The Tailor

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Beskrivelse av objektet

Discover Pietro Longhi’s ‘The Tailor’ (1741). A Rococo masterpiece depicting a wealthy family in opulent interiors. Explore its linear lines, rich textures & symbolic details.

Om kunstneren

Pietro Longhi var en italiensk maler kjent for sine vittige genrebilder av 1800-tallet, som fanget borgerskapet og Venezia hverdagsliv med søt satirisk sjarm – «Den venetianske Hogarth».

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More about this painting

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Order your painting in four simple steps

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1 Step one of four

Which size would you like?

These sizes keep the proportions of the original painting. The drawing shows your choice on a wall, above a two-metre sofa.

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2 Step two of four

How should it be prepared: rolled, stretched or framed?

The prices below are for the size you chose in step one.

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Corner sample of the WhiteWrap canvas edge finish, stretched on massivt tre bars
White Nkr1
Corner sample of the BlurSideWrap canvas edge finish, stretched on massivt tre bars
Blurside Nkr1
Corner sample of the ExtendedWrap canvas edge finish, stretched on massivt tre bars
Extended Nkr1
Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8
Corner sample of the H24-GOLD picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
H24-GOLD Nkr30
Corner sample of the H24-SILVER picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
H24-SILVER Nkr30
Corner sample of the H36-GOLD picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
H36-GOLD Nkr45
Corner sample of the H36-SILVER picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
H36-SILVER Nkr45

Moulding: . Overall size with the frame: .

3 Step three of four

Would you like anything changed in the painting?

Most people answer no. Because each painting is made by hand, our artist can also adapt it for you.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, ArtsDot.com team will email client for instructions and provide a mockup preview

4 Step four of four

A few finishing options

All of them are optional. The answers already selected cost nothing extra.

Who paints it?

Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (1 November). Ingen kompromisser med kvaliteten.

A nameplate, as in a museum?

Detaljer om gravert bronseplate

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detaljer om gjennomsiktig akrylplate

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detaljer om plakett i svart akryl

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

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Your painting, as you ordered it

The Tailor

Trykkmetode

Størrelse på reproduksjon

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Innramming av reproduksjon

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For kunstverk eller reproduksjoner som er større enn 105 cm (ca. 41 tommer) på noen side, vil rammen bli sendt som et sett som må monteres. Denne metoden sikrer trygg levering og forhindrer skader under transport.

Krever profesjonell montering – dette er ikke et DIY-produkt.
Settet må monteres og lerretet strammes av en erfaren profesjonell rammelegger, ved bruk av trelim (følger ikke med), en lerretstang og klemmer for å holde rammelisten vinkelrett mens limet tørker. Feilaktig montering eller ujevn stramming av lerretet kan påføre kunstverket permanente skader og er ikke dekket av vår garanti.

  • Alle massive trelister er inkludert, presist tilpasset i størrelse.

  • Monteres med de medfølgende skruene, samt trelim til hjørnene, som ikke er inkludert og må anskaffes av din rammehandler.

  • Profesjonelt verktøy er nødvendig og er ikke inkludert: en lerretstang (strammer) og klemmer for å holde rammene vinkelrette mens limet tørker.

Viktig:
Hjørnene krever trelim, listene må holdes på plass med tvinger til limet er helt tørt, og stramming av lerretet på den ferdige rammen krever en lerretstang. Ingen av disse produktene er inkludert i settet. Vennligst sørg for tilgang til en erfaren profesjonell rammehandler før du bestiller denne størrelsen.

Navneskilt

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Beskyttende ferniss

Blank lakk (forsterker farger, beskytter mot lys og fuktighet)

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Tilpass mitt kunstverk

Eksempler på hva som kan endres: Erstatt ansikt med bilde av kunden; Legg til kjæledyr (f.eks. bytt ut katt med hund); Inkluder en skjult melding i bakgrunnen; Endre bakgrunnslandskap eller elementer.

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Ekspresslevering

Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (1 November). Ingen kompromisser med kvaliteten.

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Ekspresslevering

Verdensomspennende levering til innen 5 uker. (8 November).

Inkludert frakt

Totalpris for valgte alternativer

Nkr 3252

Totalpris Nkr 3252

Glassalternativet er kun tilgjengelig i størrelser under 110 cm

Included with every order

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A Glimpse into Venetian Life: Pietro Longhi’s “The Tailor”

Pietro Longhi's "The Tailor," painted in 1741, isn’t merely a portrait; it’s a meticulously crafted window into the bustling, sophisticated world of 18th-century Venice. Often dubbed the ‘Venetian Hogarth,’ Longhi possessed a remarkable talent for capturing the everyday dramas and social nuances of his time – a departure from the grand historical narratives favored by many of his contemporaries. This particular work, housed within the Gallerie dell’Accademia in Venice, offers an intimate study of bourgeois society, revealing a keen eye for detail and a subtle, often satirical, commentary on the era's customs and values.

The scene unfolds within a richly appointed interior, characteristic of Rococo design – a style defined by its opulence, elegance, and focus on refined leisure. The composition centers around a family group, presided over by a man presumably engaged in overseeing the work of a tailor. A young girl stands beside him, while a servant attends to their needs. The figures are arranged with a deliberate formality, yet there’s an undeniable sense of relaxed intimacy, suggesting a domestic setting of considerable wealth and status. The linear precision of the architecture – the fireplace, wall paneling, and even the folds of clothing – is balanced by the organic forms of the human figures and the luxurious drapery that dominates the space.

The Art of Venetian Genre Painting

Longhi’s genius lay in his specialization in *genre* paintings—a genre largely pioneered by artists like Giuseppe Maria Crespi. Unlike the idealized portraits or mythological scenes prevalent at the time, Longhi focused on capturing ordinary life: gambling dens, fashionable salons, and the interactions of everyday Venetians. This shift reflected a broader cultural trend – a growing interest in the private sphere and the lives of the middle classes. His work provides invaluable insight into the social customs, fashion trends, and even the gossip of the time, offering a remarkably detailed portrait of Venetian society.

The painting’s technique is a testament to Longhi's mastery of oil paint. Notice the meticulous layering of colors, creating a remarkable sense of texture – from the velvet upholstery to the shimmering fabric of the tailor’s garment. The use of light is particularly effective, casting subtle shadows that add depth and volume to the figures and objects within the scene. The slightly flattened perspective, typical of portraiture during this period, prioritizes clarity of form over strict realism, allowing Longhi to convey a sense of immediacy and engagement.

Symbolism and Social Commentary

Beyond its aesthetic qualities, “The Tailor” is rich in symbolic meaning. The presence of the portrait on the wall – depicting a male ancestor – immediately establishes a lineage of wealth and status. The elaborate clothing worn by the family members signifies their social standing and access to luxury. However, Longhi doesn’t simply present a straightforward celebration of wealth; there's an underlying current of observation and perhaps even gentle critique. The slightly bewildered expression on the young girl’s face, coupled with the servant’s attentive posture, hints at the complexities of social roles and expectations within this privileged household.

The inclusion of the tailor himself is particularly noteworthy. He represents a skilled artisan – a vital part of Venetian society – yet he's presented as somewhat detached from the family's immediate concerns. This subtle positioning suggests a commentary on the relationship between labor, wealth, and social hierarchy. Furthermore, the painting’s numerous faceless figures—often masked—add another layer of intrigue, hinting at the hidden realities and unspoken conversations that likely transpired behind closed doors in this opulent setting.

A Legacy of Venetian Observation

Pietro Longhi's “The Tailor” stands as a quintessential example of Venetian genre painting – a vibrant snapshot of daily life captured with remarkable skill and insight. His work, alongside that of his contemporaries like Canaletto and Guardi, offers an unparalleled glimpse into the social fabric of 18th-century Venice. Longhi’s legacy extends beyond individual masterpieces; he fundamentally shifted the focus of Venetian painting, moving away from grand historical narratives towards a more intimate and nuanced exploration of human experience. Reproductions of this captivating work continue to resonate with art lovers today, offering a timeless reminder of the beauty and complexity of everyday life.

Spørsmål og svar

Hvordan forenes kunstretning og epoke i "The Tailor" av Pietro Longhi?

"The Tailor" av Pietro Longhi tilhører Rococo-retningen, innenfor skaperens Tidlig moderne tid-epoke.

Hvor kan jeg finne kunstverk som ligner på "The Tailor" av Pietro Longhi?

Verker som ligner på "The Tailor" er oppført på verkets Lignende verk-side.

Hvilken stilart tilhører "The Tailor"?

"The Tailor" er et verk innenfor Rococo. Retningen angir den kunstneriske tradisjonen verket er en del av.

Pietro Longhi

Pietro Longhi

1701 - 1785, Italia

Om kunstneren

A Venetian Chronicler of Daily Life

Pietro Longhi, born Pietro Falca in Venice on November 5th, 1701, wasn’t painting grand historical narratives or mythological scenes; he was capturing the quiet dramas unfolding within the city's elegant homes and bustling streets. He became renowned for his witty genre paintings – intimate glimpses into the lives of 18th-century Venetians, a departure from the prevailing artistic trends of his time. The son of Alessandro Falca, a silversmith, Longhi’s early training began under the Veronese painter Antonio Balestra, who recognized and nurtured the young artist's talent. This foundation in traditional technique would later serve as a subtle counterpoint to the innovative spirit he brought to his chosen subject matter. He adopted the surname “Longhi” upon beginning his artistic career, a symbolic shedding of his father’s trade for the pursuit of painting.

From Religious Scenes to Venetian Interiors

Longhi's initial works reflected the expectations of the era: altarpieces and religious themes dominated his early portfolio. His 1732 altarpiece for the church of San Pellegrino demonstrates a skillful command of traditional techniques, showcasing broken brushwork and vibrant color glazes characteristic of Venetian painting. These paintings hark back to the stylistic conventions of earlier Venetian masters like Giuseppe Maria Crespi, demonstrating Longhi’s respect for artistic heritage. However, it was in the late 1730s that Longhi truly found his voice, shifting towards the small-scale genre scenes that would define his legacy. This transition wasn't merely a change in subject matter; it represented a deliberate engagement with the burgeoning social and cultural shifts of the time. The 18th century witnessed a growing fascination with the private lives of the bourgeoisie, a focus on domesticity and everyday rituals. Longhi masterfully captured this shift, offering viewers a window into Venetian society that was both charming and subtly satirical. He married Caterina Maria Rizzi in 1732, and together they had eleven children, though only three survived to adulthood. This personal life, while not directly reflected in his art, undoubtedly shaped his understanding of the domestic sphere he so frequently depicted.

The “Venetian Hogarth” and a Satirical Eye

Longhi quickly earned the moniker "the Venetian William Hogarth," a testament to his ability to infuse seemingly innocuous scenes with layers of social commentary. Like Hogarth, Longhi didn’t shy away from depicting human foibles and societal contradictions. However, while Hogarth's satire was often pointed and moralizing, Longhi’s tended to be more nuanced, imbued with a gentle irony. His paintings are populated with masked figures – a nod to the ubiquitous Carnival celebrations of Venice – engaged in various activities, from gambling and flirtation to clandestine meetings and dubious transactions. The Concert exemplifies this stylistic approach, presenting an interior scene brimming with social observation. Longhi’s canvases position sex work as generational: in the foreground a young girl appraises her doll, paralleling the older woman’s actions. He wasn't simply recording life as it was; he was offering a sly commentary on its complexities and contradictions. His ability to capture these subtleties is what sets him apart, elevating his genre scenes beyond mere documentation into insightful social observations.

Technique, Influence, and Lasting Legacy

Longhi’s technique was as distinctive as his subject matter. He favored small canvases, meticulously rendered with a delicate touch and a keen eye for detail. His interiors are bathed in soft light, creating an atmosphere of intimacy and realism. He possessed a remarkable ability to depict textures – the sheen of silk, the roughness of wood, the delicate folds of fabric – adding depth and authenticity to his scenes. Longhi’s influence extended beyond his immediate contemporaries; he anticipated later developments in genre painting, paving the way for artists like François Boucher and Jean-Honoré Fragonard. He served as Director of the Academy of Drawing and Carving from 1763, furthering Venetian artistic tradition and fostering a new generation of painters. Longhi died peacefully in Venice on May 8th, 1785, leaving behind a legacy of approximately 200 paintings that continue to captivate audiences worldwide. He remains a vital figure in the history of Venetian art, celebrated for his unique blend of observation, wit, and technical skill – a true chronicler of 18th-century life.