Untitled

- 150.0 x 210.0 cm
A obra de arte exibida nesta página é protegida por leis de direitos autorais, o que significa que não podemos criar ou vender legalmente uma reprodução idêntica. Esta proteção é aplicada por meio de acordos internacionais, tais como a Convenção de Berna e pelas leis nacionais, incluindo as estabelecidas por Lei de Direitos Autorais dos EUA - Título 17.
Este método cumpre plenamente as regulamentações de direitos autorais, pois não envolve a cópia ou duplicação da obra protegida. Em vez disso, trata-se de uma reinterpretação criativa — uma nova pintura que é influenciada pela original, mas não idêntica a ela.
Giclée / Impressão de Arte
Impressão giclée ou em tela de qualidade de museu, com produção rápida e opções flexíveis de acabamento. ( Comprar pintura feita à mão
Alternar para Imagem Digital)
Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.
Insira a largura e a altura desejadas para se ajustarem à sua moldura ou parede. Uma impressão pode ser apenas cortada, nunca ampliada além da imagem original; portanto, um tamanho com proporções diferentes resultará na perda de parte da imagem. Enviamos uma maquete digital para sua aprovação antes de realizarmos a impressão. A imagem exibida nesta página não mostra o corte real — apenas a maquete o faz.
Entrega mundial () em 2 semanas, em vez das 4/5 semanas padrão. (4 Novembro)
Envio expresso gratuito para todo o mundo
Tela de Linho de Alta Qualidade
Seguro de transporte completo
Garantia de Reembolso de Impostos Alfandegários
Garantia de Fidelidade Cromática
Política de Devolução em 100 Dias (Apenas para Defeitos)
Garantia de reembolso de 100%
Oferta de desconto por quantidade
Untitled
Giclée / Impressão de Arte
Tamanho da Reprodução
-
Preço Total
€ 56
Obras Relacionadas
Biografia do Artista
Manuel Scano Larrazabal: A Dance of Ink and Motion
Born in Padua, Italy, in 1981 to a Venezuelan mother and Sardinian father, Manuel Scano Larrazabal’s artistic journey is one deeply rooted in dual cultural influences. His childhood spent in Caracas before returning to Italy shaped his perspective, imbuing his work with a unique blend of vibrant Latin American energy and the meticulous precision of European tradition. This early exposure fostered an appreciation for both spontaneity and control – a core tension that now defines his captivating practice, primarily focused on large-scale sheets of ink-dyed paper created through intricate kinetic installations.
Larrazabal’s work isn't simply about creating images; it’s about generating movement. He masterfully manipulates the ephemeral qualities of ink and paper, transforming static materials into dynamic narratives. His process often involves layering, staining, and manipulating these elements to mimic the unpredictable beauty found in natural processes – a deliberate echo of his childhood observations. This fascination with chance and error is central to his philosophy, suggesting that art’s true value lies not in rigid control but in embracing the unexpected outcomes of experimentation.
The Kinetic Canvas: Technique and Process
At the heart of Larrazabal's technique lies a sophisticated understanding of materials and their interaction. He begins with meticulously prepared sheets of paper, often treated with multiple layers of dye to achieve rich, saturated colors. These are then subjected to complex kinetic installations – delicate arrangements of rods, threads, and other components that trigger subtle yet captivating movements. The use of washable inks adds another layer of dynamism, allowing for spontaneous marks and stains that further contribute to the artwork’s evolving narrative.
His process is not one of precise calculation but rather a careful orchestration of variables. He employs a range of techniques, from traditional paper marbling to innovative methods involving fans and weighted elements, all designed to coax movement from his materials. The resulting works are often described as “prosthetic movement,” suggesting that he’s imbuing inanimate objects with a semblance of life – a concept deeply influenced by his exploration of dance and choreography.
Global Recognition: Exhibitions and Influences
Larrazabal's work has garnered significant attention on the international art scene. His installations have been showcased in prestigious venues worldwide, including the Le Cyclop (Tinguely & Saint-Phalle Art Centre) in France, where his kinetic sculptures captivated audiences with their delicate movements; MaRS Gallery in Los Angeles, highlighting his exploration of contemporary aesthetics; and the Marché Biron in Paris, solidifying his position within the city’s vibrant art community. These exhibitions demonstrate a growing recognition of his unique approach to material and movement.
His artistic lineage is also notable. Larrazabal cites Arte Povera as a significant influence, appreciating its emphasis on using humble materials and embracing chance encounters in the creative process. The work of kinetic artists like Jean Tinguely, with whom he shares a kinship through his exploration of movement and mechanical systems, further informs his practice. The choreographer Benjamin Bertrand’s collaboration, documented in a pamphlet distributed at an Artforum exhibition, exemplifies this intersection of artistic disciplines.
A Contemporary Voice: Themes and Legacy
Larrazabal's work consistently explores the beauty found in the quotidian – transforming everyday objects and processes into compelling visual narratives. His pieces often evoke a sense of nostalgia, memory, and the passage of time. The recurring motif of “dance” isn’t merely literal; it represents a broader exploration of rhythm, flow, and the inherent dynamism within seemingly static forms.
Currently residing and working in Rome and Milan, Manuel Scano Larrazabal continues to push the boundaries of contemporary art, blending technical mastery with an intuitive understanding of movement and form. His unique perspective, shaped by his dual heritage and a deep appreciation for both tradition and innovation, ensures that his work will continue to resonate with audiences worldwide. He represents a vital voice in the evolving landscape of kinetic art, inviting viewers to contemplate the beauty and complexity hidden within the simplest of gestures.
Manuel Scano Larrazabal
1981 - , Italy
Dados Rápidos
- Artistic Movement Or Style: Kinetic paper art
- Artists Or Movements Influenced By This Artist:
- Arte Povera
- Kinetic art
- Artists Who Influenced This Artist:
- Tinguely
- Saint-Phalle
- Date Of Birth: 1981
- Full Name: Manuel Scano Larrazabal
- Nationality: Italian-Venezuelan
- Notable Artworks:
- Untitled (all works 2016)
- Untitled
- Untitled
- Place Of Birth: Padua, Italy

A opção de vidro está disponível apenas para tamanhos inferiores a 110 cm