Предпросмотр
Поделиться
Поделиться
Детали произведения
Скачать
Похожие работы
Рентгенография
Слайд-шоуCleopatra
1495
181.0 x 117.0 cm
Британский музей
Читать далее
Масляная репродукция ручной работы
Картина маслом на холсте в выбранном вами размере и раме, написанная на заказ нашими художниками. (
Перейти к печати Переключиться на изображение)
Выберите один из наших стандартных размеров, соответствующих оригинальным пропорциям произведения искусства.
Вы можете указать собственные размеры, чтобы картина идеально вписалась в выбранную раму или пространство. Если выбранный вами размер не соответствует пропорциям оригинала, мы либо обрежем полотно, либо расширим его за счет дополнительных элементов, написанных вручную. Цифровой макет будет отправлен вам на утверждение перед началом производства.
Обратите внимание, что предварительный просмотр на экране не отражает фактическую обрезку или расширение. Только макет точно покажет окончательную композицию.
Хотя доступны индивидуальные размеры, мы рекомендуем выбирать вариант из предопределенного списка, чтобы сохранить исходные пропорции.
После оформления заказа команда ArtsDot.com свяжется с клиентом по электронной почте для уточнения деталей и предоставит предварительный макет
Доставка по всему миру () за 3–4 недели вместо стандартных 5 недель. (1 Август). Без компромиссов в качестве.
Бесплатная экспресс-доставка по всему миру
Высококачественный льняной холст
Полное страхование доставки
Гарантия возмещения таможенных пошлин
Гарантия точного соответствия цветов
Политика возврата в течение 60 дней (только при наличии дефектов)
Гарантия возврата 100% средств
Предложение оптовых скидок
Вариант со стеклом доступен только для размеров менее 110 см
Cleopatra
Техника репродукции
Размер репродукции
-
Итоговая стоимость
$ 263
Похожие произведения
Биография художника
Jacopo de' Barbari: A Venetian Pioneer of Illusionistic Art
Jacopo de’ Barbari remains an enigmatic figure in Renaissance art history, shrouded in mystery regarding his birthdate and early life. Estimates place him between 1450 and 1470, though definitive proof is elusive. Contemporary accounts describe him as “old and weak” by 1511, suggesting a later date of origin—a fascinating paradox considering his remarkable artistic output during his lifetime. While Venetian origins are widely accepted based on biographical details like Albrecht Dürer’s reference (“van venedig geporn”), scholarly debate persists concerning his Germanic connections, ultimately pointing to an Italian heritage substantiated by surviving documents addressed to Germans. His formative years remain largely undocumented, though Alvise Vivarini is considered a possible mentor—a connection that underscores the artistic currents circulating within Venice at the time. Around 1500, he embarked on a transformative journey to Germany, where he served under Emperor Maximilian I in Nuremberg for a year and subsequently collaborated with Frederick III of Saxony in various locations between 1503 and 1505. This period cemented his reputation as “Jacop Walch,” reflecting the prevalent perception of Italians as foreigners within Germanic artistic circles. He continued his artistic endeavors at the court of Joachim I of Brandenburg from 1506 to 1508, demonstrating a consistent commitment to expanding his creative horizons. Barbari’s artistic breakthrough arrived in Nuremberg, where he produced his celebrated “Still Life with Fruits and Insects,” arguably the first instance of trompe l'oeil since antiquity—a technique that deliberately deceives the eye by creating illusions of depth and perspective. This groundbreaking approach was profoundly influenced by Andrea Mantegna and Albrecht Dürer, artists whose mastery of linear perspective and illusionistic rendering served as models for Barbari’s own stylistic innovations. His engravings, numbering twenty-nine, were equally influential, capturing the spirit of the Renaissance with meticulous detail and conveying a sense of realism that surpassed previous artistic conventions. Notably, his monumental woodcuts—particularly “The Triumph of Death”—became iconic representations of mortality and humanist thought, cementing Barbari’s place as one of the foremost printmakers of his era. By 1510, Barbari was actively engaged in artistic commissions for Philip II of Burgundy and Margaret Tudor, demonstrating his versatility across mediums and signaling a shift towards collaborative projects within the burgeoning Netherlandish Renaissance. His final years were marked by illness and culminated in a poignant testament—a gesture reflecting both vulnerability and an unwavering dedication to his craft. The Archduchess Margaret’s generous pension underscored the recognition of Barbari's artistic legacy, securing him a place among the luminaries of his time. He died before 1516, leaving behind a body of work that continues to inspire admiration for its technical brilliance and conceptual depth—a testament to Jacopo de’ Barbari’s enduring contribution to Renaissance art and visual culture.
jacopo de barbari
1460 - 1516
Основные сведения
- Artistic Movement Or Style: Trompe l'oeil & Woodcuts
- Artists Or Movements Influenced By This Artist: ['Renaissance Art']
- Artists Who Influenced This Artist:
- Mantegna
- Dürer
- Date Of Birth: c. 1460/70
- Date Of Death: before 1516
- Full Name: Jacopo de' Barbari
- Nationality: Italian
- Notable Artworks:
- The Triumph of Death
- Mantegna’s Lamentation
- Place Of Birth: Venice, Italy
