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Apresentação de slidesField Flowers
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Reprodução em Óleo Feita à Mão
Óleo sobre tela pintado à mão no seu tamanho e moldura, feito sob encomenda pelos nossos artistas. (
Ver impressão do pedido Baixar imagem em alta resolução)
Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.
Pode inserir as suas próprias dimensões para se adequar a uma moldura ou espaço específico. Se o tamanho selecionado não corresponder às proporções da imagem original, iremos cortar a obra de arte ou estender a pintura com elementos adicionais pintados à mão. Um esboço digital será enviado para sua aprovação antes do início da produção.
Tenha em atenção que a pré-visualização no ecrã não reflete o corte ou extensão real. Apenas o esboço mostrará com precisão a composição final.
Embora tamanhos personalizados estejam disponíveis, recomendamos selecionar uma dimensão da lista predefinida para preservar as proporções originais.
Após o pedido, a equipa ArtsDot.com enviará um e-mail ao cliente para solicitar instruções e fornecer uma prévia do esboço.
Entrega mundial () em 3 a 4 semanas, em vez das 5 semanas padrão. (9 Agosto). Sem comprometer a qualidade.
Envio Expresso Gratuito para todo o Mundo
Tela de Linho Premium
Seguro de transporte total
Garantia de Reembolso de Impostos Alfandegários
Garantia de Fidelidade de Cor
Política de Devolução de 60 Dias (Apenas para Defeitos)
Garantia de reembolso de 100%
Desconto para múltiplas unidades
A opção de vidro está disponível apenas para tamanhos inferiores a 110 cm
Field Flowers
Técnica de Reprodução
Dimensões da Reprodução
-
Preço Total
$ 263
Obras Relacionadas
Biografia do Artista
Ethel Reed: A Visionary of Art Nouveau and Early American Illustration
Ethel Reed (1874-1912) stands as a remarkable figure in the annals of American graphic art, particularly recognized for her exquisite contributions to the Art Nouveau movement. Born Newburyport, Massachusetts, on March 13th, 1874, Reed’s life was marked by both artistic brilliance and personal challenges—a duality that profoundly shaped her oeuvre and cemented her legacy as a trailblazing artist of her time. Her early years were steeped in familial influences; Edgar Eugene Reed, her father, was a respected photographer, instilling in Ethel a keen appreciation for visual representation and meticulous detail. Elizabeth Mahoney, her mother, an Irish immigrant, provided a grounding in resilience and determination amidst difficult circumstances. Reed’s artistic journey commenced formally at Cowles Art School in 1893, where she honed her skills in drawing and composition—skills that would soon blossom into breathtaking illustrations for periodicals like *The Yellow Book*, a groundbreaking literary journal co-founded by Aubrey Beardsley. This collaboration proved pivotal, exposing Reed to the avant-garde sensibilities of European artistic circles and fostering an enduring fascination with symbolism and decorative art. Notably, she befriended Richard Le Gallienne, a celebrated poet and publisher who championed Reed’s talent and encouraged her exploration of expressive imagery. Her relationship with Bertram Goodhue and Ralph Adams Cram, prominent architects shaping Boston's skyline during the Victorian era, further enriched her artistic perspective—reflecting in her work an awareness of architectural grandeur and humanist ideals. Moreover, Reed cultivated connections with influential figures like Fred Holland Day, whose photographs captured her youthful beauty and grace – notably Chloe and The Gainsborough Hat. These portraits served as inspiration for her own artistic endeavors, demonstrating a reciprocal exchange between observation and creative interpretation. Reed’s prolific output during the early 1900s encompassed numerous poster designs and book illustrations—a testament to her rapid mastery of Art Nouveau techniques. Her distinctive style characterized by flowing lines, delicate floral motifs, and muted color palettes captured the spirit of the era with unparalleled sensitivity. Among her most celebrated works include “Boston Sunday Herald February 24th” (1895), a poignant depiction of loss and remembrance rendered in evocative black and white—and "In Childhood’s Country" (Moulton) (1896), where Reed skillfully employed naive art to convey themes of innocence and pastoral tranquility. These pieces exemplify her ability to distill complex emotions into visually arresting compositions, securing her place as one of the foremost illustrators of her generation. Reed's artistic achievements garnered international acclaim—with exhibitions at institutions such as The Metropolitan Museum of Art and Museum of Modern Art in New York, The National Museum of American History in Washington D.C., The Fine Arts Museum of San Francisco, The Frederick R. Weisman Art Museum of Minnesota, and The Nelson-Atkins Museum of Art in Kansas City. Her enduring influence continues to resonate within the broader context of early American design—a testament to Ethel Reed’s singular vision and unwavering dedication to artistic excellence.
Ethel Reed
1874 - 1912 , United States of America
Informações Rápidas
- Artistic Movement Or Style: Art Nouveau
- Artists Or Movements Influenced By This Artist: The Yellow Book
- Artists Who Influenced This Artist: Laura Hills
- Date Of Birth: March 13, 1874
- Date Of Death: March 1, 1912
- Full Name: Ethel Reed
- Nationality: American
- Notable Artworks:
- In Childhood’s Country
- Boston Sunday Herald
- Place Of Birth: Newburyport, United States
