Papir

Veiledning for studentkunst

St Roch

Navn Klasse Dato

Carlo Crivelli, St Roch (1493), Wallace Collection. Felleseie.

Fakta om verket

Kunstner
Carlo Crivelli artsdot.com/no/artists/carlo-crivelli_no/
Kunstnerens datoer
1435 – 1495
Malt
1493
Medium
Oil On Panel
Opprinnelig størrelse
40 x 12 cm
Bevegelse
Renaissance The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo.
Periode
Renaissance
Utstilles ved
Wallace Collection artsdot.com/no/museums/wallace-collection-london_no/
Artistic style
Late Gothic decorative
Notable elements or techniques
Trompe l'oeil, vibrant colors
Subject or theme
St Roch, plague protector

I sammenheng

St Roch — Carlo Crivelli

Hvor stor er den?

Originalen måler 40 × 12 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1430
  2. 1440
  3. 1450
  4. 1460
  5. 1470
  6. 1480
  7. 1490

Skyggelagt: livsløpet til Carlo Crivelli (1435–1495) ▲ dette verket, 1493

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: artsdot.com/no/art/similar/carlo-crivelli-st-roch-8DP4FM-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Black #27120f

    Katalogisert palett

    • #27120F
    • #A5805B
    • #D8C6A2
    • #673122
    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Black
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Om dette kunstverket

    St Roch — Carlo Crivelli

    A Glimpse into Renaissance Devotion: Carlo Crivelli's St Roch

    To stand before Carlo Crivelli’s St Roch is to step directly into the richly colored, deeply symbolic world of the late Italian Quattrocento. This exquisite panel painting, dating from 1493, captures not merely a portrait, but a moment suspended between piety and survival. The central figure, clad in striking red medieval attire, commands attention as he stands with his hands resting upon his hips, adopting a posture that is both resolute and contemplative. Though the face remains obscured, suggesting an inward focus or perhaps a downward gaze toward earthly concerns, the entire composition pulses with the quiet dignity of faith confronting hardship.

    Mastery in Detail: Technique and Composition

    Crivelli’s technical brilliance shines through every visible thread of this work. His characteristic attention to minute detail elevates the piece beyond simple representation; it becomes an artifact of devotion. The execution on panel, combined with the vibrant application of oil paint, allows for a luminosity that seems almost alive. Observe the background: two partially visible figures flank the main subject, hinting at a larger narrative tapestry woven around St Roch’s story. Furthermore, the subtle inclusion of what appears to be a bird near the upper left corner adds an element of natural symbolism, drawing the eye and inviting deeper scholarly contemplation from the viewer.

    The Weight of History: Symbolism and Context

    The subject matter itself anchors the painting within profound historical currents. St Roch was revered during the Middle Ages as a protector and caregiver to those afflicted by the plague. This depiction is thus more than an artistic study; it is a visual testament to compassion in times of epidemic dread. The rich symbolism inherent in his attire, the staff he carries, and the very act of his presence speak volumes about resilience. For the modern admirer, this piece offers a powerful conduit to understanding the deep spiritual anxieties and profound acts of charity that defined life during the Renaissance.

    Bringing Sacred Art Home: An Aesthetic Experience

    For those who seek to infuse their interiors with the gravitas and artistry of history, a reproduction of St Roch by Carlo Crivelli offers unparalleled depth. The combination of its intense color palette—dominated by that arresting red—and its intricate narrative quality makes it a breathtaking focal point for any curated space. Owning this piece is not simply acquiring art; it is curating a dialogue with Renaissance masters, allowing the quiet power and enduring message of faith to resonate within your walls. It remains a captivating confluence of historical documentation and sublime artistic achievement.

    Kunstner og museum

    Kunstner

    Carlo Crivelli

    Født i Venezia, Italia

    tidlig liv og utdanning

    Den italienske renessansemaleren Carlo Crivelli ble født i Venezia rundt 1430-35. Han sprang ut av en familie av kunstnere og mottok sin kunstneriske dannelse i de kulturelle sentrene Venezia og Padova. Det antas at Crivellis tidlige opplæring fant sted under Jacobello del Fiore, som fremdeles var aktiv i 1436, og han studerte også ved Vivarini-skolen i Venezia.

    karriere og stil

    Crivelli tilbrakte sine tidlige år i Veneto-regionen, hvor han absorberte dype impulser fra mestere som Vivarini, Squarcione og Mantegna. Innen 1458 forlot han Veneto og tilbrakte mesteparten av sin karriere i Marche-regionen ved Ancona. Her utviklet han en særegen personlig stil som står i markant kontrast til den til hans venetianske samtidige, Giovanni Bellini. Crivellis verk er preget av en konservativ, dekorativ sengotisk sans, kjennetegnet av en lineær kvalitet, en uovertruffen detaljrikdom og den forførende bruken av "trompe l'oeil"-teknikker som leker med betrakterens blikk.

    bemerkelsesverdige verk og samarbeid

    * Carlo Crivellis maleri "Madonna og barnet på tronen" (106 x 55 cm, Museum of Fine Arts, Budapest, Ungarn) står som et fremragende eksempel på hans unike stil. * Han samarbeidet med sin yngre bror, Vittorio Crivelli, på flere prosjekter. * Pietro Alemanno, en maler som emigrerte til Marche-regionen fra Tyskland/Østerrike, var både hans elev og samarbeidspartner.

    museer og samlinger

    Pinacoteca di Brera i Milano, Italia, rommer flere av Crivellis verk, inkludert "Pietà" (128 x 241 cm). Museo San Giovanni in Bragora i Venezia, Italia, inneholder en samling kunstverk fra ulike perioder og stiler, deriblant verk som tilskrives Crivelli.

    Se Carlo Crivellis kunstverk på AllPaintingsStore.com

    Utforsk Jacopo Robustis verk på AllPaintingsStore.com

    Les mer om Carlo Crivelli på Wikipedia

    Crivellis ettermæle fortsetter å inspirere både kunstentusiaster og lærde, og hans arbeid forblir et vitnesbyrd om den vedvarende kraften i en konservativ, dekorativ sengotisk sans.

    Museum

    Wallace Collection

    Utstilt i London, Storbritannia

    A Glimpse into Refined Worlds: Unveiling The Wallace Collection

    In the heart of London, nestled within the elegant confines of Hertford House in Manchester Square, lies a treasure trove unlike any other – The Wallace Collection. It’s not merely a museum; it's a meticulously preserved portal to an era of aristocratic refinement, a tangible echo of powdered wigs, whispered conversations, and the intoxicating allure of 18th-century French society. Stepping through its unassuming entrance is akin to entering a hidden salon, a world where artistry and daily life intertwined seamlessly. Unlike institutions that often present art as isolated masterpieces, The Wallace Collection invites you to inhabit the lives and passions of Sir Richard Wallace and his predecessors – a lineage dedicated to assembling a collection that embodied the pinnacle of European taste.

    At its core, the Collection’s brilliance resides in its astonishing assemblage of French 18th-century art. Particularly captivating are the works from the Rococo and Neoclassical periods, transporting visitors directly into a world of delicate fantasies. François Boucher's canvases burst with cherubic figures dancing amidst pastel hues and mythological scenes unfolding with playful abandon – imagine strolling through the gardens of Versailles, or engaging in a clandestine meeting within a grand salon; these are the atmospheres vividly evoked by his works. The spirit of Fragonard and Watteau permeates the galleries, capturing the subtle nuances of aristocratic courtship with masterful skill. Yet, beyond this immediate charm lies remarkable depth. The influence of the Enlightenment is palpable, evident in the poignant sentimental scenes of Jean-Baptiste Greuze and the burgeoning Neoclassical style demonstrated by Jacques-Louis David’s early portraits – a testament to the collection's evolution as a reflection of changing sensibilities.

    A Legacy of Georgian Grandeur: The House Itself

    What truly distinguishes The Wallace Collection is not just its art, but also its architecture – Hertford House itself. Originally constructed in 1776 for the Earl of Hertford, it later became home to Sir Richard Wallace and his family, meticulously preserving the atmosphere of a lived-in private townhouse. The building’s design reflects the evolving tastes and sensibilities of its occupants, transitioning from the flamboyant grandeur of the late 18th century to the more restrained elegance of the early 19th. The interior has been painstakingly restored, creating an immersive experience that transcends the typical museum visit. Paintings hang as they would have in their original settings, furniture is arranged as if awaiting guests, and porcelain adorns cabinets and shelves – a deliberate effort to recreate the sensory richness of a grand salon. The house isn’t merely a container for art; it's an integral part of the experience, offering visitors a rare opportunity to witness art integrated seamlessly into daily life.

    Beyond the Brushstrokes: Arms, Armour & Hidden Stories

    While the French 18th-century paintings undoubtedly command attention, The Wallace Collection’s collection extends far beyond this realm. Don't overlook its exceptional array of arms and armour – gleaming suits reflecting soft light stand as silent sentinels of bygone eras, alongside intricately decorated swords hinting at tales of chivalry and conflict. This juxtaposition of utility and aesthetic splendor reveals a deeper layer to the collection, showcasing the craftsmanship and artistry involved in creating these objects for both practical and decorative purposes. These aren’t simply historical artifacts; they're tangible reminders of power, status, and the dramatic narratives of warfare and courtly life. From ornate helmets to meticulously crafted weaponry, each piece tells a story of ambition, skill, and the enduring allure of martial prowess.

    A Welcoming Space: Engagement & Evolution

    The Wallace Collection continues to evolve, embracing a philosophy of accessibility and engagement. Recent exhibitions have explored themes such as “Fashion & Function” and “The Art of the Portrait,” demonstrating a commitment to showcasing diverse aspects of its holdings. The museum actively fosters connections through guided tours, lectures delving into specific artworks and historical contexts, workshops exploring decorative arts techniques, and family activities designed to ignite young imaginations. Admission remains free, ensuring that this extraordinary treasure trove of art and history is open to everyone – a deliberate reflection of the spirit of Sir Richard Wallace and Lady Wallace, who envisioned their collection as a source of inspiration and enjoyment for generations to come. Ongoing research and conservation efforts guarantee that these remarkable works of art will be enjoyed by future visitors, with new lighting and interactive displays planned to further enhance the visitor experience.

    Additional Research

    Useful Links:

    The Wallace Collection

    – Explore the museum’s website for current exhibitions, events, and detailed information about the collection:

    https://www.wallacecollection.org/

    Wallace Collection on Art UK

    – Discover more about the museum’s history and significance through this comprehensive resource:

    https://artuk.org/visit/venues/the-wallace-collection-7275

    Londons Best Kept Secret - It’s The Wallace Collection!

    – A captivating YouTube video offering a glimpse into the museum's highlights:

    https://www.youtube.com/watch?v=10X2N0tJ0bA

    Useful Content:

    The Wallace Collection’s collection is renowned for its French 18th-century art, particularly works by Fragonard, Watteau, Boucher, and David.

    Hertford House itself is a stunning example of Georgian architecture, meticulously restored to reflect the tastes of its former occupants.

    The museum offers a variety of engaging programs for visitors of all ages, including guided tours, lectures, workshops, and family activities.

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for St Roch

    artsdot.com/no/art/download/carlo-crivelli-st-roch-8DP4FM-en/

    Kildehenvisning for dette kunstverket

    MLA
    Crivelli, Carlo. St Roch. 1493, Wallace Collection. https://artsdot.com/no/art/carlo-crivelli-st-roch-8DP4FM-en/
    APA
    Crivelli, Carlo (1493). St Roch [Painting]. Wallace Collection. https://artsdot.com/no/art/carlo-crivelli-st-roch-8DP4FM-en/
    Chicago
    Carlo Crivelli. St Roch. 1493. Wallace Collection. https://artsdot.com/no/art/carlo-crivelli-st-roch-8DP4FM-en/
    Harvard
    Crivelli, Carlo (1493) St Roch. Wallace Collection. Available at: https://artsdot.com/no/art/carlo-crivelli-st-roch-8DP4FM-en/

    Se nøye etter

    St Roch — Carlo Crivelli

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: st roch, medieval attire, renaissance art. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Virgin and Child (1482), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    5. Renaissance: The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk fakta fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    St Roch — Carlo Crivelli

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. Who is the artist credited with painting 'St Roch'?

      • A Giovanni Bellini
      • B Carlo Crivelli
      • C Mantegna
    2. 2. What year is the painting 'St Roch' dated to?

      • A 1435
      • B 1493
      • C 1495
    3. 3. What is the primary subject matter or historical figure depicted in the painting?

      • A St Jerome
      • B A plague victim
      • C St Roch
    4. 4. Which artistic characteristic is noted as being part of Carlo Crivelli's style?

      • A Impressionistic brushwork
      • B Conservative late Gothic decorative sensibility
      • C Baroque dramatic realism
    5. 5. What material was the painting 'St Roch' executed on?

      • A Canvas
      • B Marble
      • C Panel

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny utskrevet side, slik at den enkelt kan utelates fra kopiene.

    1A · 2A · 3B · 4A · 5B