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Orpheus and Eurydike

Dimensjoner
120.0 x 120.0cm

This dramatic Baroque oil painting by Antonio Cifrondi captures a tragic mythological struggle. Shop this masterpiece today.

A Late-Baroque master known for his brilliant frescoes at Villa Albergati. Discover the vibrant works of Giovanni Antonio Burrini today.

Giclée / Kunsttrykk

Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Kjøp håndmalt maleri Bytt til digitalt bilde)

Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

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Totalpris

Nkr 595

Orpheus and Eurydike

Giclée / Kunsttrykk

Størrelse på reproduksjon

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Totalpris for valgte alternativer

Nkr 595

Kort om verket

  • Subject or theme: Mythological scene of Orpheus and Eurydice
  • Year: 1700
  • Medium: Oil painting
  • Artist: Antonio Cifrondi
  • Dimensions: 120.0 x 119.5cm
  • Artistic style: Baroque

Kunnequiz om kunst

Det er kun ett riktig svar på hvert spørsmål.

Spørsmål 1:
What is the primary artistic style of this oil painting?
Spørsmål 2:
In which year was this artwork created?
Spørsmål 3:
What is the size of the painting in centimeters?
Spørsmål 4:
Which mythological figure is depicted with a laurel wreath on his head?
Spørsmål 5:
What color is the fabric that is partially draped over the woman?

A Study in Tension and Shadow

In this 1700 oil painting, we find ourselves witnessing a moment of profound desperation. The composition is built upon a dynamic, diagonal movement that pulls the eye through a scene of intense struggle. On the left, Eurydice is caught in a state of sudden, visceral fear. Her head is tilted back, her eyes searching upward as her body twists away from the darkness below. At the bottom left, the presence of the multi-headed Cerberus adds a layer of looming dread to the shadows. Her skin is rendered in pale, luminous tones, creating a sharp contrast against the deep, murky background. She is partially draped in flowing, golden-yellow fabric that swirls across the center of the canvas, adding a sense of rhythmic motion to her flight.

Opposing this movement is Orpheus, positioned on the right. He reaches toward her with an urgent focus, his hand grasping the edge of her drapery as if trying to anchor her to the world of the living. A laurel wreath rests upon his head, a subtle nod to his identity. The lighting is handled with a heavy chiaroscuro, where strong, directional light carves out the muscular forms and creates deep, sculptural shadows. This technique gives the figures a palpable weight and a sense of three-dimensional presence within the rocky, textured environment.

The Weight of the Human Condition

Antonio Cifrondi’s approach to this mythological scene avoids the polished artifice often found in the grander Baroque traditions. Instead, there is a focus on the raw, unvarnished truth of the figures' emotions. The color palette is grounded in warm ochres, deep golds, and earthy browns, which lends the work a certain gravity. The brushwork appears fluid, contributing to the sense of motion and the tactile quality of the fabric and the stone.

There is a quiet resilience in how the figures are depicted. Rather than focusing solely on the myth, the work emphasizes the vulnerability and the inner strength inherent in this moment of tragic struggle. The shadows do not merely obscure; they define the psychological depth of the characters. It is a scene of movement and tension, where the light serves to highlight the desperation of the human spirit caught between light and the dark.

Spørsmål og svar

Hvor harmoniske er fargene i "Orpheus and Eurydike" av Giovanni Antonio Burrini?

Fargeharmonien i "Orpheus and Eurydike" er beskrevet som Strong Color Unity.

Hva forestiller "Orpheus and Eurydike"?

"Orpheus and Eurydike" av Giovanni Antonio Burrini avbilder: woman, man, creature, fabric, gold fabric, rocky setting.

Er fargene i "Orpheus and Eurydike" av Giovanni Antonio Burrini mettede eller dempede?

"Orpheus and Eurydike" av Giovanni Antonio Burrini er gjengitt med en Subtle Color metning.


Om kunstneren

The Life and Art of Giovanni Antonio Burrini

Giovanni Antonio Burrini was a Bolognese painter of the Late-Baroque or Rococo style. Following an apprenticeship with Domenico Maria Canuti, he studied under Lorenzo Pasinelli alongside fellow student Giovanni Gioseffo dal Sole. He shared a studio and became a close collaborator with Giuseppe Maria Crespi. Supported by his patron, Giulio Cesare Venenti, Burrini traveled to Venice around 1672, where he studied the works of Titian and Paolo Veronese.

His early career was marked by work as a fresco decorator, often collaborating with the quadratura specialist Marcantonio Chiarini. Notable early works include the ceiling decorations for six rooms in the Villa Albergati at Zola Predosa, which feature mythological scenes such as the Fall of the Giants. His later works include the Martyrdom of Saint Catherine in Bologna. Burrini was a founding member of the Accademia Clementina in Bologna and served as its seventh director.

Notable Works and Subjects

Burrini’s painting style during the late 1680s and early 1690s was characterized by spontaneous execution and a Venetian influence. His repertoire included diverse subjects:

His technical skill extended to landscape settings, such as in Landscape with St. Jerome, and zestful oil sketches of heads in genre-like groupings.

Giovanni Antonio Burrini

Giovanni Antonio Burrini

1656 - 1727 , Italy

Kort om kunstneren

  • Artistic Movement Or Style: Late-Baroque or Rococo
  • Artists Or Movements Influenced By This Artist:
    • Barbara Burrini
    • Bartolomeo Mercati
  • Artists Who Influenced This Artist:
    • Domenico Maria Canuti
    • Lorenzo Pasinelli
    • Titian
    • Paolo Veronese
  • Full Name: Giovanni Antonio Burrini
  • Notable Artworks:
    • Abraham Preparing to Sacrifice Isaac
    • Joseph Interpreting Dreams
    • Susanna and the Elders
    • Erminia and the Shepherds
    • Diana and Endymion
    • Bacchus and Ariadne
    • Martyrdom of Saint Catherine
  • Place Of Birth: Bologna, Italy
  • Date Of Birth: 1656
  • Date Of Death: 1727