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DiavoorstellingSamuel Shepherd
1745
240.0 x 131.0 cm
Temple Newsam House
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Giclée / Kunstafdrukken
Giclée- of canvasafdruk van museumkwaliteit met een snelle productie en flexibele afwerkingsmogelijkheden. (
Bestel een handgeschilderde reproductie van dit verzamelobject Naar afbeelding wisselen)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (10 augustus)
Gratis wereldwijde expressverzending
Hoogwaardig linnen canvas
Volledige verzendverzekering
Garantie op terugbetaling van invoerrechten
Garantie op exacte kleurweergave
60 dagen retourbeleid (alleen bij defecten)
100% Geld-terug-garantie
Korting bij meerdere afnames
De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.
Samuel Shepherd
Giclée / Kunstafdrukken
Formaat reproductie
-
Totaalprijs
$ 63
Biografie van de kunstenaar
Arthur Pond (1701–1758): Imitation and Innovation in Eighteenth Century Portraiture
Arthur Pond was a pivotal figure in the artistic landscape of Georgian England, renowned for his meticulous reproductions of Old Master paintings—a practice that cemented his reputation as one of the era’s foremost engravers and established him as a champion of stylistic integrity. Born around 1705 in London, Pond's formative years were steeped in intellectual curiosity and artistic ambition, nurtured by an upbringing that prioritized classical education. He honed his skills at Clare College, Cambridge, gaining a grounding in both Natural Sciences and Moral Philosophy—a dual foundation that would inform his approach to art and scholarship throughout his life. Following graduation, Pond embarked on a journey of artistic exploration, spending considerable time in Rome where he studied under the tutelage of sculptor Roubiliac, absorbing the techniques and sensibilities of Baroque artistry. This immersion proved transformative, shaping his aesthetic vision and propelling him toward a career dedicated to capturing the grandeur and subtlety of celebrated masterpieces. His early commissions included portraits of prominent figures—Alexander Pope, William Duke of Cumberland—demonstrating an immediate aptitude for conveying character and emotion through visual representation. Pond’s artistic prowess extended beyond portraiture into the realm of engraving, where he achieved remarkable success in replicating the stylistic nuances of Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, and the Poussins. This endeavor demanded not merely technical proficiency but a profound understanding of artistic principles—a commitment to faithfully reproducing the compositional arrangements, tonal qualities, and expressive gestures characteristic of original artworks. His magnum opus, “Imitations of the Italian Masters,” published in 1734–5, stands as testament to this dedication, showcasing sixty-eight plates meticulously crafted to emulate the stylistic achievements of artistic giants. Collaborating with George Knapton on "The Heads of Illustrious Persons," Pond further solidified his position as a leading figure in the burgeoning field of portrait engraving—a medium that was rapidly gaining popularity during the Enlightenment. Beyond his technical accomplishments, Pond’s legacy rests upon his role as a catalyst for artistic discourse and innovation. He championed the pursuit of stylistic accuracy—arguing passionately for the importance of honoring the traditions of past masters—while simultaneously recognizing the potential for contemporary artists to learn from these precedents. His influence can be discerned in subsequent generations of engravers who embraced Pond’s ethos, furthering the dissemination of classical ideals within British artistic circles. Arthur Pond died in Great Queen Street, Lincoln's Inn Fields, September 9th, 1758, leaving behind a substantial body of work that continues to inspire admiration and scholarly scrutiny—a testament to his enduring contribution to eighteenth-century art history.
arthur pond
1701 - 1758
Snelle feiten
- Artistic Movement Or Style: Classical Art Style
- Artists Or Movements Influenced By This Artist:
- Rembrandt
- Raphael
- Artists Who Influenced This Artist: ['Roubiliac']
- Date Of Birth: c. 1705
- Date Of Death: 1758
- Full Name: Arthur Pond
- Nationality: English
- Notable Artworks:
- Alexander Pope Portrait
- William, Duke of Cumberland Portrait
- Peg Woffington Portrait
- Place Of Birth: London
