Menu
Zobacz w skali 1:1 Zobacz w AR Kup ręcznie malowany obraz Przełącz na wersję cyfrową Wyślij
Szczegóły Przewodnik Dodaj do ulubionych Pobierz plik obrazu Podobne obiekty RTG Pokaz slajdów Statystyki

Beam

Discover 'Beam' by Elizabeth Murray – a vibrant abstract painting featuring dynamic shapes & playful forms. Explore this iconic American artist’s legacy!

Elizabeth Murray (1940-2007) – rewolucjonistka malarstwa abstrakcyjnego, znana z kształtnych płótien, żywych kolorów i zabawnej eksploracji życia domowego. Uznawana w MoMA & Guggenheim.

Dzieło sztuki prezentowane na tej stronie podlega ochronie prawem autorskim, co oznacza, że nie mamy prawa do tworzenia ani sprzedaży jego identycznej reprodukcji. Ochrona ta jest egzekwowana na mocy umów międzynarodowych, takich jak Konwencja berneńska oraz przez przepisy prawa krajowego, w tym te określone w Prawo autorskie USA – Tytuł 17.

Metoda ta jest w pełni zgodna z przepisami prawa autorskiego, ponieważ nie polega na kopiowaniu ani powielaniu chronionego dzieła. Stanowi ona kreatywną reinterpretację – nowy obraz, który czerpie inspirację z oryginału, ale nie jest z nim tożsamy.

Giclée / Wydruk artystyczny

Wydruki giclée lub płótna o jakości muzealnej, szybka realizacja i szeroki wybór opcji wykończenia. ( Kup ręcznie malowany obraz Przełącz na wersję cyfrową)

Corner sample of the P118B picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118B zł10
Corner sample of the P118H picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118H zł10
Corner sample of the P118W picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P118W zł10
Corner sample of the P438Z picture frame: polistyren formowany, 5.5 cm wide and 3.5 cm thick
P438Z zł10
Corner sample of the P508JH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P508JH zł12
Corner sample of the P508YH picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P508YH zł12
Corner sample of the P805H picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
P805H zł10
Corner sample of the P805Z picture frame: polistyren formowany, 5 cm wide and 3.5 cm thick
P805Z zł10
Corner sample of the P919BZ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919BZ zł10
Corner sample of the P919G picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919G zł10
Corner sample of the P919XJ picture frame: polistyren formowany, 7 cm wide and 3.5 cm thick
P919XJ zł10
Corner sample of the P959ZH picture frame: polistyren formowany, 5 cm wide and 3 cm thick
P959ZH zł10
Corner sample of the P968JZ picture frame: polistyren formowany, 6 cm wide and 4 cm thick
P968JZ zł12
Corner sample of the W106C picture frame: lite drewno, 5 cm wide and 3 cm thick
W106C zł8
Corner sample of the W218G picture frame: lite drewno, 5 cm wide and 3 cm thick
W218G zł10
Corner sample of the W218JH picture frame: lite drewno, 5 cm wide and 3 cm thick
W218JH zł8
Corner sample of the W218Y picture frame: lite drewno, 5 cm wide and 3 cm thick
W218Y zł10
Corner sample of the W307PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
W307PJ zł10
Corner sample of the W316G picture frame: lite drewno, 6 cm wide and 3 cm thick
W316G zł10
Corner sample of the W316PJ picture frame: lite drewno, 6 cm wide and 3 cm thick
W316PJ zł8
Corner sample of the W316Y picture frame: lite drewno, 6 cm wide and 3 cm thick
W316Y zł10
Corner sample of the W398PJ picture frame: lite drewno, 5 cm wide and 3 cm thick
W398PJ zł8
Corner sample of the W4111J picture frame: lite drewno, 6.5 cm wide and 3.5 cm thick
W4111J zł10
Corner sample of the W500HY picture frame: lite drewno, 7 cm wide and 5 cm thick
W500HY zł15
Corner sample of the W500JH picture frame: lite drewno, 7 cm wide and 5 cm thick
W500JH zł15
Corner sample of the W692G picture frame: lite drewno, 8 cm wide and 4 cm thick
W692G zł12
Corner sample of the W849H picture frame: lite drewno, 5 cm wide and 3 cm thick
W849H zł8
Corner sample of the W940BG picture frame: lite drewno, 7.5 cm wide and 4.5 cm thick
W940BG zł15
Corner sample of the W953PJ picture frame: lite drewno, 6 cm wide and 3.5 cm thick
W953PJ zł8

Standardowy
na zamówienie
CM
INCH

Wybierz spośród naszych standardowych rozmiarów, które zachowują oryginalne proporcje dzieła sztuki.

szerokość
wysokość

Wpisz wymaganą szerokość i wysokość, aby dopasować grafikę do ramy lub ściany. Wydruk można jedynie przyciąć, nigdy nie powiększając go poza oryginalny obraz, dlatego format o innym proporcji spowoduje utratę części kompozycji. Przed rozpoczęciem druku prześlemy Ci cyfrowy podgląd do zatwierdzenia. Obraz wyświetlany na tej stronie nie pokazuje rzeczywistego przycięcia — jedynie podgląd oddaje ten efekt.

Dostawa na cały świat () w ciągu 2 tygodni zamiast standardowych 4/5 tygodni. (22 Październik)

Bezpłatna ekspresowa wysyłka na cały świat
Wysokiej jakości płótno lniane
Pełne ubezpieczenie transportowe
Gwarancja zwrotu należności celnych i podatków importowych
Gwarancja idealnego odwzorowania barw
100-dniowy okres na zwrot dzieła w przypadku wykrycia wad produkcyjnych
Gwarancja 100% zwrotu pieniędzy
Oferta przy zakupie wielu sztuk

Cena całkowita

zł 238

Beam

Giclée / Wydruk artystyczny

Rozmiar reprodukcji

-

Suma do zapłaty

zł 238


Biografia artysty

A Life Painted in Form and Feeling

Elizabeth Murray, born in Chicago in 1940 to Irish-Catholic parents, emerged as a pivotal figure in American art, reshaping modernist abstraction into a vibrant language of form brimming with personality. Her father, a lawyer, provided stability while her mother, harboring ambitions as a commercial artist, nurtured Elizabeth’s early artistic inclinations – a crucial foundation for the unique path she would forge. Murray's formal training began at the School of the Art Institute of Chicago in 1958, guided by a high school teacher who recognized her potential. This was followed by studies at Mills College in Oakland, California, where she earned her MFA in 1964. These formative years exposed her to a diverse range of influences – from the structural rigor of Cézanne and the innovative spirit of Robert Rauschenberg and Jasper Johns – all subtly informing the development of her distinctive style. However, it was the move to New York City in 1967 that truly ignited her artistic evolution, placing her at the epicenter of a rapidly changing art world.

Breaking the Frame: Innovation and Early Recognition

Murray’s most recognizable contribution lies in her revolutionary use of shaped canvases. Departing from the traditional rectangular format, she sculpted her paintings, giving them dynamic, often playful forms that extended beyond the confines of the frame. This wasn't merely a stylistic choice; it was a fundamental rethinking of painting itself – exploring its potential as an object and a space simultaneously. Her early exhibitions, including a breakthrough appearance at the Whitney Museum of American Art’s annual exhibition in 1971, began to garner attention for this innovative approach. *Children Meeting*, completed in 1978 and now residing in the Whitney's permanent collection, stands as an exemplary work from this period. It demonstrates her remarkable ability to convey emotion and suggest personality through non-figurative shapes, a masterful interplay of color, and dynamic lines. The painting’s title itself hints at a layered narrative – evoking both childhood innocence and a sense of playful disruption. Like much of her work, *Children Meeting* reflects Murray’s lifelong fascination with Walt Disney cartoons – a source of inspiration that infused her abstract compositions with a sense of whimsy and narrative suggestion. She often described her process as “growing out” of the forms, allowing them to emerge organically from the initial application of paint.

Themes, Influences, and Enduring Impact

Murray’s work consistently explored themes related to domestic life, relationships, and the very nature of painting itself. She seamlessly blended elements of Abstract Expressionism with the geometric precision of Minimalism, creating a unique visual language that was both intellectually rigorous and emotionally resonant. Her ability to reshape modernist abstraction into a high-spirited, cartoon-based aesthetic opened new avenues for artistic expression and influenced generations of artists. The influence of Cézanne is particularly evident in her use of flattened planes and carefully considered color relationships – a legacy of the French master’s emphasis on structure and observation. Simultaneously, she drew inspiration from the spontaneity and collage techniques of Rauschenberg, incorporating found objects and unexpected juxtapositions into her canvases. The impact of Jasper Johns' exploration of recognizable imagery within an abstract framework is also apparent in Murray’s work, particularly in her use of simplified forms and a subtle engagement with familiar subjects. Throughout her career, she sought to challenge traditional notions of painting as a purely representational medium, pushing the boundaries of what could be achieved through color, form, and texture.

Achievements and a Lasting Legacy

Murray’s work gained increasing recognition throughout the 1980s and 1990s, culminating in several prestigious awards and exhibitions. In 1982, she received the Walter M. Campana Award from The Art Institute of Chicago – a testament to her innovative approach and growing reputation. In 1984, she was awarded an honorary prize from the American Academy of Arts and Letters, further solidifying her position as a leading figure in contemporary art. A particularly significant moment arrived in 1993 when she received the Larry Aldrich Award for Contemporary Art – a recognition that brought widespread attention to her work. In 1998, Elizabeth Murray was elected a Fellow of the American Academy of Arts and Sciences, acknowledging the profound impact of her work on the art world. Her retrospective at the Museum of Modern Art in 2006 was widely hailed as a landmark event, showcasing an artist “in the flush of her authority and still digging deep,” according to *The New York Times*. Beyond these major accolades, Murray’s paintings are now held in numerous prestigious collections worldwide, including those of the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, and the Pérez Art Museum Miami – a testament to the enduring value and significance of her artistic vision.

A Personal Canvas: Life and Remembrance

Beyond her professional achievements, Elizabeth Murray’s life was enriched by strong personal connections. Her marriage to poet and poetry activist Bob Holman was a source of mutual support and creative inspiration. Together they raised three children – Sophia Murray Holman, Daisy Murray Holman, and Dakota Sunseri – weaving family life into the fabric of their artistic pursuits. The memorials held in her honor following her death – one at the Bowery Poetry Club and another at MoMA – testified to the profound impact she had on both the art world and those who knew her personally. As *The New York Times* obituary eloquently stated, she “reshaped modernist abstraction into a high-spirited, cartoon-based language of form whose subjects included domestic life, relationships and the nature of painting itself.” Elizabeth Murray’s work remains a testament to the power of artistic innovation, personal expression, and the enduring beauty of a life lived in pursuit of creative vision. Her legacy continues to inspire artists today through her bold experimentation and unique approach to the medium of paint.
Elizabeth Murray

Elizabeth Murray

1940 - 2007 , Stany Zjednoczone

Najważniejsze informacje

  • Artistic Movement Or Style: Abstr. ekspresjonizm i Minimalizm
  • Artists Or Movements Influenced By This Artist: ['Contemporary Art']
  • Artists Who Influenced This Artist:
    • Cézanne
    • Rauschenberg
    • Johns
  • Date Of Birth: 1940
  • Date Of Death: 2007
  • Full Name: Elizabeth Murray
  • Nationality: Amerykańska
  • Notable Artworks:
    • Children Meeting
    • Terrifying Terrain
  • Place Of Birth: Chicago, USA