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Photographer Jerry Uelsmann is well-known for creating composite photographs using elaborate combinations of multiple negatives. In this photograph, Uelsmann represents an unreal scene in which silhouetted figures stand on a shore and gaze out at a symmetrical tree that rises out of the white water. By relying on the perception that photographs depict an unmediated version of reality, Uelsmann’s seamless composite photograph plays with the viewer’s expectations of landscape photography.

Вопросы и ответы

Использует ли «Apocalypse II», Jerry N. Uelsmann резкие контрасты или мягкую гармонию?

В работе «Apocalypse II» Bold контраст сочетается с Strong Color Unity гармонией.

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«Apocalypse II» доступна в виде масляная репродукция ручной работы на льняном холсте. Заказ можно оформить на странице Репродукция маслом ручной работы, выбрав подходящий размер.

Находится ли изображение «Apocalypse II», Jerry N. Uelsmann в общественном достоянии?

Статус авторского права для «Apocalypse II», Jerry N. Uelsmann: произведение находится в находится под защитой авторского права. Это определяет, допускается ли свободное воспроизведение изображения.

Биография художника

Early Life and Education

Born: June 11, 1934, Detroit, Michigan, USA
Developed an interest in photography at the age of fourteen.
Earned a BFA from the Rochester Institute of Technology in 1957.
Received MS and MFA degrees from Indiana University in 1960.
Influenced by teachers Minor White, Ralph Hattersley, and Henry Holmes Smith.

Artistic Development and Style

Became known for photomontage, a technique he pioneered in America during the 1960s.
Developed a unique method of composite printing using multiple negatives and extensive darkroom work.
Utilized up to a dozen enlargers simultaneously to create final images.
His style is characterized by surrealistic, allegorical imagery exploring imagination and perception.
Did not seek to create narratives but rather "allegorical surrealist imagery of the unfathomable."
Continues to use traditional equipment despite the advent of digital techniques.

Major Achievements and Recognition

Received a Guggenheim Fellowship in 1967.
Awarded a National Endowment for the Arts Fellowship in 1972.
Had his first solo exhibit at the Museum of Modern Art in 1967.
Fellow of the Royal Photographic Society of Great Britain.
Founding member of the Society of Photographic Education.
His work is held in numerous prestigious museum collections worldwide, including The Metropolitan Museum of Art and the Museum of Modern Art.
Received the Lucie Award in Fine Art in 2015.

Influences and Historical Significance

Inspired by Victorian art photographers like Oscar Gustave Rejlander and Henry Peach Robinson, reviving their combination printing techniques.
His work foreshadowed the use of Adobe Photoshop for creating surrealistic images in the late 20th century.
Expanded the artistic boundaries of photography by challenging traditional notions of photographic purity.
Considered a precursor to digital image manipulation and composite photography.
His process, while now easily replicated digitally, was considered "magical skill" with his analog tools at the time.

Later Life and Legacy

Taught photography at the University of Florida from 1960 until retirement in 1998.
Divorced his third wife, Maggie Taylor, in 2016.
Continues to produce photographs regularly.
Died April 4, 2022.
His legacy lies in pioneering a unique photographic style that blended artistry and technical mastery, influencing generations of photographers and artists.

Jerry N. Uelsmann

1934 - , United States of America

Об авторе

Full Name: Jerry Norman Uelsmann
Nationality: American
Date Of Birth: 1934
Date Of Death: April 4, 2022
Place Of Birth: Detroit, United States of America
Artistic Movement Or Style: Photomontage, Surrealism
Artists Who Influenced This Artist:
- Minor White
- Ralph Hattersley
- Henry Holmes Smith
- Oscar Gustave Rejlander
- Henry Peach Robinson
Artists Or Movements Influenced By This Artist:
- Maggie Taylor
- Digital image manipulation

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