The Red Mill
1940
51.0 x 61.0 cm
Handgemaakte olieverfreproductie
Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars.
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen invoeren om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de verhoudingen van het originele beeld, zullen we het kunstwerk bijsnijden of het schilderij uitbreiden met extra handgeschilderde elementen. Een digitale mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm niet de werkelijke uitsnede of uitbreiding weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste afmetingen mogelijk zijn, raden we aan een maat uit de vooraf gedefinieerde lijst te selecteren om de originele verhoudingen te behouden.
Na de bestelling zal het team van ArtsDot.com per e-mail contact opnemen voor instructies en een mockup-voorbeeld sturen.
Wereldwijde levering () binnen 3/4 weken in plaats van de standaard 5 weken. (6 juli). Geen concessies aan de kwaliteit.
Gratis wereldwijde expressverzending
Hoogwaardig linnen canvas
Volledige verzendverzekering
Garantie op terugbetaling van invoerrechten
Garantie op exacte kleurweergave
60 dagen retourbeleid (alleen bij defecten)
100% Geld-terug-garantie
Korting bij meerdere afnames
The Red Mill
Techniek reproductie
Afmetingen reproductie
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Eindtotaal
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Biografie van de kunstenaar
Patrick Ferguson Millard: Bridging Tradition and Vision
Patrick Ferguson Millard (1902-1972) stands as a pivotal figure in British art history, embodying the spirit of late Victorian Romanticism while simultaneously embracing modernist experimentation. Born at Aspatria, Cumberland, his upbringing instilled within him a deep appreciation for both natural beauty and scholarly pursuits—a duality that profoundly shaped his artistic vision and pedagogical influence. His father, Reverend F.L.H. Millard, vicar of St Kentigern’s Church between 1898 and 1905, fostered an environment rich in intellectual curiosity, and Millard's mother descended from Robert S. Ferguson (1837-1900), a local historian and prominent member of the Cumberland and Westmorland Archaeological Society. This lineage underscored Millard’s connection to Cumbria’s landscape and heritage—a connection that would become central to his artistic output. Millard's formative education commenced at St John’s School, Leatherhead, Surrey, followed by studies at Carlisle School of Art, Liverpool School of Art, and the Royal Academy Schools (1921-25). Notably, Walter Sickert served as a mentor during this period, advising Millard to immerse himself in Parisian art culture—a decision that proved transformative. He traveled extensively throughout Europe, absorbing inspiration from artists like El Greco, whose expressive use of color and dramatic composition captivated Millard’s imagination. This encounter marked a crucial turning point, prompting him to reassess his artistic sensibilities and champion the power of visual storytelling. The Royal Academy Gold Medal and Traveling Scholarship awarded in 1925 propelled Millard into the international art scene. He spent considerable time honing his skills in Paris and Italy, immersing himself in the stylistic currents of Cubism and Surrealism—though he remained steadfastly committed to a more lyrical approach rooted in Romantic ideals. His artistic style evolved from meticulous animal drawings and life studies – reflecting Palmer’s influence – towards landscapes imbued with atmospheric perspective and symbolic resonance. He was particularly adept at capturing the ethereal qualities of twilight and dawn, conveying moods of contemplation and wonder. Millard's teaching career spanned several prestigious institutions, including Richmond School of Art and St John’s Wood Art School, where he collaborated closely with fellow artist John Piper. His influence extended beyond his pupils; he mentored artists such as Michael Ayrton, shaping the artistic sensibilities of a generation. He championed a humanist aesthetic that prioritized observation and emotional expression—a philosophy reflected in his artwork and pedagogical practice. Throughout his career Millard exhibited extensively at the Royal Academy (RA) and Royal British Artists’ Society (RBA), securing recognition for his distinctive vision. His paintings, characterized by their luminous color palettes and evocative compositions, continue to resonate with viewers today. Millard's legacy resides not only in his artistic achievements but also in his role as a teacher and advocate for artistic excellence—a testament to the enduring power of tradition blended with innovation. He remains an important figure in British art history, demonstrating how artists can engage with both past masters and contemporary trends while maintaining a singular creative voice.patrick millard
1902 - 1972
Belangrijkste feiten
- Artistic Movement Or Style: Animal Drawings & Landscape Painting
- Artists Or Movements Influenced By This Artist: Samuel Palmer
- Artists Who Influenced This Artist: Walter Sickert
- Date Of Birth: 1902
- Date Of Death: 1972
- Full Name: Patrick Ferguson Millard
- Nationality: British
- Notable Artworks:
- The Shepherdess
- The Old Oak
- Place Of Birth: Aspatria, Cumberland

De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.