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Bangudae Petroglyphs

Discover Ko Ilung’s Bangudae Petroglyphs – a captivating glimpse into Korean history. Hand-painted reproductions of this ancient artwork, perfect for collectors.

Explore Ko Ilung’s evocative abstract art! Korean artist uses su-eom technique to capture life's essence & origins. See his Bangudae Petroglyphs & legacy.

Kunstverket som vises på denne siden er beskyttet av opphavsretten, noe som betyr at vi ikke har juridisk tillatelse til å lage eller selge identiske reproduksjoner. Denne beskyttelsen håndheves i henhold til internasjonale avtaler som for eksempel Bernerkonvensjonen og av nasjonale lover, inkludert de som er fastsatt i Amerikansk lov om opphavsrett – Tittel 17.

Denne metoden er i fullt samsvar med opphavsrettslige regler, da den ikke innebærer kopiering eller duplisering av det beskyttede kunstverket. I stedet er det snakk om en kreativ nytolkning – et nytt maleri som er inspirert av originalen, men ikke identisk med den.

Giclée / Kunsttrykk

Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Kjøp håndmalt maleri Bytt til digitalt bilde)

Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

Standardformat
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Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.

bredde
høyde

Skriv inn ønsket bredde og høyde for å tilpasse trykket til din ramme eller vegg. Et trykk kan kun beskjæres, aldri skaleres opp utover motivets opprinnelige størrelse, noe som betyr at et format med andre proporsjoner vil føre til tap av deler av bildet. Vi sender deg en digital mockup for godkjenning før vi starter trykkeprosessen. Bildet som vises på denne siden viser ikke den faktiske beskjæringen — det er kun mockuppen som viser dette.

Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (5 November)

Gratis ekspressfrakt over hele verden
Lerretsduk av lin av høy kvalitet
Full transportforsikring
Garanti for refusjon av toll og importavgifter
Garantert fargegjengivelse
100 dagers returrett ved fabrikasjonsfeil
100% pengene tilbake-garanti
Rabatt ved flere kjøp

Totalpris

Nkr 603

Bangudae Petroglyphs

Giclée / Kunsttrykk

Størrelse på reproduksjon

-

Totalpris for valgte alternativer

Nkr 603


Om kunstneren

A Life Rooted in Landscape, Blossoming into Abstraction

Ko Ilung, a South Korean artist born in the vibrant port city of Busan in 1937, embodies a fascinating journey from traditional landscape painting to the evocative realms of abstract art. His life story is interwoven with the cultural and religious fabric of Korea, deeply influenced by his membership within the Presbyterian Church in Korea (Hapdong). This spiritual grounding has consistently informed his artistic exploration, providing a contemplative lens through which he examines fundamental questions about existence and the origins of creative expression. Initially drawn to capturing the tangible beauty of the natural world, Ko Ilung’s path took an intriguing turn as he began to question the very nature of representation itself. He wasn't content merely depicting landscapes; he sought to distill their essence, to uncover the underlying forces that shaped them and, by extension, all of life. This quest led him toward abstraction, a realm where form could transcend literal depiction and speak directly to the soul.

The Su-eom Technique: Water and Ink as Vessels of Thought

Central to Ko Ilung’s artistic identity is his mastery of *su-eom*, the traditional Korean technique of water and ink painting. However, he doesn't simply employ *su-eom* as a stylistic choice; he elevates it into a profound method for philosophical inquiry. For Ko Ilung, the fluidity of water and the subtle gradations of ink are not merely aesthetic qualities but rather metaphors for the ephemeral nature of reality itself. He manipulates these elements with deliberate control, allowing chance encounters and unexpected flows to guide his compositions. This process mirrors his belief that art should not be a product of rigid intention but an organic unfolding—a dialogue between the artist, the materials, and the unseen forces of creation. His work often evokes ancient landscapes, yet they are never direct copies. Instead, they are spectral impressions, imbued with a sense of timelessness and mystery. The technique allows him to explore his thoughts on the origins of art and the very essence of life, translating complex ideas into visually arresting forms.

From Busan Art Festival to International Recognition

Ko Ilung’s dedication to artistic excellence has been consistently recognized throughout his career. His involvement as a board member and judge for both the Busan Art Festival and the Korean Art Festival demonstrates not only his standing within the South Korean art community but also his commitment to fostering emerging talent. These roles allowed him to shape the discourse surrounding contemporary Korean art, championing innovative approaches while remaining rooted in traditional values. Beyond national borders, Ko Ilung’s work has found an audience internationally, showcasing the power of Korean abstraction on a global stage. His exhibitions have served as cultural bridges, introducing viewers to the unique aesthetic sensibilities and philosophical depth of his paintings. This international exposure solidified his reputation as a significant voice in contemporary art, bridging Eastern traditions with universal themes of existence and spirituality.

The Bangudae Petroglyphs: A Dialogue Across Time

Among Ko Ilung’s most notable achievements is his series inspired by the Bangudae Petroglyphs—ancient rock carvings discovered in Ulsan, South Korea. These petroglyphs, dating back to prehistoric times, depict scenes of hunting, fishing, and ritualistic practices, offering a glimpse into the lives and beliefs of early Koreans. Ko Ilung doesn’t simply reproduce these images; he engages with them on a deeper level, interpreting their symbolism through his abstract lens. His paintings become meditations on humanity's enduring connection to its past, exploring themes of ancestral memory, cultural identity, and the cyclical nature of time. The *Bangudae Petroglyphs* series is particularly compelling because it demonstrates Ko Ilung’s ability to synthesize historical significance with contemporary artistic expression. He transforms ancient symbols into powerful visual statements that resonate with modern audiences, prompting reflection on our shared human heritage.

A Legacy of Essence and Inquiry

Ko Ilung's enduring legacy lies in his unwavering commitment to exploring the fundamental questions of art and existence through a unique blend of tradition and innovation. He is not merely an abstract painter; he is a philosophical explorer, using *su-eom* as a vessel for translating complex ideas into visually arresting forms. His work challenges viewers to move beyond superficial observation and engage with the deeper currents that shape our world. By drawing inspiration from ancient history, spiritual beliefs, and the natural world, Ko Ilung has created a body of work that is both deeply personal and universally resonant. He continues to live and create, inspiring generations of artists to embrace experimentation while remaining grounded in their cultural roots. His paintings are not simply objects of beauty; they are invitations to contemplate the origins of art, the essence of life, and the enduring power of human creativity.
Ko Ilung

Ko Ilung

1937 - , South Korea

Kort om kunstneren

  • Full Name: Ko Ilung
  • Nationality: South Korean
  • Date Of Birth: 1937
  • Place Of Birth: Busan, South Korea
  • Notable Artworks: ['Bangudae Petroglyphs']
  • Artistic Movement Or Style: Abstract Art, Su-eom