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SOB, SOB

Experience 'SOB, SOB' by Kerry James Marshall – a poignant digital painting exploring grief & isolation through geometric forms & muted blues. A powerful work of art.

Explore Kerry James Marshall's powerful paintings of Black figures confronting racial stereotypes & celebrating African-American life. A visionary artist of the Civil Rights era.

Giclée / Kunstafdruk

Giclée- of canvasafdruk van museumkwaliteit met snelle productie en flexibele afwerkingsopties.

Standard
custom
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INCH

Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.

breedte
hoogte

U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.

Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (17 juli)

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60 dagen retourbeleid (alleen bij defecten)
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reproduction

SOB, SOB

Giclée / Kunstafdruk

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Biografie van de kunstenaar

Kerry James Marshall: A Visionary Confronting Racial Stereotypes

Kerry James Marshall (born October 17, 1955) is an American artist renowned for his monumental paintings and sculptures that grapple with themes of race, identity, and the legacy of the Civil Rights Movement. Raised in Birmingham, Alabama, Marshall’s formative years were deeply impacted by the Watts riots of 1965—a pivotal moment shaping his artistic perspective and fueling a lifelong commitment to exploring the complexities of Black experience within American culture. He moved to Los Angeles as a child, immersing himself in the vibrant energy of South Central and encountering the influence of figures like Charles White, who instilled in him a foundational understanding of social realism and artistic responsibility. Marshall earned his BFA from Otis College of Art and Design in 1978, where he honed his skills in drawing and sculpture—techniques that would become integral to his distinctive visual language. His early work immediately distinguished itself through its bold use of dark hues, primarily black, representing a deliberate rejection of traditional Western art conventions and challenging prevailing stereotypes about Black figures. This stylistic choice wasn’t merely aesthetic; it was a conscious effort to confront societal biases and reclaim narratives marginalized by history. His artistic journey gained significant momentum in the 1980s and 1990s, during which Marshall developed his signature style—characterized by monumental canvases populated with stylized Black figures rendered in starkly contrasting colors. Influenced by artists like Picasso and Rembrandt, Marshall skillfully employed techniques borrowed from art history to elevate African American subjects into positions of dignity and complexity. He sought to disrupt visual hierarchies established centuries earlier, asserting that “Black people occupy a space, even mundane spaces, in the most fascinating ways.” Marshall’s exploration of cultural references extended beyond traditional painting—he incorporated elements of popular culture, such as comic books and advertising imagery, into his artworks. This approach underscored his belief that art should engage with contemporary realities while simultaneously acknowledging the enduring impact of historical narratives. His work has been exhibited extensively throughout Europe and North America, garnering critical acclaim for its intellectual rigor and emotional depth. Throughout his career, Marshall’s artistic endeavors have consistently addressed issues of representation and social justice. He received a MacArthur Fellowship in 1997—a prestigious honor recognizing his groundbreaking contributions to the visual arts—and was appointed by President Barack Obama to the President's Committee on the Arts and Humanities in 2013. His monumental sculpture *A Monumental Journey*, installed in Hansen Triangle Park, Des Moines, Iowa, solidified his reputation as a visionary artist committed to public engagement and artistic innovation. Recent exhibitions at institutions like the National Gallery of Art, Washington D.C., Kunsthaus Zürich, and Musée d’Art Moderne de Paris have further cemented Marshall's place among the most influential artists of our time.
  • Notable Exhibitions: Documenta X (1997), Whitney Biennial (2008), Venice Biennale (2015), Royal Academy Exhibition (2016)
  • Awards & Honors: MacArthur Fellowship (1997), Guggenheim Fellowship (2003)
  • Publications: *Kerry James Marshall: Mastry* (Museum of Contemporary Art Chicago, 2016); *Kerry James Marshall: Painting and Other Stuff* (National Gallery of Art, Washington D.C., 2013)
Marshall’s enduring legacy lies in his unwavering commitment to confronting racial stereotypes and elevating Black voices within the art world—a mission that continues to inspire artists and scholars alike.

Belangrijkste feiten

  • Artistic Movement Or Style: Neo-Expressionism
  • Artists Or Movements Influenced By This Artist: ['Renaissance Painting']
  • Artists Who Influenced This Artist: ['Charles White']
  • Date Of Birth: October 17, 1955
  • Date Of Death: Living
  • Full Name: Kerry James Marshall
  • Nationality: American
  • Notable Artworks:
    • Small Pin-Up (Fingerwag)
    • Scout (Girl)
  • Place Of Birth: Birmingham, Alabama