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Nail Covers

Discover Nonomura Ninsei, a master of Kyō ware ceramics from Kyoto's Edo period. Known for graceful brushwork & exquisite designs, explore his iconic nail covers and tea jars.

Handgemaakte olieverfreproductie

Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. ( Schakel over naar print Schakel over naar digitale afbeeldingen)

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Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.

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Voer de breedte en de hoogte in die u nodig heeft, passend bij uw lijst of uw muur. Dit is handgeschilderd, dus bij een afmeting met een andere vormverhouding kan de kunstenaar iets meer rondom het schilderij schilderen of juist iets meer weglaten — u kiest zelf. Wij sturen u een digitaal mockup ter goedkeuring voordat het schilderwerk begint. De afbeelding die op deze pagina wordt getoond, is niet het uiteindelijke resultaat — alleen de mockup geeft dit weer.

Voorbeelden van wat aangepast kan worden: Vervang het gezicht met een eigen foto; Voeg een huisdier toe (bijv. vervang de kat door een hond); Verwerk een verborgen boodschap in de achtergrond; Wijzig het landschap of andere elementen in de achtergrond.
Na de bestelling zal het team van ArtsDot.com per e-mail contact opnemen met de klant voor instructies en een mockup-voorbeeld sturen.

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Totaalprijs

€ 231

Nail Covers

Reproductiemethode

Formaat reproductie

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Totaalprijs

€ 231

These ceramic pieces seem to replicate inlaid metal cloisonné nail covers. They were biscuit fired before being given a coating of transparent glaze for a principal firing, and then decorated with polychrome paints, which were in turn fired onto the surface. Because gold paint cannot be fired together with other colors, these pieces must have passed through the kiln at least four times before completion.The nail covers were passed down in the Kyōgoku family of Muragame. A record of tea ware dating from 1695, when Kyōgoku Takamochi (1692–1724) was clan chief, contains the entry “thirty paired fans, Omuro overglaze enamel fanshaped nail covers”, of which seventeen are thought to correspond to these items. “Omuro” indicates that the pieces were produced in the kiln of the early Edo-period Kyoto-ware master craftsman Nonomura Ninsei, whose work was known as Omuro-yaki. The chrysanthemum-shaped nail covers are mentioned in the 1734 On’in onsukidōgu chō (Catalogue of Tea Ware), which dates from the period when Kyōgoku Takanori (1718–63) was domain chief.Although these small pieces bear neither seal nor signature, the broad range of overglaze colors—gold, silver, red, blue, green—closely resemble those on the Kyōgoku family’s collection of Omuro-yaki overglaze-enameled tea jars and clearly display Ninsei’s salient features.

Vragen & Antwoorden

Waar kan ik een gids vinden voor "Nail Covers"?

Er is een Gids pagina beschikbaar voor "Nail Covers" door Nonomura Ninsei: een printbaar informatieblad over het kunstwerk, ontworpen voor studenten en gebruik in de klas.

Hoe kan ik kunstwerken ontdekken die lijken op "Nail Covers" door Nonomura Ninsei?

De pagina Vergelijkbare werken van "Nail Covers" door Nonomura Ninsei presenteert gerelateerde kunstwerken.

Wat is de dominante kleur van "Nail Covers" door Nonomura Ninsei?

Een Golden Yellow Range tint loopt door "Nail Covers" door Nonomura Ninsei.


Biografie van de kunstenaar

Nonomura Ninsei (1600 - 1670): The Soul of Kyō Ware

Nonomura Ninsei (野々村仁清), born around 1600 in Tamba, Hyogo Prefecture, remains an enigmatic figure within the annals of Japanese ceramics. Despite limited biographical details—primarily gleaned from records pertaining to his patronage by Prince Yoshitada of Ninna Temple—his legacy endures as one of the most influential artists of Kyoto’s Edo Period (1644-1868), fundamentally shaping the aesthetic sensibilities of Kyō ware, a style celebrated for its understated elegance and profound connection to nature.

Ninsei's artistic journey began with apprenticeships in Seto, mastering the techniques of glaze formulation and vessel construction—skills that would later inform his distinctive approach to kiln firing. Recognizing the importance of tradition alongside innovation, he established Omuro Kiln (أموروكيلن), strategically positioned before Ninna Temple’s gate, securing a vital connection to the influential tea ceremony movement.

Early Life & Training

Information about Ninsei's formative years is scarce. However, scholarly consensus suggests that he originated from Tamba, a region renowned for its ceramic tradition. His early training likely encompassed both practical craftsmanship and philosophical contemplation—elements crucial to understanding the ethos underpinning his artistic output.

Kyō Ware: A Singular Style

Ninsei’s contribution to Kyō ware transcends mere technical proficiency; he cultivated a singular aesthetic characterized by graceful brushwork, meticulously rendered grasses, blossoms, and birds. Unlike many of his contemporaries who prioritized elaborate ornamentation, Ninsei championed simplicity—a deliberate choice that allowed for the subtle expression of natural beauty.

His vessels possessed an unparalleled harmony between form and decoration, reflecting Zen Buddhist principles of emptiness and contemplation. The kiln firing technique itself was perfected by Ninsei, resulting in a distinctive glaze surface texture that further enhanced the visual impact of his creations. This meticulous attention to detail distinguishes Kyō ware from other ceramic styles.

Collaboration & Influence

Ninsei’s artistic partnership with his elder brother, Ogata Kōrin (1648-1715),—who established Rinpa style—represents a pivotal moment in Japanese art history. Kōrin's influence extended beyond Kyō ware, fostering a broader appreciation for naturalism and refined taste.

Ninsei’s work served as inspiration for subsequent generations of ceramists, cementing his position as a cornerstone of Rinpa aesthetics. His legacy continues to resonate within the Kyoto ceramic tradition today, reminding us that true artistic excellence resides in understated beauty and profound contemplation.

Notable Achievements & Legacy

Ninsei’s most celebrated achievements include the creation of numerous tea jars—particularly those adorned with depictions of flowering plum trees—which exemplify his mastery of brushwork and glaze technique. These vessels are revered for their exquisite proportions and harmonious integration of design elements, embodying the ideals of Kyō ware.

Furthermore, Ninsei’s involvement in decorating temple halls and residences underscored his role as a cultural icon—a symbol of Kyoto’s artistic heritage. His influence extends beyond ceramics, permeating broader aesthetic sensibilities and shaping perceptions of beauty within Japan.

Conclusion

Nonomura Ninsei's life may have been shrouded in obscurity, yet his impact on Kyō ware and Rinpa style remains indelible. He stands as a testament to the power of quiet contemplation and meticulous craftsmanship—principles that continue to inspire artists and collectors alike. His enduring legacy ensures that the soul of Kyoto’s ceramic tradition will forever be associated with the name Nonomura Ninsei.

Nonomura Ninsei

Nonomura Ninsei

1600 - 1670 , Japan

Snelle feiten

  • Full Name: Nonomura Seisuke / Ninsei
  • Nationality: Japanese
  • Date Of Birth: 1600
  • Date Of Death: 1670
  • Place Of Birth: Kyoto, Japan
  • Notable Artworks:
    • Tea Leaf Jar
    • Nail Covers
  • Artistic Movement Or Style: Kyō ware / Rinpa Style
  • Artists Who Influenced This Artist: ['Kawamori Sowa']
  • Artists Or Movements Influenced By This Artist: ['Ogata Kōrin']