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Handgemaakte olieverfreproductie
Met de hand geschilderd in olieverf op canvas in uw gewenste maat en lijst, op bestelling gemaakt door onze kunstenaars. (
Bestel print Koop afbeelding)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen invoeren om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de verhoudingen van het originele beeld, zullen we het kunstwerk bijsnijden of het schilderij uitbreiden met extra handgeschilderde elementen. Een digitale mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm niet de werkelijke uitsnede of uitbreiding weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste afmetingen mogelijk zijn, raden we aan een maat uit de vooraf gedefinieerde lijst te selecteren om de originele verhoudingen te behouden.
Na de bestelling zal het team van ArtsDot.com per e-mail contact opnemen met de klant voor instructies en een mockup-voorbeeld sturen.
Wereldwijde levering () binnen 3 tot 4 weken in plaats van de standaard 5 weken. (24 augustus). Zonder concessies aan de kwaliteit.
Gratis wereldwijde expressverzending
Hoogwaardig linnen canvas
Volledige verzendverzekering
Garantie op terugbetaling van invoerrechten
Garantie op exacte kleurweergave
Retourbeleid van 60 dagen (alleen bij defecten)
100% Geld-terug-garantie
Korting bij meerdere afnames
De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.
Emu beaker
Druktechniek
Afmetingen reproductie
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Eindtotaal
$ 263
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Biografie van de kunstenaar
A Foundation in the Australian Soil
In the sun-drenched landscapes of South Australia, where the legacy of viticulture and agriculture runs deep, Gladys Reynell emerged as a transformative force in the history of Australian ceramics. Born in 1881 in Glenelg, her early life was inextricably linked to the rich, productive earth of her family’s estate. As the granddaughter of John Reynell, the pioneer of South Australia's first commercial winery, and the daughter of the prominent land agent Walter Reynell, her very identity was rooted in the soil. This connection to the land would later manifest not in agriculture, but in a profound, tactile exploration of the continent's natural materials. While her initial academic pursuits led her toward the clinical precision of medicine at the University of Adelaide, the call of the aesthetic proved irresistible. Reynell ultimately abandoned the medical path to embrace the visceral, creative possibilities of art, seeking a medium that could bridge the gap between the raw earth and human expression.The Modernist Revolution in Clay
As the twentieth century unfolded, Reynell became a vital architect of Australian Modernism. Her artistic evolution was significantly shaped by her encounter with the formidable Margaret Preston, whose influence helped steer Reynell away from the suffocatingly ornate European decorative traditions that dominated the era. Instead of seeking beauty in delicate, imported flourishes, Reynell looked inward toward the rugged essence of her homeland. She embraced a bold, modernist aesthetic characterized by geometric forms and abstract patterns, stripping away unnecessary embellishment to reveal the structural integrity of her vessels. This stylistic shift was more than a mere trend; it was a deliberate rebellion against colonial aesthetics. By prioritizing rhythm, shape, and texture, she helped forge a visual language that felt authentically Australian, one that resonated with the burgeoning spirit of a nation finding its own artistic voice.Materiality and the Spirit of the Land
Perhaps the most enduring aspect of Reynell’s legacy lies in her unwavering commitment to the use of native materials. She possessed an intuitive understanding of the aesthetic potential held within local minerals, famously sourcing clays directly from Kangaroo Island. This choice was a profound symbolic gesture, an act of honoring the Australian landscape through the very substance of her work. Her technique often involved slipware and relief carving, methods that allowed her to imbue each piece with a sense of primordial strength. One of her most celebrated achievements, the Emu Beaker of 1917, stands as a testament to this vision; through its stylized carvings, it draws inspiration from Aboriginal motifs, blending modernist abstraction with a deep respect for indigenous artistic traditions. Through her hands, the raw, unadorned clay was transformed into a medium of cultural significance, ensuring that her work remains a cornerstone of South Australian ceramic heritage.
Gladys Reynell
1881 - 1956 , Australia
Belangrijkste feiten
- Artistic Movement Or Style: Modernist Pottery
- Date Of Birth: 1881
- Date Of Death: 1956
- Full Name: Gladys Reynell
- Nationality: Australian
- Notable Artworks:
- Emu Beaker
- Triple Portrait of Sir Henry Irving
- Place Of Birth: Adelaide, Australia
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