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Torii Kiyomitsu

Three Tabletop Games

Rozmery
43.0 x 31.0 cm

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Torii Kiyomitsu was a ukiyo-e master known for his benizuri-e actor prints. Discover the beauty of his woodblock art today.
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Giclée / Umenotlač

Giclée tlač alebo plátno múzeálnej kvality s rýchlou výrobou a rôznymi možnosťami povrchovej úpravy. ( Kúpiť ručne maľovaný obraz Prepnúť na digitálny obraz)

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Štandardné
na mieru
CM
INCH

Vyberte si z našich preddefinovaných rozmerov, ktoré zodpovedajú pôvodným pomeroḿ diela.

šírka
výška

Zadajte šírku a výšku, ktoré potrebujete, aby sa reprodukcia hodila k vášmu rámu alebo stene. Print možno len orezávať, nikdy však nemennú veľkosť zvětšiť oproti pôvodnému obrázku, preto pri inom formáte stráca časť obrazu. Pred samotným vytlačiacím procesom vám pošleme digitálny náhľad na schválenie. Obrázok zobrazený na tejto stránke nezobrazuje reálny rez — len digitálny náhľad ukazuje presný výsledok.

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Celosvetová doprava () do 2 týždňov namiesto štandardných 4 až 5 týždňov. (11 november)

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Bezplatná expresná doprava po celom svete
Vysokokvalitné lnianske plátno
Kompletné poistenie prepravy
Záruka vrátenia colného poplatku
Záruka presného farebného zhodnutia
100-dená politika vrátenia tovaru (iba pri vadách)
100% záruka vrátenia peňazí
Zľava pri väčšom množstve
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Celková cena

€ 56

Three Tabletop Games

Giclée / Umenotlač

Veľkosť reprodukcie

-

Celková cena

€ 56

People are enjoying three different Japanese games, from right to left, called

Otázky a odpovede

Ako je vybudovaná farebná kompozícia diela „Three Tabletop Games“ od Torii Kiyomitsu?

Farebná analýza diela „Three Tabletop Games“ od Torii Kiyomitsu zachytáva Gentle kontrast a Unified Palette harmóniu.

Aká sýta je paleta diela „Three Tabletop Games“?

„Three Tabletop Games“ od Torii Kiyomitsu je zachytené s Subtle Color saturáciou.

Ako je opísaná farebná paleta diela „Three Tabletop Games“ od Torii Kiyomitsu?

„Three Tabletop Games“ od Torii Kiyomitsu využíva Neutrals farebnú paletu, ktorá vystihuje celkový farebný charakter diela.

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Biografia umelca

The Third Head of the Torii School

Edo, 1735. A child named Kamejirō enters a world defined by the lineage of the Torii school. He is the son of Torii Kiyonobu II, born into a family that holds a near monopoly on the visual language of the kabuki theater. As he grows, the name Kamejirō fades, replaced by the professional identity of Torii Kiyomitsu.

The workshop functions with a specific, rhythmic purpose. It produces the signboards and promotional materials that announce the arrival of great actors to the masses. For much of his early career, Kiyomitsu operates within these established boundaries. He utilizes the benizuri-e technique, a method of printing that relies on only one or two colors of ink on woodblocks. There is no need for hand-coloring when the graphic impact of pink and green can command the attention of a passing crowd in the entertainment district.

A Shift in Color and Subject

The year 1765 marks a technical rupture. The arrival of full-color prints changes the visual landscape of the floating world. Kiyomitsu does not merely observe this change; he integrates it. His work begins to move beyond the rigid, bombastic lines of his predecessors toward something more nuanced.

While the Torii tradition remains rooted in yakusha-e, or actor prints, Kiyomitsu expands the school's repertoire. He turns his attention to bijinga—pictures of beautiful women. In these works, a different kind of grace emerges. The heavy, theatrical energy of kabuki posters gives way to a dream-like quality in his depictions of young men and women. This period sees him working alongside Suzuki Harunobu, a contemporary whose innovations in multi-block printing redefine the medium.

His subjects vary across the spectrum of Edo life:

  • Kabuki Actors: Capturing specific roles, such as Sawamura Sōjūrō as Kyō no Jirō.
  • Beautiful Women: Exploring the elegance of bijinga.
  • Experimental Subjects: Brief forays into the depiction of nudes, using subtle erotic suggestion.

Legacy and Lineage

The workshop flourishes under his direction, maintaining the core Torii style while allowing for new textures. He remains a bridge between the old, heavy-lined tradition of Kiyonobu II and the more refined, flowing aesthetics of the next generation. His influence is visible in the hands of those he trained.

Two names emerge from his tutelage as significant successors:

  • Torii Kiyotsune: A pupil who continued the family traditions with a distinct, sometimes weary disdain in his actor portraits.
  • Torii Kiyonaga: An artist who would eventually take leadership of the school and become a master of the genre in his own right.

When Kiyomitsu dies on May 11, 1785, he leaves behind a school that has successfully navigated the transition from simple promotional tools to a sophisticated form of popular art. The bold lines of the past have been tempered by the delicate colors of his era.

Torii Kiyomitsu

Torii Kiyomitsu

1735 - 1785 , Japan

Základné informácie

  • Artistic Movement Or Style: Ukiyo-e
  • Artists Or Movements Influenced By This Artist:
    • Torii Kiyonaga
    • Torii Kiyotsune
  • Artists Who Influenced This Artist:
    • Torii Kiyonobu II
    • Torii Kiyomasu II
  • Full Name: Torii Kiyomitsu
  • Nationality: Japanese
  • Notable Artworks:
    • Three Tabletop Games
    • Sawamura Sōjuro as Kyo no Jiro
  • Place Of Birth: Tokyo, Japan
  • Date Of Birth: 1735
  • Date Of Death: 1785