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Galleria Civica di Arte Moderna e Contemporanea Torino

Cumpără o printă după Red Mobile - Alexandru Milne Calder

Between the 1920s and ‘30s, Calder regularly made long study and work trips to Paris, where he began to participate in the Abstraction-Création group. Finally, in 1932, at the Galleria Vignon – owned by Marie Cuttolì, an avant-garde collector – he exhibited for the first time, presenting thirty mobile works that were to pave the way for other mobiles to come. Fifteen of these were operated artificially by motors and others were composed of naturally oscillating parts. Later constructions often had supports or were suspended in the air, and were normally composed of painted metal sheets joined by a metal skeleton of slender veins and stems. Apparently it was Marcel Duchamp, on a visit to the exhibition by his American friend, who gave their name to these graceful, floating structures, which could catch the slightest change in the breeze, in stark contrast to the basic characteristics of traditional sculpture - gravity and stability. The Parisian context and close interest of the avant-guard led to the mechanical and biomorphic nature of these works being associated with the organic motifs of the surrealist painting and sculpture of Jean Mirò and Jean Arp. The Dadaist legacy of interest in movement, better still if unpredictable and casual in its effects and forms, which Calder combined with a preference for abstract and heavily stylised language, was stimulated by attention towards primitive cultures, which for the artist essentially meant the ethnic heritage of Native Americans, encountered while wandering around the United States in his youth. These influences spawned abstract anatomies, like this large Red Mobile, always in movement with a calculated balance, aimed at creating a visual equivalent of the harmonious yet unpredictable activity of nature.

Întrebări și răspunsuri

Există un ghid pentru "Red Mobile" de Alexandru Milne Calder?

O pagină de Fișă informativă este disponibilă pentru "Red Mobile" de Alexandru Milne Calder: o fișă informativă imprimabilă despre operă, concepută pentru elevi și utilizare în mediul școlar.

Care sunt dimensiunile originalului "Red Mobile" de Alexandru Milne Calder?

„Red Mobile” măsoară 160 x 400 cm în formatul său original. Dimensiunile originale reprezintă o referință utilă atunci când alegeți dimensiunea unei reproduceri.

Cum este descrisă paleta de culori din "Red Mobile" de Alexandru Milne Calder?

Culorile din "Red Mobile" formează o paletă Neutrals. Această clasificare descrie familiile de culori dominante.

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Biografie artist

Introduction to Alexander Milne Calder

Alexander Milne Calder (MILL-nee) was a Scottish American sculptor born in Aberdeen, Scotland, on August 23, 1846. He is best known for his architectural sculpture of Philadelphia City Hall and both his son, Alexander Stirling Calder, and grandson, Alexander ‘Sandy’ Calder, became significant sculptors in the 20th century. His artistic journey began with a formative influence from his father, John Rhind, a sculptor who instilled in him an early appreciation for stone carving during his childhood years. Calder attended the Royal Academy in Edinburgh where he honed his skills and studied alongside fellow artists, shaping his understanding of classical sculpture traditions. He subsequently moved to London and collaborated on monumental projects like the Albert Memorial, demonstrating his versatility and ambition as a craftsman.

Early Life and Education: Calder’s upbringing in Aberdeen exposed him to the craft of stone carving from a young age, profoundly impacting his artistic sensibilities.
Royal Academy Training: His studies at the Royal Academy provided foundational knowledge in sculpture techniques and broadened his artistic horizons.
London Collaborations: Calder’s involvement with the Albert Memorial showcased his ability to execute large-scale architectural sculptures, cementing his reputation as a skilled artist.

Career Highlights

Calder's professional life unfolded in stages marked by pivotal commissions and collaborations. He secured a prominent role on the construction of Philadelphia City Hall, undertaking an ambitious project that demanded meticulous attention to detail and involved crafting over 250 pieces—primarily marble and bronze—spanning two decades. This monumental endeavor solidified his position as one of Scotland’s foremost sculptors. Furthermore, he was entrusted with creating William Penn, a colossal statue honoring Pennsylvania's founder atop City Hall’s tower, showcasing his mastery of sculptural form and symbolism. Calder’s artistic vision extended beyond architectural projects; he produced striking sculptures like *Indian Figure*, reflecting his engagement with indigenous cultures and artistic experimentation.

Philadelphia City Hall Commission: Calder’s dedication to this project resulted in a masterpiece of architectural sculpture, demonstrating his commitment to ambitious artistic endeavors.
William Penn Statue: The creation of William Penn exemplifies Calder's ability to convey historical significance through monumental sculptural representations.
*Indian Figure*: This sculpture embodies Calder’s exploration of cultural influences and innovative artistic techniques.

Notable Sculptures

Calder’s oeuvre encompasses a diverse range of artworks characterized by both static and kinetic forms. Among his most celebrated creations are the illuminated portals of Philadelphia City Hall, adorned with colored lights—a testament to Calder's meticulous craftsmanship and artistic flair. He also produced *Spirale*, a towering sculpture commissioned for UNESCO headquarters in Paris, reflecting his engagement with contemporary art trends and architectural innovation. His final masterpiece, *Flamingo*, stands proudly at Chicago’s Federal Center Plaza, symbolizing Calder’s enduring legacy as one of America's most influential sculptors.

Philadelphia City Hall Portals: Calder’s incorporation of colored lights into these portals exemplifies his artistic attention to detail and visual impact.
*Spirale*: This monumental sculpture commissioned for UNESCO headquarters demonstrates Calder’s ability to create impactful artworks that resonate with global audiences.
*Flamingo*: Calder's final sculpture at Chicago’s Federal Center Plaza represents his enduring contribution to American art history.

Legacy and Influence

Alexander Milne Calder’s impact on the artistic landscape extends beyond his own creations. His son, Alexander Stirling Calder, and grandson, Alexander ‘Sandy’ Calder, followed in his footsteps as sculptors, perpetuating a lineage of artistic excellence. Calder's pioneering approach to sculpture—particularly his exploration of kinetic art and chance—inspired generations of artists and continues to influence contemporary sculptural practices. He remains revered for his unwavering dedication to artistic innovation and his profound contribution to the visual arts. “Theories may be all very well for the artist himself, but they shouldn't be broadcast to other people.”

Alexandru Milne Calder

1898 - 1976 , Regatul Unit

Detalii rapide

Artistic Movement Or Style: Architectural sculpture
Artists Who Influenced This Artist: ['John Rhind']
Date Of Birth: August 23, 1846
Date Of Death: June 14, 1923
Full Name: Alexander Milne Calder
Nationality: Scottish-American
Notable Artworks:
- Philadelphia City Hall
- William Penn statue
Place Of Birth: Aberdeen, United Kingdom

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