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A obra de arte exibida nesta página é protegida por leis de direitos autorais, o que significa que não podemos criar ou vender legalmente uma reprodução idêntica. Esta proteção é aplicada por meio de acordos internacionais, tais como a Convenção de Berna e pelas leis nacionais, incluindo as estabelecidas por Lei de Direitos Autorais dos EUA - Título 17.
Este método cumpre plenamente as regulamentações de direitos autorais, pois não envolve a cópia ou duplicação da obra protegida. Em vez disso, trata-se de uma reinterpretação criativa — uma nova pintura que é influenciada pela original, mas não idêntica a ela.
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The Hunter
Giclée / Impressão de Arte
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€ 54
Perguntas e Respostas
Quão clara é a obra "The Hunter" no geral?
Em termos de luminosidade percebida, "The Hunter" de Jerry Farnsworth é deep_shadow.
A obra "The Hunter" de Jerry Farnsworth, pertencente ao acervo do The National Arts Club, pode ser reproduzida legalmente?
O status de direitos autorais de "The Hunter" de Jerry Farnsworth é claro: a obra está em ainda protegido por direitos autorais. Sua presença no The National Arts Club não altera esse status.
"The Hunter" está livre de direitos autorais?
"The Hunter" de Jerry Farnsworth está em ainda protegido por direitos autorais. Este status determina como a imagem da obra pode ser reproduzida.
Obras Relacionadas
Biografia do Artista
A Life of Labor and Light
Before he was a fixture of the American art scene, Jerry Farnsworth lived a life defined by the grit of manual work. Born in Dalton, Georgia, in 1895, his early years were far removed from the quietude of a studio. He moved through various roles that demanded physical endurance, working in cotton and steel mills, serving as a Western Union messenger boy, and even laboring as a Fuller Brush man. There was a certain rhythm to this period of his life, one that preceded the more measured pace of his later years. Even while stationed in Washington, D. and.C. with the U.S. Navy between 1916 and 1919, he sought out evening art courses at the Corcoran School of Art.
This period of transition eventually led him to the coast. In 1921, Farnsworth arrived in Provincetown, Massachusetts, where his path was shaped by the instruction of Charles W. Hawthorne. It was here that the technical foundations of his work began to solidify. He later studied with Dewitt Clinton Peters in New York, absorbing a tradition of portraiture and figure painting that would become his hallmark. His life was often shared with his wife, the artist Helen Alton Sawyer, and together they established a presence in both the summer colonies of Cape Cod and the winter landscapes of Sarasota, Florida.
The Art of the Human Form
Farnsworth’s practice was rooted in the observation of people. He specialized in portrait, figure, landscape, and genre painting, often focusing on the quiet dignity found in everyday subjects. His work frequently captured a sense of focused intention, as seen in pieces like Working Girl, which reflects the era's atmosphere of determination. His ability to render the human presence was recognized through commissions that reached far beyond local galleries; he produced portraits for the covers of Time and Fortune magazines, including a notable depiction of Sara Delano Roosevelt.
His technical approach relied on oil on canvas and panel, utilizing a method that respected the traditions of the old masters while remaining contemporary to his era. This skill earned him several accolades, including:
- Six awards from the National Academy of Design
- The Hallgarten Prize in 1925 and 1927
- Recognition from the Los Angeles County Museum of Art
- The Golden State Prize in 1928
Beyond the canvas, he was a dedicated educator. He operated the Farnsworth School of Art in North Truro and Sarasota, passing on his knowledge of oil painting to others. His instructional books, such as Learning to Paint in Oil, remain part of his pedagogical record.
A Permanent Record
By the time of his death in 1983, Farnsworth had left a substantial mark on American institutional collections. His paintings are held in several prominent repositories, ensuring that his specific vision of American life remains accessible to scholars and the public alike. These include:
- The Metropolitan Museum of Art
- The Whitney Museum of American Art
- The Museum of Modern Art
- The Pennsylvania Academy of Fine Arts
- The Nelson-Atkins Museum of Art
- The National Portrait Gallery
His career was not merely a series of exhibitions, but a long engagement with the evolving American identity. From his early days in the mills of Georgia to his role as an Artist-in-Residence at the University of Illinois, he maintained a focus on the tangible and the human. His work remains a record of a specific time and place, captured through the lens of a man who understood both the struggle of labor and the precision of art.
Jerry Farnsworth
1895 - 1983 , United States of America
Informações Rápidas
- Artists Who Influenced This Artist: ['Charles W. Hawthorne']
- Full Name: Jerry Farnsworth
- Nationality: American
- Notable Artworks: ['The Hunter']
- Place Of Birth: Dalton, Georgia, United States of America
- Date Of Birth: 1895
- Date Of Death: 1983