Playing Quoits
1845
56.0 x 122.0 cm
Giclée / Kunsttrykk
Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Bytt til håndmalt maleri
Bytt til bilde)
Velg mellom våre forhåndsdefinerte størrelser som bevarer kunstverkets opprinnelige proporsjoner.
Du kan oppgi egne mål for å tilpasse en spesifikk ramme eller et bestemt område. Dersom den valgte størrelsen ikke samsvarer med det originale bildets proporsjoner, vil vi enten beskjære kunstverket eller utvide bildet med en speilet eller ensfarget kant. En digital mockup vil bli sendt til din godkjenning før produksjonen starter.
Vennligst merk at forhåndsvisningen på skjermen ikke gjenspeiler den faktiske beskjæringen eller utvidelsen. Kun mockuppen vil vise den endelige komposisjonen nøyaktig.
Selv om tilpassede størrelser er tilgjengelige, anbefaler vi å velge et mål fra den forhåndsdefinerte listen for å bevare de originale proporsjonene.
Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (9 August)
Gratis ekspressfrakt over hele verden
Lerretsduk av høykvalitets lin
Full forsikring under transport
Garanti for refusjon av toll og importavgifter
Garantert korrekt fargegjengivelse
60 dagers returrett (kun ved feil)
100% pengene tilbake-garanti
Rabatt ved flere kjøp
Playing Quoits
Giclée / Kunsttrykk
Størrelse på reproduksjon
-
Endelig pris
$ 62
Om kunstneren
James M. Robert Greenlees (1820–1894): A Pioneer of Scottish Landscape Painting
James M. Robert Greenlees, born in Scotland around 1820, stands as a significant figure within the annals of Victorian landscape painting and art education. Though biographical details remain somewhat sparse, his legacy resides primarily in his artistic output—particularly his evocative depictions of British landscapes, notably Scotland—and his pivotal role in shaping the curriculum at Glasgow School of Art. Greenlees’s artistic journey began with formal training under John Ruskin, a celebrated Victorian poet, critic, and artist who championed moral idealism within art. Ruskin's profound belief that art should serve as a conduit for spiritual enlightenment profoundly impacted Greenlees’s approach to painting. He embraced Ruskinian principles—a meticulous observation of nature combined with an expressive handling of color and brushwork—resulting in canvases brimming with atmospheric detail and imbued with a palpable sense of emotion. His oeuvre comprises numerous landscapes capturing the grandeur of Scotland's Highlands and Lowlands, as well as glimpses into English countryside scenes. Unlike many contemporaries who prioritized idealized representations, Greenlees favored realism, striving to accurately convey the textures and nuances of his subjects. He skillfully employed glazing techniques—applying thin layers of translucent color over underlying pigments—to achieve luminous effects that captured the subtleties of light and shadow. This meticulous attention to detail is evident in works such as “Woods at Inverary,” a stunning panorama showcasing the dramatic beauty of Loch Lomond’s forested slopes. Beyond his artistic accomplishments, Greenlees distinguished himself as Headmaster of Glasgow School of Art from 1869 until his retirement in 1894. During this period, he championed a progressive pedagogical philosophy that emphasized direct observation and experiential learning—a radical departure from the prevailing academic tradition. He instilled in his students a deep appreciation for Ruskinian ideals and encouraged them to develop their artistic skills through painstaking study of nature. His influence extended far beyond the School’s walls, shaping generations of Scottish artists and contributing significantly to the development of British landscape painting as a genre. Greenlees's contribution to art history is cemented by his unwavering commitment to fostering creativity and promoting ethical considerations within artistic practice. He remains an inspiring exemplar of how artistic vision can intertwine with moral responsibility—a testament to his enduring legacy as both a painter and an educator.james m robert greenlees
1820 - 1894
Kort om kunstneren
- Artistic Movement Or Style: Romanticism
- Artists Or Movements Influenced By This Artist: ['Glasgow School of Art']
- Artists Who Influenced This Artist: ['William Turner']
- Date Of Birth: 1820
- Date Of Death: 1894
- Full Name: James M. Robert Greenlees
- Nationality: Scottish
- Notable Artworks: ['Woods at Inverary']
- Place Of Birth: Scotland

Glassalternativet er kun tilgjengelig i størrelser under 110 cm