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Om kunstneren

Explore the mystical world of María Fernández Coronel, a Spanish mystic & artist known for her bilocation accounts & visionary art. Discover her unique works & legacy.

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1 Trinn én av fire

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2 Trinn to av fire

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Corner sample of the WhiteWrap canvas edge finish, stretched on massivt tre bars
Hvit kant Nkr1
Corner sample of the BlurSideWrap canvas edge finish, stretched on massivt tre bars
Uskarp kantfinish Nkr1
Corner sample of the ExtendedWrap canvas edge finish, stretched on massivt tre bars
Fortsatt motiv Nkr1
Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8
Corner sample of the H24-GOLD picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
H24-GOLD Nkr30
Corner sample of the H24-SILVER picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
H24-SILVER Nkr30
Corner sample of the H36-GOLD picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
H36-GOLD Nkr45
Corner sample of the H36-SILVER picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
H36-SILVER Nkr45

Profil: . Total størrelse med ramme: .

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Ønsker du at noe skal endres i maleriet?

De fleste svarer nei. Siden hvert maleri er håndlaget, kan kunstneren vår også tilpasse det for deg.

Eksempler på hva som kan endres: Erstatt ansikt med kundens eget bilde; Legg til kjæledyr (f.eks. bytt ut katt med hund); Inkluder en skjult melding i bakgrunnen; Endre landskap eller elementer i bakgrunnen.
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4 Trinn fire av fire

Noen valgmuligheter for finish

Alle er valgfrie. Svarene som allerede er valgt, medfører ingen ekstra kostnad.

Hvem har malt det?

Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (7 November). Ingen kompromisser med kvaliteten.

En navneplate, som på et museum?

Detaljer om gravert bronseplate

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detaljer om gjennomsiktig akrylplate

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detaljer om plakett i svart akryl

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Settet må monteres og lerretet strammes av en erfaren profesjonell rammelegger, ved bruk av trelim (følger ikke med), en lerretstang og klemmer for å holde rammelisten vinkelrett mens limet tørker. Feilaktig montering eller ujevn stramming av lerretet kan påføre kunstverket permanente skader og er ikke dekket av vår garanti.

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Viktig:
Hjørnene krever trelim, listene må holdes på plass med tvinger til limet er helt tørt, og stramming av lerretet på den ferdige rammen krever en lerretstang. Ingen av disse produktene er inkludert i settet. Vennligst sørg for tilgang til en erfaren profesjonell rammehandler før du bestiller denne størrelsen.

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Blank lakk (forsterker farger, beskytter mot lys og fuktighet)

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Tilpass mitt kunstverk

Eksempler på hva som kan endres: Erstatt ansikt med bilde av kunden; Legg til kjæledyr (f.eks. bytt ut katt med hund); Inkluder en skjult melding i bakgrunnen; Endre bakgrunnslandskap eller elementer.

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Ekspresslevering

Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (7 November). Ingen kompromisser med kvaliteten.

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Ekspresslevering

Verdensomspennende levering til innen 5 uker. (14 November).

Inkludert frakt

Totalpris for valgte alternativer

Nkr 2515

Totalpris Nkr 2515

Glassalternativet er kun tilgjengelig i størrelser under 110 cm

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María Fernández Coronel

María Fernández Coronel

1602 - 1665, Spain

Om kunstneren

A Life Shrouded in Mysticism: María Fernández Coronel

María Fernández Coronel, known as Mary of Jesus of Ágreda, was a figure both celebrated and controversial during the tumultuous 17th century. Born on April 2nd, 1602, in the small Spanish town of Agreda, nestled between Navarre and Aragon, her life became inextricably linked with profound religious experiences and an extraordinary claim: that of bilocation. From a young age, she exhibited signs of deep piety, receiving her First Communion at an unusually early age. This devotion led her to enter the Franciscan convent in 1620, taking the name María de Jesús. Her family’s fervent faith—her father and brothers also entering religious orders—created an environment steeped in spiritual intensity that would shape her destiny. In 1627, at just twenty-five years old, she was unexpectedly elected Abbess of the monastery, a position she held for nearly forty years, save for a brief respite. It wasn’t merely her administrative skills or piety that distinguished her; it was the burgeoning reputation for miracles and visions that began to draw attention from all levels of Spanish society.

The Power of Revelation: Writings and Correspondence

María de Jesús became renowned as a mystic writer, though her path to publication was not without its challenges. Her initial attempt at a comprehensive history of the Virgin Mary, an *Introduction to the History of the Most Blessed Virgin*, was destroyed under the guidance of one confessor due to concerns about its content. It was later, under another Franciscan confessor, Andrés de Fuen Mayor, that she embarked on her most ambitious project: The Mystic City of God. This sprawling work, completed over several years, purported to be a series of divine revelations detailing the life of Mary, filled with apocryphal history, scholasticism, and vivid imagery. Despite facing criticism for its historical inaccuracies—and even being placed on the Index Librorum Prohibitorum (List of Prohibited Books) in 1681—the book remained popular within Spain, valued as a powerful ascetic and mystical treatise. However, it was her correspondence with King Philip IV that truly cemented her influence. Beginning in 1643, she engaged in an extensive exchange of over six hundred letters with the monarch, offering spiritual counsel and discussing matters of state. This unique relationship elevated her status beyond the cloistered walls of Agreda, making her a trusted advisor to one of Europe’s most powerful rulers.

Bilocation and Missionary Zeal: A Journey Across Continents

The most extraordinary aspect of María de Jesús' life—and the source of much debate—was her claim of bilocation. Beginning around 1620, she reported experiencing visions in which she was transported instantaneously to New Spain (modern-day Mexico and the southwestern United States), appearing among the Jumano Indians of central New Mexico and West Texas. These journeys, she claimed, occurred while remaining physically present within her monastery. Reports surfaced from Franciscan missionaries working in the region who spoke of a “Lady in Blue”—a woman dressed in the habit of her order—who had appeared to the native populations, teaching them about Christianity in their own language and urging them to seek baptism. While skepticism abounds, the detailed knowledge she possessed of the geography and customs of these distant lands fueled belief in her extraordinary ability. She is said to have made over 500 such journeys within a single year, acting as an unseen evangelist across vast distances. This missionary zeal, whether physically realized or spiritually inspired, profoundly impacted the early efforts to convert indigenous populations in North America.

Legacy and Enduring Symbolism

María Fernández Coronel died on May 24th, 1665, leaving behind a complex legacy. She remains a significant figure in Spanish religious history, revered by many as a saintly mystic and visionary. Her writings continue to be studied for their insights into the spiritual climate of the 17th century, offering a glimpse into the intense devotion and fervent beliefs that characterized the era. The image of “The Lady in Blue” has become deeply ingrained in popular culture, particularly in the southwestern United States, where she is remembered as a protector and guide to the indigenous peoples. Her story—a blend of faith, political influence, and extraordinary claims—continues to captivate and inspire debate centuries after her death.

Artistic Contributions

While primarily known for her writings and spiritual life, María Fernández Coronel’s artistic contributions are often overlooked. The painting Otomi Grammar, attributed to her, provides a fascinating glimpse into her intellectual pursuits beyond religious texts. This vintage Spanish work features intriguing text—likely related to the Otomi language—suggesting an interest in linguistics and cross-cultural communication. The very act of documenting this indigenous language through art speaks to her engagement with the cultures she claimed to visit during her bilocations, offering a unique perspective on her missionary efforts. The painting serves as a tangible reminder that María de Jesús was not simply a passive recipient of divine revelations but an active scholar and observer of the world around her.