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NO.62

Wang Qingsong: Chinese contemporary photographer known for humorous, ironic works critiquing consumer culture & rapid changes in China. Explore his acclaimed artworks.

De kunstwerken die op deze pagina worden weergegeven, zijn beschermd door de auteursrechtwetgeving, wat betekent dat het ons wettelijk niet is toegestaan om identieke reproducties te maken of te verkopen. Deze bescherming wordt gehandhaafd onder internationale overeenkomsten zoals de Conventie van Bern en door nationale wetgeving, waaronder de bepalingen van de Amerikaanse auteurswet - Titel 17. Alle rechten voorbehouden. Reproduceren of distribueren van afbeeldingen is niet toegestaan zonder uitdrukkelijke schriftelijke toestemming van WahooArt.com en de rechthebbenden.

Deze methode voldoet volledig aan de auteursrechtwetgeving, omdat het niet gaat om het kopiëren of dupliceren van het beschermde kunstwerk. In plaats daarvan is er sprake van een creatieve herinterpretatie — een nieuw schilderij dat door het origineel wordt geïnspireerd, maar er niet identiek aan is.

Giclée / Kunstafdrukken

Giclée- of canvasafdruk van museumkwaliteit met een snelle productie en flexibele afwerkingsmogelijkheden. ( Bestel handgeschilderde reproductie Schakel over naar digitale afbeeldingen)

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Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.

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Voer de gewenste breedte en hoogte in, passend bij uw lijst of muur. Een afdruk kan alleen worden ingekort en nooit groter worden gemaakt dan het origineel; een formaat met andere verhoudingen zal daarom een deel van de afbeelding verliezen. Wij sturen u een digitaal mockup ter goedkeuring voordat we tot drukwerk overgaan. De afbeelding op deze pagina toont niet de werkelijke uitsnede — dit is alleen te zien op het mockup.

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NO.62

Giclée / Kunstafdrukken

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Wang De-Yu is no doubt one of the most unique modern artists in Taiwan. She continues to use black and white soft fabrics and plastic cloth to fill up the exhibition space. The fan incessantly inflates and deflates the fabric installation, using a type of nearing virtual, thin existence, to determine the boundaries of space and change the order of senses. Her exhibit may seem fragile but behind is a hidden spirit that has no threshold. She refused to be restricted by language, her pieces were never named, but numbered, so as to minimize the involvement of text, and visitors can never get more meaning of her works from mere words. Her aversion to words means that the touch of her exhibits is more important than the visual aspect; her masterpieces always require visitors to step in. In this year’s Very Fun Park exhibit, it is no exception, but Wang De-Yu is a little different this time, she said, “Because the interior design of COMB Coffee’s is related to life, it is the inspiration to my NO62 work. This is one of the few works that had recognizable shapes and colors. I like this space and also the owners. Perhaps it is using my dreams to create a concept.”

Veelgestelde vragen

Waar kan ik een print van "NO.62" door Wang Qingsong kopen?

Een print van "NO.62" door Wang Qingsong kan rechtstreeks worden besteld op de Fine Art Print-pagina: een fine art print op katoenen canvas of archiefwaardig canvaspapier.

Zijn de kleuren van "NO.62" levendig of gedempt?

De kleur van "NO.62" heeft een verzadiging van Vivid Color en een intensiteit van Vivid.

Waar kan ik statistieken vinden over "NO.62" door Wang Qingsong?

Statistieken over "NO.62" door Wang Qingsong zijn te vinden op de Statistieken-pagina van het kunstwerk: maandelijkse weergaven van het kunstwerk, weergaven van de werken van de kunstenaar en een uitsplitsing naar land en taal van recente bezoekers.


Biografie kunstenaar

A Chronicle of Transformation: The Art of Wang Qingsong

Born in Daqing, Heilongjiang Province, China, in 1966—a pivotal year marking the onset of the Cultural Revolution—Wang Qingsong’s artistic journey is inextricably linked to the seismic shifts that have reshaped his homeland. His upbringing was steeped in a regional identity forged by Soviet influence and later, the waves of economic reform sweeping across China. These early experiences, initially rooted in the industrial north and then evolving through time spent in Hubei province and Sichuan, would become foundational elements within his complex visual narratives. He pursued formal training at the Sichuan Academy of Fine Arts, honing his skills as an oil painter before a decisive shift towards photography in 1993, recognizing its potent capacity to capture the rapidly changing realities around him. This move wasn’t merely a change in medium; it was a fundamental reorientation toward documenting and interpreting the unfolding drama of modern China.

From Painterly Beginnings to Photographic Allegories

Initially working within the “Gaudy Art” style, Wang Qingsong quickly found its limitations inadequate for expressing the depth of his observations. He began to see photography as a more direct and impactful tool—a means to dissect the burgeoning consumer culture and the social contradictions that accompanied it. His early photocollages were deliberately provocative, blending traditional Chinese motifs with elements of pop art, creating a visual language that was both familiar and unsettling. However, it was his large-scale staged photographs that truly established him as a significant voice in contemporary art. These weren’t simple snapshots; they were meticulously constructed allegories, often involving hundreds of models and elaborate sets, demanding weeks of preparation and execution. He doesn't merely record reality but orchestrates it, building worlds within the frame to convey his message. Wang himself describes this process as a necessary response to the overwhelming pace of change, stating that artists cannot afford to remain detached from the societal forces at play.

The Epic Scale of Social Commentary

Wang Qingsong’s work is characterized by its epic scale and symbolic richness. He draws inspiration from diverse sources—Western advertising techniques, the propaganda imagery of China's Cultural Revolution, and even the compositional principles of ancient Chinese scroll paintings and European Old Master works. This eclectic blend creates a unique visual vocabulary that is both arresting and thought-provoking. His photographs often depict scenes of chaotic construction, extravagant consumption, or unsettling juxtapositions of tradition and modernity. Skyscraper, for example, vividly illustrates the human cost behind China’s rapid economic growth, depicting scaffolding workers constructing an enormous tower—a symbol of ambition built on anonymous labor. Similarly, The Bloodstained Shirt (2018), created during a visit to Michigan, powerfully connects historical struggles for land rights in China with similar issues faced by communities in the United States, highlighting the universal themes of inequity and collective action.

Influences and Artistic Development

The artist’s development has been profoundly shaped by his personal experiences navigating a rapidly changing China. His early life exposed him to the remnants of Soviet influence, followed by the economic reforms that transformed Hubei province into an oil production hub. These formative years instilled in him a keen awareness of regional distinctions and the social consequences of progress. He views himself as both a journalist and an artist—a chronicler of his time who seeks to expose the contradictions and complexities of modern society. His work is not simply about documenting change; it’s about questioning its underlying forces and challenging conventional narratives. The influence of Western advertising and propaganda imagery is evident in his compositions, but he subverts these techniques to create a critical commentary on consumerism and political power.

Historical Significance and Legacy

Wang Qingsong has emerged as one of China’s most acclaimed contemporary artists, gaining international recognition for his powerful and provocative works. His photographs have been exhibited in prestigious galleries and museums worldwide, including the Venice Biennale, the Hammer Museum, and the International Center of Photography. He is represented by Huxley-Parlour Gallery in the United Kingdom. Beyond the aesthetic impact of his work, Wang Qingsong’s significance lies in his ability to capture the spirit of a nation undergoing profound transformation. His photographs serve as visual records of a pivotal moment in history—a time of unprecedented economic growth, social upheaval, and cultural change. He doesn't offer easy answers or simplistic interpretations; instead, he presents complex narratives that invite viewers to question their own assumptions about China and the world around them.
  • His work has been widely shown internationally.
  • He is represented in major collections worldwide.
  • Wang Qingsong continues to live and work between Beijing and New York, remaining a vital voice in contemporary art.
Wang Qingsong

Wang Qingsong

1966 - , China

Belangrijkste feiten

  • Artistic Movement Or Style: Contemporary photography
  • Date Of Birth: 1966
  • Full Name: Wang Qingsong
  • Nationality: Chinese
  • Notable Artworks:
    • Skyscraper
    • The Bloodstained Shirt
    • Follow Him
  • Place Of Birth: Daqing, China