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Explore William Zorach (1889-1966), a Lithuanian-American sculptor & painter who championed Cubism. Discover his direct carving, vibrant watercolors & legacy!

Umelecké dielo zobrazené na tejto stránke je chránené autorským zákonom, čo znamená, že nemôžeme legálne vytvárať ani predávať jeho identickú reprodukciu. Táto ochrana je vymáhaná na základe medzinárodných dohôd, ako napríklad Bernská konvencia a národnými zákonmi, vrátane tých, ktoré sú stanovené v Autorské právo USA – Title 17. Všetky práva vyhradené.

Táto metóda plne dodržiava autorské práva, pretože nezahŕňa kopírovanie ani duplikovanie chráneného diela. Ide skôr o kreatívnu reinterpretáciu – nový obraz, ktorý je ovplybnený originálom, no nie je s ním identický.

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Giclée tlač alebo plátno múzeálnej kvality s rýchlou výrobou a rôznymi možnosťami povrchovej úpravy. ( Kúpiť ručne maľovaný obraz Prepnúť na digitálny obraz)

Corner sample of the P118B picture frame: lisovaný polystyrén, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: lisovaný polystyrén, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: lisovaný polystyrén, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: lisovaný polystyrén, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: lisovaný polystyrén, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: lisovaný polystyrén, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masívne drevo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masívne drevo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masívne drevo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masívne drevo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masívne drevo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masívne drevo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masívne drevo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masívne drevo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masívne drevo, 7 cm wide and 5 cm thick
W500HY €15
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Corner sample of the W849H picture frame: masívne drevo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masívne drevo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masívne drevo, 6 cm wide and 3.5 cm thick
W953PJ €8

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Giclée / Umenotlač

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Celková cena

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Biografia umelca

Early Life and Education

William Zorach, born Zorach Gorfinkel on February 28, 1889, in Jurbarkas, Lithuania (then part of the Russian Empire), was the eighth of ten children. His family emigrated to Cleveland, Ohio, in 1894. The Zorachs faced poverty and discrimination upon arrival in America. William left school after the seventh grade to support his family, working as a lithographer's apprentice. He later pursued artistic training at the Cleveland School of Art from 1905 to 1907, studying drawing and painting. In 1908, he moved to New York City and enrolled in the National Academy of Design. A pivotal moment arrived in 1910 when Zorach traveled to Paris, where he met Marguerite Thompson, who would become his wife and a fellow artist.

Artistic Development and Influences

While in Paris, Zorach encountered European modern art movements like Fauvism and Cubism, significantly influencing his artistic direction. He exhibited at the Salon d’Automne, gaining early recognition. His return to America in 1912 coincided with the groundbreaking Armory Show of 1913, which introduced his work to a wider American audience. Zorach's paintings during this period reflected his embrace of these modernist styles. However, by 1922, he shifted his focus from painting to sculpture, a medium in which he would achieve lasting recognition. He pioneered the technique of direct carving, working directly with stone boulders and other materials without preliminary models. His sculptural style drew inspiration from Egyptian, Greek, and primitive art forms.

Major Works and Artistic Style

Zorach's sculptures are characterized by their simplified geometric forms, expressive qualities, and depictions of family members, pets, and portraits. Notable works include *Spirit of Dance* for Radio City Music Hall, a large-scale bronze sculpture that exemplifies his ability to convey movement and emotion. His watercolors, often depicting the Maine coast where he lived, showcase his sensitivity to light, color, and atmosphere. Zorach's artistic style is marked by a directness and spontaneity in carving, emphasizing sculptural values while exploring themes of love, strength, and inner peace. He frequently used granite boulders, finding inspiration in their natural patterns and colors.

Recognition and Legacy

Throughout his career, William Zorach received numerous accolades and commissions. In 1927, he was awarded the Logan Medal of the Arts. He became a member of the American Academy of Arts and Letters in 1953. For thirty-three years, he taught sculpture at the Art Students League of New York. His works are held in prestigious collections worldwide, including the Smithsonian American Art Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. Zorach's legacy lies in his pioneering role in introducing European modernism to America, his innovative direct carving technique, and his ability to create emotionally resonant sculptures that celebrate human connection and the beauty of the natural world. He died on November 15, 1966, leaving behind a significant body of work that continues to inspire artists and art enthusiasts today.
William Zorach

William Zorach

1887 - 1966 , Russia

Základné informácie

  • Full Name: William Zorach
  • Nationality: American
  • Date Of Birth: 1887
  • Date Of Death: 1966
  • Place Of Birth: Jurbarkas, Russia
  • Notable Artworks:
    • Along the Rhone, Avignon (1910)
    • Untitled (mural study) (1943)
  • Artistic Movement Or Style: Cubism, Fauvism
  • Artists Who Influenced This Artist: ['Elmer Brubeck']
  • Artists Or Movements Influenced By This Artist: ['American Modernism']