Portrett av Tuthmosis

Møt de 3 mest kjente maleriene av Tuthmosis

Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 3 verk av Tuthmosis i vår katalog

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Hvis du kjenner til ett maleri av Tuthmosis, er det sannsynligvis Bust of Queen Nefertiti (1340), som henger i Neues Museum, Berlin. North Dome Room with the Bust of Nefertiti, Neues Museum Berlin (1340) og Bust of King Akhenaten (1340) utgjør de tre verkene folk kjenner igjen umiddelbart. Vår katalog inneholder 3 verk av Tuthmosis. Nedenfor finner du de 3 mest kjente, hver med årstall, hvor de befinner seg og hva som gjør dem spesielle.

1340 – 1300, Amarna Flest verk: Neues Museum

Start her: de 10 beste maleriene av Tuthmosis

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Bust of Queen Nefertiti (1340) av Tuthmosis

Bust of Queen Nefertiti

1340 · Sculpture · Neues Museum, Berlin

The Bust of Queen Nefertiti emerges from the shadows of history, a portrait of the Great Royal Wife of Pharaoh Akhenaten. This sculpture, attributed to the sculptor Tuthmosis, captures the likeness of a woman who once held immense power within the Egyptian court. The work dates to about 1340, a period of profound change in the Nile Valley. It remains a silent witness to a vanished era, its gaze fixed…

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North Dome Room with the Bust of Nefertiti, Neues Museum Berlin (1340) av Tuthmosis

North Dome Room with the Bust of Nefertiti, Neues Museum Berlin

1340 · Sculpture · Neues Museum, Berlin

The North Dome Room with the Bust of Nefertiti, Neues Museum Berlin features the Bust of Queen Nefertiti, a work attributed to the sculptor Tuthmosis. This piece of Ancient Egyptian Art emerged from the dust of a workshop, discovered within the studio of the artist himself. It remains a silent inhabitant of the Neues Museum in Berlin. The limestone face holds a gaze fixed toward an unseen horizon.

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Bust of King Akhenaten (1340) av Tuthmosis

Bust of King Akhenaten

1340 · Neues Museum, Berlin

Mit der Entdeckung dieser außergewöhnlichen Büste des Pharao am 6. Dezember 1912 beginnt die spektakuläre Fundserie in den beiden Kammern des Wohnhauses P 47.2. Borchardt notiert hierzu in seinem Grabungstagebuch: „In dem Eckraum des Hauses, an der NO-Ecke, wohl dem Zimmer neben der breiten Halle, vorläufig noch ohne Nummer, liegt eine in 5 Stücke zerschlagene lebensgroße farbige Königsbüste nicht ganz vollständig. Gesicht leider recht ramponiert. Erhalten sind Brust, Stück des…

Hand-painted oil reproduction from $175 28 × 36 cm
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Hvor du kan se maleriene til Tuthmosis

Museet som innehar flest av maleriene på denne siden.

Museum By Verker av Tuthmosis Malerier fra denne listen
Neues Museum, BerlinNeues Museum Berlin 3 Bust of Queen Nefertiti, North Dome Room with the Bust of Nefertiti, Neues Museum Berlin, Bust of King Akhenaten

Dine spørsmål om Tuthmosiss malerier

Hvilket maleri av Tuthmosis er det mest kjente?Se svaret

Øverst på listen står Bust of Queen Nefertiti (1340), Neues Museum, Berlin. Rett bak følger: North Dome Room with the Bust of Nefertiti, Neues Museum Berlin (1340) og Bust of King Akhenaten (1340).

Hvor mange malerier har Tuthmosis skapt?Se svaret

Vi har 3 verk av Tuthmosis i vår katalog.

Hvor kan du se de berømte maleriene til Tuthmosis?Se svaret

Du finner de fleste av dem i Neues Museum (Berlin). Listen over museer gir en fullstendig oversikt.

Hvilke materialer brukte Tuthmosis mest av?Se svaret

Sculpture, brukt i 2 av 3 verk på denne siden.

Hvilke verk av Tuthmosis kan du se på Neues Museum?Se svaret

Du kan se 3 av verkene på denne siden på Neues Museum, Berlin, inkludert Bust of Queen Nefertiti, North Dome Room with the Bust of Nefertiti, Neues Museum Berlin og Bust of King Akhenaten.

Kan jeg få en reproduksjon av et maleri av Tuthmosis?Se svaret

Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.

Bli kjent med Tuthmosis

The Enduring Majesty of Tuthmosis: Sculptor of the Amarna Age

Tuthmosis, a name synonymous with the golden age of ancient Egypt, was born in Amarna around 1340 BC – a pivotal period marked by radical artistic and religious upheaval. More than just an artist, he stands as a key figure in capturing the essence of the reign of Akhenaten, a pharaoh who dared to challenge centuries of tradition and usher in a new era centered on the worship of the sun god Aten. His legacy is inextricably linked with the iconic image of Queen Nefertiti, a sculpture that continues to captivate audiences worldwide and serves as a testament to his unparalleled skill and artistic vision.

A Sculptor Forged in Revolution

Tuthmosis’s life unfolded during a time of dramatic transformation within Egypt's political and religious landscape. Akhenaten, abandoning the established pantheon of Egyptian gods, moved the capital from Thebes to Amarna – a newly constructed city dedicated solely to Aten. This shift profoundly impacted art, leading to a departure from the rigid conventions of previous dynasties. Sculptures became more naturalistic, figures were depicted with softer features and flowing lines, and an emphasis was placed on portraying emotion and intimacy. Tuthmosis, deeply immersed in this revolutionary artistic climate, quickly rose to prominence as one of Akhenaten’s most trusted sculptors. His work reflects not only the pharaoh's innovative vision but also a burgeoning sense of realism previously unseen in Egyptian art.

The Nefertiti Bust: A Masterpiece of Form and Symbolism

Perhaps Tuthmosis’s most celebrated achievement is undoubtedly the magnificent Bust of Queen Nefertiti, completed around 1340 BC. This limestone sculpture, housed within the Neues Museum in Berlin, is a breathtaking example of Amarna art at its finest. The bust's elongated neck, delicately arched eyebrows, and serene expression have become instantly recognizable symbols of ancient Egypt. Beyond its aesthetic beauty, however, the Nefertiti Bust carries profound symbolic weight. It represents Nefertiti herself – Akhenaten’s Great Royal Wife – as a divine figure embodying the power and grace of Aten. The sculpture's smooth surfaces and subtle details suggest an unprecedented level of intimacy and understanding of the human form, reflecting the artistic ideals championed by Tuthmosis and his contemporaries.

Technique and Materials: Echoes of Amarna

Tuthmosis’s mastery lay not only in capturing likeness but also in skillfully manipulating stone. He primarily worked with fine-grained limestone, a material readily available in the quarries surrounding Amarna. His technique involved meticulous carving, utilizing sharp chisels and abrasives to achieve astonishing detail. The surfaces of his sculptures were often polished to a luminous sheen, enhancing their visual impact. The use of *sgraffito*, a technique involving scratching designs into the surface of the stone with pointed tools, allowed for intricate detailing and patterns – a hallmark of Amarna art. Furthermore, Tuthmosis’s understanding of light and shadow contributed significantly to the three-dimensionality of his sculptures, creating a sense of depth and realism that was revolutionary for its time.

Legacy and Historical Significance

Though Tuthmosis died around 1300 BC, his influence on Egyptian art endures. The Amarna period, largely due to the work of artists like Tuthmosis, marked a significant departure from traditional artistic conventions, paving the way for subsequent developments in sculpture and portraiture. While Akhenaten’s reforms were ultimately short-lived after his death, the artistic innovations he fostered continued to resonate throughout Egyptian history. The Nefertiti Bust, in particular, remains one of the most recognizable and beloved works of ancient art, a powerful symbol of beauty, power, and the enduring legacy of Tuthmosis – a sculptor who captured the spirit of a revolutionary age.