Plan for Greater Baghdad

Early Life and Formation in Amman

Ala Younis emerged as an artist within the vibrant, yet often politically charged, landscape of Amman, Jordan, born in 1974. Her formative years were deeply influenced by the city’s complex history—a confluence of ancient civilizations, modern nation-building, and ongoing geopolitical shifts. This environment instilled in her a profound sensitivity to collective memory, personal narratives, and the often-fragile relationship between past and present. Younis initially pursued architecture at the University of Jordan, a decision that would prove pivotal in shaping her artistic methodology. The rigorous training in spatial analysis, historical context, and material construction provided her with a unique toolkit for investigating the built environment as a repository of stories and power dynamics. However, she soon found herself drawn to the broader possibilities of visual art, recognizing its capacity to engage with history and culture in more nuanced and subjective ways. This led her to pursue an MRes in Visual Cultures at Goldsmiths College, London, further expanding her theoretical framework and artistic horizons.

The Archive as a Site of Reinterpretation

Younis’s practice is fundamentally rooted in research—a meticulous excavation of archives, both formal and informal. She doesn't approach the archive as a neutral repository of facts but rather as a contested space where narratives are constructed, suppressed, and reimagined. Her work often begins with found materials: photographs, documents, maps, objects—fragments of collective experience that have been overlooked or marginalized. Plan for Greater Baghdad, a recurring motif in her oeuvre, exemplifies this approach. The original architectural plans, conceived during the mid-20th century as ambitious visions for urban development, become potent symbols of political aspirations, failed utopias, and the enduring impact of modernization on Iraqi society. Through re-presentation—often involving large-scale installations, murals, or textile works—Younis disrupts the original context of these materials, inviting viewers to question their authority and consider alternative interpretations.

Collective Narratives and Personal Histories

A defining characteristic of Younis’s work is her ability to weave together collective narratives with deeply personal experiences. She initiates “journeys” into archives, not simply as a researcher but as someone actively seeking connections between historical events and individual lives. This approach often involves collecting oral histories, interviewing individuals whose stories have been silenced or overlooked by official accounts. Her practice resists the notion of a singular, authoritative narrative, instead embracing multiplicity, ambiguity, and the subjective nature of memory. Battles in a Future Estate, for example, explores the urban fabric of Haifa Street in Baghdad through a series of layered investigations—architectural plans, personal photographs, oral histories—creating a complex portrait of a city shaped by conflict, displacement, and resilience.

Expanding Artistic Boundaries: Curating, Publishing & Collaboration

Younis’s influence extends beyond her individual artistic practice to encompass curatorial projects and independent publishing initiatives. In 2012, she co-founded Kayfa ta, an initiative dedicated to researching and publishing on independent practices in the Arab world. This platform provides a space for artists, writers, and researchers to share their work, fostering dialogue and collaboration across geographical boundaries. Her curatorial endeavors—including Kuwait’s first pavilion at the Venice Biennale in 2013—demonstrate her commitment to showcasing emerging artistic voices and challenging conventional notions of representation. More recently, she served as co-Head of Berlinale’s Forum Expanded (2021-2024) and Artistic Director of the Academy of the Arts of the World in Cologne (2023-2025), further solidifying her position as a leading figure in contemporary art.

Historical Significance & Ongoing Research

Ala Younis’s work occupies a significant place within the broader context of contemporary Middle Eastern art, particularly its engagement with postcolonial history, memory, and identity. Her research-based practice challenges traditional artistic boundaries, blurring the lines between art, scholarship, and activism. She has exhibited extensively internationally, including major biennials in Venice, Istanbul, Gwangju, Ljubljana, Kaunas, Ural, Orleans, Sharjah and Islamic Arts Biennale in Jeddah. Her current work, as evidenced by her upcoming exhibition Past of a Temporal Universe at NYU Abu Dhabi (2025), continues to explore these themes with renewed urgency, delving into the complexities of urban development, political conflict, and the enduring power of collective memory. Her appointment as Artistic Director of Akademie der Kunst der Welt (Cologne) and Research Scholar at al Mawrid Arab Center for the Study of Art at New York University Abu Dhabi underscores her growing influence within academic and artistic circles, promising further contributions to our understanding of art’s role in shaping historical narratives and fostering cross-cultural dialogue.