Papplewick Dam, Nottinghamshire

Dimensjoner
122.0 x 183.0 cm

Bildet følger dine valg: , .

Om kunstneren

Explore the landscapes of Nottinghamshire & beyond by John Rawson Walker. Captivating views & architectural sketches – a talented British artist.

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1 Trinn én av fire

Hvilken størrelse ønsker du?

Disse størrelsene bevarer de originale proporsjonene til maleriet. Tegningen viser ditt valg på en vegg, over en to meter lang sofa.

Ditt maleri: () — inkludert ramme.

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2 Trinn to av fire

Hvordan skal det klargjøres: rullet, strukket eller innrammet?

Prisene nedenfor gjelder for størrelsen du valgte i trinn én.

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Corner sample of the WhiteWrap canvas edge finish, stretched on massivt tre bars
Hvit kant Nkr1
Corner sample of the BlurSideWrap canvas edge finish, stretched on massivt tre bars
Uskarp kantfinish Nkr1
Corner sample of the ExtendedWrap canvas edge finish, stretched on massivt tre bars
Fortsatt motiv Nkr1
Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8
Corner sample of the H24-GOLD picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
H24-GOLD Nkr30
Corner sample of the H24-SILVER picture frame: utskåret tre med gesso, 10 cm wide and 6 cm thick
H24-SILVER Nkr30
Corner sample of the H36-GOLD picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
H36-GOLD Nkr45
Corner sample of the H36-SILVER picture frame: utskåret tre med gesso, 15 cm wide and 6.5 cm thick
H36-SILVER Nkr45

Profil: . Total størrelse med ramme: .

3 Trinn tre av fire

Ønsker du at noe skal endres i maleriet?

De fleste svarer nei. Siden hvert maleri er håndlaget, kan kunstneren vår også tilpasse det for deg.

Eksempler på hva som kan endres: Erstatt ansikt med kundens eget bilde; Legg til kjæledyr (f.eks. bytt ut katt med hund); Inkluder en skjult melding i bakgrunnen; Endre landskap eller elementer i bakgrunnen.
Etter bestilling vil ArtsDot.com-teamet sende e-post til kunden for instruksjoner og sende et utkast som forhåndsvisning

4 Trinn fire av fire

Noen valgmuligheter for finish

Alle er valgfrie. Svarene som allerede er valgt, medfører ingen ekstra kostnad.

Hvem har malt det?

Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (3 November). Ingen kompromisser med kvaliteten.

En navneplate, som på et museum?

Detaljer om gravert bronseplate

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detaljer om gjennomsiktig akrylplate

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detaljer om plakett i svart akryl

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Papplewick Dam, Nottinghamshire

Trykkmetode

Størrelse på reproduksjon

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Mer detaljrikdom, finesse og ekstra produksjonstid

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Innramming av reproduksjon

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For kunstverk eller reproduksjoner som er større enn 105 cm (ca. 41 tommer) på noen side, vil rammen bli sendt som et sett som må monteres. Denne metoden sikrer trygg levering og forhindrer skader under transport.

Krever profesjonell montering – dette er ikke et DIY-produkt.
Settet må monteres og lerretet strammes av en erfaren profesjonell rammelegger, ved bruk av trelim (følger ikke med), en lerretstang og klemmer for å holde rammelisten vinkelrett mens limet tørker. Feilaktig montering eller ujevn stramming av lerretet kan påføre kunstverket permanente skader og er ikke dekket av vår garanti.

  • Alle massive trelister er inkludert, presist tilpasset i størrelse.

  • Monteres med de medfølgende skruene, samt trelim til hjørnene, som ikke er inkludert og må anskaffes av din rammehandler.

  • Profesjonelt verktøy er nødvendig og er ikke inkludert: en lerretstang (strammer) og klemmer for å holde rammene vinkelrette mens limet tørker.

Viktig:
Hjørnene krever trelim, listene må holdes på plass med tvinger til limet er helt tørt, og stramming av lerretet på den ferdige rammen krever en lerretstang. Ingen av disse produktene er inkludert i settet. Vennligst sørg for tilgang til en erfaren profesjonell rammehandler før du bestiller denne størrelsen.

Navneskilt

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Beskyttende ferniss

Blank lakk (forsterker farger, beskytter mot lys og fuktighet)

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Tilpass mitt kunstverk

Eksempler på hva som kan endres: Erstatt ansikt med bilde av kunden; Legg til kjæledyr (f.eks. bytt ut katt med hund); Inkluder en skjult melding i bakgrunnen; Endre bakgrunnslandskap eller elementer.

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Ekspresslevering

Verdensomspennende levering () på 3–4 uker i stedet for standard 5 uker. (3 November). Ingen kompromisser med kvaliteten.

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Ekspresslevering

Verdensomspennende levering til innen 5 uker. (10 November).

Inkludert frakt

Totalpris for valgte alternativer

Nkr 2523

Totalpris Nkr 2523

Glassalternativet er kun tilgjengelig i størrelser under 110 cm

Inkludert med hver bestilling

  • Gratis ekspressfrakt over hele verden
  • Lerretsduk av lin av høy kvalitet
  • Full transportforsikring
  • Garanti for refusjon av toll og importavgifter
  • Garantert fargegjengivelse
  • 100 dagers returrett ved fabrikasjonsfeil
  • 100% pengene tilbake-garanti
  • Rabatt ved flere kjøp

Om kunstneren

John Rawson Walker: Bridging the Rivers of Nottinghamshire

Sir John Rawson Walker (1796–1873) was more than simply a British landscape painter; he was a meticulous observer, a skilled draughtsman, and a keen recorder of the evolving industrial and rural landscapes of his time. Born in Henley-on-Thames, his early life instilled a deep appreciation for nature, a foundation that would profoundly shape his artistic vision. Walker’s career spanned several decades, witnessing significant transformations within Britain – from the burgeoning Industrial Revolution to the rise of Victorian society – and he consistently sought to capture these shifts with remarkable detail and sensitivity. His work isn't characterized by dramatic brushstrokes or overtly emotional expression; instead, it offers a quiet, contemplative engagement with the world around him, revealing a subtle poetry in everyday scenes.

Early Influences and Artistic Training

Walker’s artistic journey began modestly, likely influenced by his family’s connections to the art world – his father, William Adams Rawson, was an oculist who later adopted the surname “Rawson,” a connection that subtly shaped Walker's own identity. While specific formal training remains somewhat elusive, it is believed he honed his skills through self-study and observation, absorbing the techniques of artists like Thomas Girtin and Canaletto, masters of topographical drawing and atmospheric perspective. His early works demonstrate a clear debt to these influences, particularly in their precise rendering of detail and their ability to evoke a sense of place. Crucially, Walker’s background within the British Civil Service – holding positions as a colonial secretary and treasurer – provided him with unparalleled access to diverse landscapes and cultures, fueling his artistic curiosity and broadening his visual vocabulary. This experience instilled a methodical approach to observation, evident in the meticulous detail he applied to every brushstroke.

Nottinghamshire Landscapes: A Chronicle of Change

Walker’s most celebrated work is undoubtedly his extensive series of paintings depicting the landscapes of Nottinghamshire and surrounding areas. He became particularly renowned for his depictions of Old Trent Bridge, a monumental structure that dominated the River Trent and served as a vital link between north and south. His numerous studies of this iconic landmark – often rendered with remarkable accuracy and attention to architectural detail – offer a fascinating visual record of its construction and evolution over time. Beyond Old Trent Bridge, Walker captured the essence of the region’s diverse terrains: rolling hills, fertile meadows, picturesque villages, and the ever-present influence of the River Trent. His paintings aren't merely representations of scenery; they are imbued with a sense of history and memory, reflecting the changing rhythms of rural life and the encroachment of industrialization. Notable amongst his subjects were views of Nottingham Castle, Torquay Harbour, and various scenes from Newstead Abbey, showcasing his versatility and keen eye for composition.

Technique and Style: Precision and Atmosphere

Walker’s artistic style is characterized by a remarkable level of technical precision. He was a master draughtsman, evident in the sharp lines and meticulous detailing of his paintings. However, he skillfully balanced this realism with an atmospheric approach, employing subtle gradations of tone and color to create a sense of depth and atmosphere. His use of light and shadow is particularly noteworthy, lending a quiet dignity to his scenes and imbuing them with a palpable sense of time and place. He often worked in watercolor and gouache, mediums that allowed him to achieve both delicate detail and luminous effects. His compositions are typically balanced and restrained, avoiding dramatic gestures or overly elaborate arrangements. Instead, he favored a more understated approach, allowing the inherent beauty of the landscape to speak for itself.

Legacy and Historical Significance

John Rawson Walker’s contribution to British art lies not in revolutionary innovation but in his steadfast dedication to documenting the changing landscapes of his time. His meticulous observations and skillful renderings provide invaluable insights into the social, economic, and environmental transformations that shaped 19th-century Britain. His work is particularly significant for its portrayal of industrialization’s impact on rural communities – a theme increasingly explored by artists during this period. Furthermore, his detailed studies of Old Trent Bridge stand as a testament to his artistic skill and his ability to capture the essence of a landmark structure. While perhaps not widely celebrated in his own time, Walker's legacy endures through his evocative paintings, offering viewers a poignant glimpse into a bygone era and a profound appreciation for the beauty of the English countryside. His work is now held by institutions such as The Art Institute of Chicago and the Victoria and Albert Museum, ensuring that his artistic vision continues to be appreciated and studied today.