visual media. This technique, rooted in Renaissance painting traditions yet radically reimagined for the 21st century, involves painstakingly transferring photographic images onto paper using egg tempera, a medium known for its luminosity and ability to preserve tonal nuances over extended periods. The resulting paintings are not mere reproductions but rather complex meditations on perception, materiality, and the artist’s role in mediating between observation and artistic creation. A pivotal moment in Grassie's career arrived with his victory at the 23rd John Moores Painting Prize in 2004 for *The Making of the Painting*. This artwork—a self-portrait depicting the studio space where he executed his paintings—became a symbol of Grassie’s artistic philosophy: an acknowledgement of the artist's presence within the creative process and a deliberate disruption of conventional notions of authorship. The piece’s unsettling juxtaposition of photographic realism and painterly abstraction prompted critical discussion about the relationship between artifice and authenticity, cementing Grassie’s reputation as a provocateur of ideas. Grassie’s work gained considerable recognition through its inclusion in Tate Britain's Art Now series in 2005, where he presented *The Hanging of New Hang*, an ambitious project that involved relocating artworks from the gallery into his studio and photographing them before recreating them in tempera. This conceptual undertaking challenged viewers to reconsider their understanding of art exhibitions and questioned the role of the institution in shaping artistic discourse. The resulting paintings—characterized by subtle tonal variations and a palpable sense of melancholy—were praised for their psychological depth and their ability to evoke profound emotional responses. Grassie’s oeuvre extends beyond individual artworks; he actively engages with teaching roles at institutions such as City and Guilds of London Art School and University of the Arts, Camberwell, fostering the development of young artists and disseminating his artistic vision across generations. Represented by Maureen Paley in London, Grassie continues to refine his practice while maintaining a steadfast commitment to exploring themes of memory, materiality, and the complexities of visual representation—solidifying his legacy as one of Scotland’s most distinctive voices within contemporary art.
andrew grassie
1966 -
Hitri podatki
- Artistic Movement Or Style: Photorealism
- Artists Or Movements Influenced By This Artist: ['Minimalist Sculpture']
- Artists Who Influenced This Artist:
- Vermeer
- Ladybird Books
- Date Of Birth: 1966
- Full Name: Andrew Grassie
- Nationality: Scottish
- Notable Artworks:
- The Making of the Painting
- Small copies of photographs of 1960s minimalist sculpture
- Place Of Birth: Edinburgh, Scotland
