Oppdatert October 2026 · rangert etter vår popularitetsscore (søk, besøk og bestillinger for hvert verk) · 33 verk av Gherardo Starnina i vår katalog
Kort fortalt
Hvis du kjenner til ett maleri av Gherardo Starnina, er det sannsynligvis Dormition of the Virgin (1408), som henger i Philadelphia Museum of Art, Philadelphia. Archangel Michael (1404) og Christ as Salvator Mundi (1405) utgjør de tre verkene folk kjenner igjen umiddelbart. Vår katalog inneholder 33 verk av Gherardo Starnina. Nedenfor finner du de 33 mest kjente, hver med årstall, hvor de befinner seg og hva som gjør dem spesielle.
The scene depicts the Dormition of the Virgin Mary, a crowded assembly of figures gathered around a central reclining form. The composition is dense, with bodies layered closely together against a flat, patterned gold background. Deep blues, vibrant reds, and ochre tones define the garments of the apostles and angels. Each figure is marked by a circular golden halo, creating a rhythmic repetition of shapes across the panel. The lighting…
Two Seated Angels Making Music1400 · Museum Boijmans Van Beuningen
Bestill dette verket from $200 →
Saints Mary Magdalene, Lawrence and a donor/ Angelo Acciaiuolo1405 · Gemäldegalerie
Bestill dette verket from $225 →
Madonna and Child with SS Victor and Octavian1451 · Pinacoteca Comunale
Bestill dette verket from $250 →
De fire motivene som forekommer hyppigst i disse verkene, hver med sitt mest kjente eksempel.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Gherardo Starnina | Malerier fra denne listen |
|---|---|---|---|
 Städel Museum |
Frankfurt | 4 | Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate |
 Museum of Fine Arts |
Boston | 4 | Jeremiah with Two Angels, Isaiah with Two Angels, Saint Stephen |
 Galleria degli Uffizi |
Firenze | 3 | Thebaid (detail), Thebaid (detail), Thebaid |
 Rijksmuseum |
Amsterdam | 2 | Two Evangelists, St. Matthew (Two Evangelists) |
 Philadelphia Museum of Art |
Philadelphia | 1 | Dormition of the Virgin |
 Museo Nazionale di Villa Guinigi |
Lucca | 1 | Archangel Michael |
 The Nelson-Atkins Museum of Art |
Kansas City | 1 | Adoration of the Magi |
 Cleveland Museum of Art |
Cleveland | 1 | Madonna and Child |
11 år, fra 1400 til 1410: dette er hele tidsspennet for Gherardo Starnina sine daterte verk her. Gå gjennom dem år for år.
Velg et år for å se verkene fra det året.
The scene depicts the Dormition of the Virgin Mary, a crowded assembly of figures gathered around a central reclining form. The composition is dense, with bodies layered closely together against a flat, patterned gold background. Deep blues, vibrant reds, and ochre tones define the garments of the apostles and angels. Each figure is marked by a circular golden halo, creating a rhythmic repetition of shapes across the panel. The lighting…
Øverst på listen står Dormition of the Virgin (1408), Philadelphia Museum of Art, Philadelphia. Rett bak følger: Archangel Michael (1404) og Christ as Salvator Mundi (1405).
54 år gammel. Gherardo Starnina ble født i 1354, og Dormition of the Virgin er fra 1408.
Dormition of the Virgin, Archangel Michael, Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate, Salvator Mundi, The Angel of the Annunciation and the Virgin Annunciate, Adoration of the Magi, Madonna and Child, A Bishop Saint and Saint Lawrence og Jeremiah with Two Angels. Du finner årstallet og museet for hvert av dem i listen ovenfor.
Vi har 33 verk av Gherardo Starnina i vår katalog, datert fra 1400 til 1410.
Du finner de fleste av dem i Städel Museum (Frankfurt), Museum of Fine Arts (Boston) og Galleria degli Uffizi (Firenze). Listen over museer gir en fullstendig oversikt.
I 1410, mer enn på noe annet tidspunkt: 8 av de 33 verkene på denne siden stammer fra den tiden, Jeremiah with Two Angels av dem.
Det eldste verket her er Madonna and Child (1400); det nyeste er Jeremiah with Two Angels (1410).
People (3), Figures (2) og Medieval art (2) av 33 verk på denne siden.
Tempera On Panel, brukt i 5 av 33 verk på denne siden.
Du kan se 4 av verkene på denne siden på Städel Museum, Frankfurt, inkludert Christ as Salvator Mundi, Archangel Gabriel og Virgin Annunciate.
Ja. Alle malerier på denne siden er tilgjengelige som håndmalte oljereproduksjoner eller trykk, i den størrelsen som passer deg. Åpne maleriets side for å bestille.
In the golden twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the warmth of burgeoning humanism, there emerged a painter whose brush captured the very essence of spiritual devotion and intricate beauty. Gherardo di Jacopo Starnina, known to history by the affectionate moniker “Starnina,” stands as a vital bridge in the evolution of Italian art. Born in Florence around 1354, his early years were steeped in the prestigious traditions of the Florentine school. As an apprentice to the renowned Agnolo Gaddi, Starnina was immersed in a world where the emotional depth of Giotto met the delicate, lyrical elegance of Simone Martini. This formative period instilled in him a lifelong duality: a profound commitment to realistic observation paired with an unwavering devotion to the spiritual narrative.
The trajectory of Starnina’s life took a transformative turn when he migrated toward Venice around 1380. This move was not merely a change in geography but a shift in artistic atmosphere. In Venice, the light was different, more luminous and atmospheric, and the burgeoning trade brought new textures and colors to the artist's palette. It was here that Starnina truly found his voice, establishing himself as a master of detail and a painter of profound faith. His work began to reflect the unique Venetian sensibility—a blend of rich, decorative splendor and a deep, contemplative stillness that invited the viewer into a state of prayerful meditation.
To gaze upon a Starnina masterpiece is to enter a world where every fold of fabric and every subtle gesture carries weight. He was not an artist preoccupied solely with grand, sweeping movements; rather, he found the divine in the minute. His technique was characterized by a remarkable attention to texture and nuance, a hallmark that would define the Venetian Renaissance style. In works such as Virgin with Child and Saints, one can witness his ability to weave together angelic figures and holy saints within a composition that feels both mathematically structured and emotionally fluid. He utilized color not just as a means of representation, but as a tool to convey the sanctity of his subjects.
His contributions to sacred spaces remain some of his most enduring legacies. The frescoes adorning the Basilica di San Frediano and the collections within the Museo di Bassano serve as windows into a lost era of craftsmanship. Starnina’s ability to render the Thebaid—the desert landscapes inhabited by hermits—demonstrates his skill in blending landscape with spiritual struggle, using light and shadow to evoke the isolation and piety of the saints. His work on the façades and interiors of religious institutions showcased a mastery of perspective that, while still rooted in Gothic tradition, pointed toward the revolutionary advancements of the coming centuries.
While the names of later Venetian giants like Titian or Tintoretto often dominate the historical discourse, the significance of Starnina cannot be overstated. He provided the essential foundation upon which the later masters built their triumphs. By integrating the emotional intensity of his Florentine training with the luminous, decorative richness of Venice, he helped create a new visual language for the Renaissance. His life’s work represents a period of transition, where the symbolic rigidity of the past was gracefully yielding to a more human-centric, observant way of seeing the world.
The enduring impact of Gherardo di Jacopo Starnina can be summarized through several key artistic contributions:
Today, when we study the works of Starnina, we are not merely looking at relics of the 15th century; we are witnessing the birth of a new way of perceiving the divine through the lens of human beauty and meticulous artistry.
