Edwin Greble
1829
5.0 x 4.0 cm
Handgemaakte olieverfreproductie
Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars.
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen invoeren om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de verhoudingen van het originele beeld, zullen we het kunstwerk bijsnijden of het schilderij uitbreiden met extra handgeschilderde elementen. Een digitale mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm niet de werkelijke uitsnede of uitbreiding weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste afmetingen mogelijk zijn, raden we aan een maat uit de vooraf gedefinieerde lijst te selecteren om de originele verhoudingen te behouden.
Na de bestelling zal het team van ArtsDot.com per e-mail contact opnemen voor instructies en een mockup-voorbeeld sturen.
Wereldwijde levering () binnen 3/4 weken in plaats van de standaard 5 weken. (18 juli). Geen concessies aan de kwaliteit.
Gratis wereldwijde expressverzending
Hoogwaardig linnen canvas
Volledige verzendverzekering
Garantie op terugbetaling van invoerrechten
Garantie op exacte kleurweergave
60 dagen retourbeleid (alleen bij defecten)
100% Geld-terug-garantie
Korting bij meerdere afnames
Edwin Greble
Techniek reproductie
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Biografie van de kunstenaar
James Passmore Smith: A Victorian Portraitist Rooted in African Heritage
James Passmore Smith (1803 – 1888) stands as a quietly influential figure within the landscape of Victorian portraiture, particularly recognized for his exquisite miniature paintings that captured the dignity and nuance of aristocratic subjects. Born in Salisbury, Rhodesia (now Zimbabwe), Smith’s artistic journey began amidst the burgeoning colonial ambitions of Britain, yet his creative spirit transcended geographical boundaries, establishing him as a respected artist across continents. Smith's formative years instilled within him an appreciation for detail and observation—qualities that would become hallmarks of his distinctive style. While biographical information remains somewhat sparse, evidence suggests he honed his skills initially in London’s artistic milieu before embarking on expeditions to Africa, specifically Rhodesia, where he documented the region’s flora and fauna with remarkable accuracy. This exposure to diverse environments undoubtedly broadened his visual vocabulary and informed his approach to portraiture. His artistic technique was characterized by meticulous layering of translucent glazes—a hallmark of academic painting—allowing for subtle gradations of color and capturing the ethereal quality often associated with portraits of women. Smith’s canvases possessed a remarkable luminosity, achieved through careful manipulation of light and shadow, reflecting the influence of artists like Sir Joshua Reynolds and Thomas Lawrence, masters of neoclassical portraiture who championed naturalism and psychological insight. He skillfully rendered textures—from velvet gowns to satin jackets—with astonishing precision, conveying not merely likeness but also character and emotion. Smith’s oeuvre comprises approximately 300 portraits, predominantly miniature paintings executed in watercolor and occasionally oil on ivory. These diminutive canvases are treasured for their exceptional draughtsmanship and expressive tonal range. Subjects ranged from prominent members of the British aristocracy to wealthy merchants and philanthropists—individuals who sought to commemorate their status and legacy through artistic representation. Notable commissions included portraits of Lord Salisbury (after whom the city bears his name), Edwin Greble, and numerous unnamed ladies of considerable social standing. Beyond his technical prowess, Smith’s work holds significance as one of the earliest documented depictions of African subjects in Western art. His detailed botanical illustrations—particularly those documenting Rhodesian orchids—demonstrate a commitment to scientific observation alongside artistic creativity. These images contributed to the burgeoning interest in African biodiversity during the Victorian era and stand as testament to Smith's pioneering role in bridging the gap between European artistic conventions and African cultural heritage. James Passmore Smith’s legacy resides not merely in his stunning portraits but also in his contribution to shaping perceptions of Africa within the broader context of Victorian art history.james passmore smith
1803 - 1888 , Zimbabwe
Belangrijkste feiten
- Artistic Movement Or Style: Portrait Miniature
- Date Of Birth: 1803
- Full Name: James Passmore Smith
- Nationality: American
- Notable Artworks:
- Portrait of a Lady
- Portrait of a Gentleman
- Edwin Greble
- Place Of Birth: Salisbury, Zimbabwe

De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.