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Landscape XXII

Dimensjoner
54.0 x 74.0 cm

A lively night cityscape filled with warm brick houses and bustling activity defines this 1977 landscape by Brazilian master Carlos Scliar, inviting you to bring a piece of modern history into your collection.

Carlos Scliar (1920-2001) was a versatile Brazilian artist – painter, engraver, illustrator & set designer. Known for abstract and landscape works, he actively participated in key modern art groups like Frente & Neoconcreto, shaping Brazil's artistic

Kunstverket som vises på denne siden er beskyttet av opphavsretten, noe som betyr at vi ikke har juridisk tillatelse til å lage eller selge identiske reproduksjoner. Denne beskyttelsen håndheves i henhold til internasjonale avtaler som for eksempel Bernerkonvensjonen og av nasjonale lover, inkludert de som er fastsatt i Amerikansk lov om opphavsrett – Tittel 17.

Denne metoden er i fullt samsvar med opphavsrettslige regler, da den ikke innebærer kopiering eller duplisering av det beskyttede kunstverket. I stedet er det snakk om en kreativ nytolkning – et nytt maleri som er inspirert av originalen, men ikke identisk med den.

Giclée / Kunsttrykk

Giclée- eller lerretsprint av museumskvalitet med rask produksjon og fleksible valgmuligheter for etterbehandling. ( Kjøp håndmalt maleri Bytt til digitalt bilde)

Corner sample of the P118B picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118B Nkr10
Corner sample of the P118H picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118H Nkr10
Corner sample of the P118W picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P118W Nkr10
Corner sample of the P438Z picture frame: støpt polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Nkr10
Corner sample of the P508JH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508JH Nkr12
Corner sample of the P508YH picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P508YH Nkr12
Corner sample of the P805H picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805H Nkr10
Corner sample of the P805Z picture frame: støpt polystyren, 5 cm wide and 3.5 cm thick
P805Z Nkr10
Corner sample of the P919BZ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919BZ Nkr10
Corner sample of the P919G picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919G Nkr10
Corner sample of the P919XJ picture frame: støpt polystyren, 7 cm wide and 3.5 cm thick
P919XJ Nkr10
Corner sample of the P959ZH picture frame: støpt polystyren, 5 cm wide and 3 cm thick
P959ZH Nkr10
Corner sample of the P968JZ picture frame: støpt polystyren, 6 cm wide and 4 cm thick
P968JZ Nkr12
Corner sample of the W106C picture frame: massivt tre, 5 cm wide and 3 cm thick
W106C Nkr8
Corner sample of the W218G picture frame: massivt tre, 5 cm wide and 3 cm thick
W218G Nkr10
Corner sample of the W218JH picture frame: massivt tre, 5 cm wide and 3 cm thick
W218JH Nkr8
Corner sample of the W218Y picture frame: massivt tre, 5 cm wide and 3 cm thick
W218Y Nkr10
Corner sample of the W307PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W307PJ Nkr10
Corner sample of the W316G picture frame: massivt tre, 6 cm wide and 3 cm thick
W316G Nkr10
Corner sample of the W316PJ picture frame: massivt tre, 6 cm wide and 3 cm thick
W316PJ Nkr8
Corner sample of the W316Y picture frame: massivt tre, 6 cm wide and 3 cm thick
W316Y Nkr10
Corner sample of the W398PJ picture frame: massivt tre, 5 cm wide and 3 cm thick
W398PJ Nkr8
Corner sample of the W4111J picture frame: massivt tre, 6.5 cm wide and 3.5 cm thick
W4111J Nkr10
Corner sample of the W500HY picture frame: massivt tre, 7 cm wide and 5 cm thick
W500HY Nkr15
Corner sample of the W500JH picture frame: massivt tre, 7 cm wide and 5 cm thick
W500JH Nkr15
Corner sample of the W692G picture frame: massivt tre, 8 cm wide and 4 cm thick
W692G Nkr12
Corner sample of the W849H picture frame: massivt tre, 5 cm wide and 3 cm thick
W849H Nkr8
Corner sample of the W940BG picture frame: massivt tre, 7.5 cm wide and 4.5 cm thick
W940BG Nkr15
Corner sample of the W953PJ picture frame: massivt tre, 6 cm wide and 3.5 cm thick
W953PJ Nkr8

Standardformat
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INCH

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bredde
høyde

Skriv inn ønsket bredde og høyde for å tilpasse trykket til din ramme eller vegg. Et trykk kan kun beskjæres, aldri skaleres opp utover motivets opprinnelige størrelse, noe som betyr at et format med andre proporsjoner vil føre til tap av deler av bildet. Vi sender deg en digital mockup for godkjenning før vi starter trykkeprosessen. Bildet som vises på denne siden viser ikke den faktiske beskjæringen — det er kun mockuppen som viser dette.

Verdensomspennende levering () på 2 uker i stedet for standard 4/5 uker. (4 November)

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100 dagers returrett ved fabrikasjonsfeil
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Rabatt ved flere kjøp

Totalpris

Nkr 604

Landscape XXII

Giclée / Kunsttrykk

Størrelse på reproduksjon

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Totalpris for valgte alternativer

Nkr 604


Om kunstneren

Carlos Scliar: A Pioneer of Brazilian Abstract Expressionism

Carlos Scliar (1920-2001) stands as a monumental figure in Brazilian art history, recognized for his unwavering dedication to abstract expressionism and landscape painting—styles that profoundly shaped the artistic landscape of mid-century Brazil. Born in Santa Maria, Rio Grande do Sul, he embarked on an artistic journey marked by formal training under Gustav Epstein, fostering a foundational understanding of European avant-garde principles. This early influence would prove crucial as he honed his skills at São Paulo’s Liceu de Artes e Ofícios and subsequently at the Escola Nacional de Belas Artes in Rio de Janeiro.
  • Early Influences & Training: Epstein's guidance instilled a commitment to experimentation and formal exploration, preparing Scliar for his subsequent engagement with Grupo Frente and Grupo Santa Helena – collectives that championed modernist ideals within Brazilian art circles.
  • Parisian Period (1946): A formative trip to Paris saw him immerse himself in the École Nationale Supérieure des Beaux-Arts, absorbing the dynamism of European artistic discourse and solidifying his stylistic vision.
  • New York Exploration (1951): Studying at the Art Students League broadened Scliar’s perspective, exposing him to American abstract expressionist techniques and furthering his exploration of color and texture.

The Grupo Frente & Neoconcreto Movement: Shaping Brazilian Modernism

Scliar's artistic trajectory intersected powerfully with Grupo Frente (1945) and Grupo Neoconcreto (1957), movements that actively sought to redefine Brazilian art’s aesthetic boundaries. Frente, initially driven by a desire for intellectual engagement alongside artistic creation, established Scliar as a key voice advocating for critical dialogue within the art world. Neoconcreto, however, propelled him toward a more radical exploration of geometric abstraction—a stylistic shift that cemented his reputation as a champion of minimalist aesthetics and a pioneer in Brazilian concrete art. His canvases became characterized by bold color palettes and simplified forms, reflecting the broader intellectual currents of the era.

Notable Works & Artistic Style

Scliar’s oeuvre is distinguished by two dominant stylistic approaches: expansive landscapes imbued with atmospheric depth and emotionally resonant abstract paintings that prioritize color and texture as primary expressive elements. Pieces like “Landscape XXII” exemplify his masterful manipulation of pigment to convey mood and evoke a sense of sublime grandeur, mirroring the influence of Turner and Cézanne on his artistic vision. Simultaneously, his abstract compositions—such as "Still Life"—demonstrate an unwavering dedication to exploring the fundamental qualities of visual perception.

Legacy & Historical Significance

Carlos Scliar’s contribution extends beyond individual artworks; he served as a pivotal figure in establishing Brazilian abstract expressionism as a distinct artistic idiom and fostering a critical engagement with art's role in cultural discourse. His unwavering commitment to experimentation, coupled with his participation in influential collectives like Grupo Frente and Grupo Neoconcreto, ensured that his work would resonate throughout the latter half of the 20th century—leaving an indelible mark on Brazilian art history and inspiring generations of artists to pursue innovative approaches to visual representation. He is remembered as a true visionary who championed artistic freedom and intellectual rigor.
Carlos Scliar

Carlos Scliar

1920 - 2001 , Brazil

Kort om kunstneren

  • Artistic Movement Or Style: Abstract & Landscape
  • Artists Or Movements Influenced By This Artist:
    • Frente
    • Neoconcreto
  • Artists Who Influenced This Artist: ['Gustav Epstein']
  • Date Of Birth: 1920
  • Date Of Death: 2001
  • Full Name: Carlos Scliar
  • Nationality: Brazilian
  • Notable Artworks:
    • Still Life
    • Landscape XXII
  • Place Of Birth: Santa Maria, Brazil