SOB, SOB
Contemporary Realism
2003
274.0 x 183.0 cm
Giclée / Kunsttrykk
Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling.
Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.
Du kan oppgi egne mål for å tilpasse en spesifikk ramme eller et bestemt område. Dersom den valgte størrelsen ikke samsvarer med det originale bildets proporsjoner, vil vi enten beskjære kunstverket eller utvide bildet med en speilet eller ensfarget kant. En digital mockup vil bli sendt til din godkjenning før produksjonen starter.
Vennligst merk at forhåndsvisningen på skjermen ikke gjenspeiler den faktiske beskjæringen eller utvidelsen. Kun mockuppen vil vise den endelige komposisjonen nøyaktig.
Selv om tilpassede størrelser er tilgjengelige, anbefaler vi å velge et mål fra den forhåndsdefinerte listen for å bevare de originale proporsjonene.
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SOB, SOB
Giclée / Kunsttrykk
Størrelse på reproduksjon
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Endelig pris
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Lignende kunstverk
Om kunstneren
Kerry James Marshall: A Visionary Confronting Racial Stereotypes
Kerry James Marshall (born October 17, 1955) is an American artist renowned for his monumental paintings and sculptures that grapple with themes of race, identity, and the legacy of the Civil Rights Movement. Raised in Birmingham, Alabama, Marshall’s formative years were deeply impacted by the Watts riots of 1965—a pivotal moment shaping his artistic perspective and fueling a lifelong commitment to exploring the complexities of Black experience within American culture. He moved to Los Angeles as a child, immersing himself in the vibrant energy of South Central and encountering the influence of figures like Charles White, who instilled in him a foundational understanding of social realism and artistic responsibility. Marshall earned his BFA from Otis College of Art and Design in 1978, where he honed his skills in drawing and sculpture—techniques that would become integral to his distinctive visual language. His early work immediately distinguished itself through its bold use of dark hues, primarily black, representing a deliberate rejection of traditional Western art conventions and challenging prevailing stereotypes about Black figures. This stylistic choice wasn’t merely aesthetic; it was a conscious effort to confront societal biases and reclaim narratives marginalized by history. His artistic journey gained significant momentum in the 1980s and 1990s, during which Marshall developed his signature style—characterized by monumental canvases populated with stylized Black figures rendered in starkly contrasting colors. Influenced by artists like Picasso and Rembrandt, Marshall skillfully employed techniques borrowed from art history to elevate African American subjects into positions of dignity and complexity. He sought to disrupt visual hierarchies established centuries earlier, asserting that “Black people occupy a space, even mundane spaces, in the most fascinating ways.” Marshall’s exploration of cultural references extended beyond traditional painting—he incorporated elements of popular culture, such as comic books and advertising imagery, into his artworks. This approach underscored his belief that art should engage with contemporary realities while simultaneously acknowledging the enduring impact of historical narratives. His work has been exhibited extensively throughout Europe and North America, garnering critical acclaim for its intellectual rigor and emotional depth. Throughout his career, Marshall’s artistic endeavors have consistently addressed issues of representation and social justice. He received a MacArthur Fellowship in 1997—a prestigious honor recognizing his groundbreaking contributions to the visual arts—and was appointed by President Barack Obama to the President's Committee on the Arts and Humanities in 2013. His monumental sculpture *A Monumental Journey*, installed in Hansen Triangle Park, Des Moines, Iowa, solidified his reputation as a visionary artist committed to public engagement and artistic innovation. Recent exhibitions at institutions like the National Gallery of Art, Washington D.C., Kunsthaus Zürich, and Musée d’Art Moderne de Paris have further cemented Marshall's place among the most influential artists of our time.- Notable Exhibitions: Documenta X (1997), Whitney Biennial (2008), Venice Biennale (2015), Royal Academy Exhibition (2016)
- Awards & Honors: MacArthur Fellowship (1997), Guggenheim Fellowship (2003)
- Publications: *Kerry James Marshall: Mastry* (Museum of Contemporary Art Chicago, 2016); *Kerry James Marshall: Painting and Other Stuff* (National Gallery of Art, Washington D.C., 2013)
Kort om kunstneren
- Artistic Movement Or Style: Neo-Expressionism
- Artists Or Movements Influenced By This Artist: ['Renaissance Painting']
- Artists Who Influenced This Artist: ['Charles White']
- Date Of Birth: October 17, 1955
- Date Of Death: Living
- Full Name: Kerry James Marshall
- Nationality: American
- Notable Artworks:
- Small Pin-Up (Fingerwag)
- Scout (Girl)
- Place Of Birth: Birmingham, Alabama

Glassalternativet er kun tilgjengelig i størrelser under 110 cm
