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Composition

The sculpture’s form evokes primitive sculpture, emphasizing positive/negative space and reflecting Moore's rejection of classical art.

Žymiausiai išgarsino abstrakciją skulptūrą, kurią sudaro apimastės ir motinos su vaikais temos – Henry Moore. Jo kūriniai iššoko į pasaulį kaip simbolis XX a. Anglijos skulptūrės revoliucija! Atraskite daugiau apie šį ikoninį meistrą WikiArt svetainėje.

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When Henry Moore died in 1986, he left a legacy of primeval public monuments across the world. From Scotland to Saudi Arabia, his bronze and slate-coloured hulks brood over the landscape like monoliths from an earlier era, presiding over our global disasters with a prophetic power. Moore’s sculptures were born out of two world wars and the glories of the machine age, yet their rugged textures and simple forms were inspired by the Yorkshire countryside of his childhood. It was this duality, of nature and modernity, which instilled in the sculptures a timeless quality that has had a lasting universal appeal. It is perhaps because of this that Moore’s relationship with the British Council was a close one throughout his career. The British Council Collection includes sculptures, paintings, prints and sketches by the artist, and for many years his bronze sculpture Large Spindle Piece (1974) sat on a plinth outside their headquarters on The Mall in London.The sculptures featured in this exhibition were all made in the 1930s at a time when Moore was living in Hampstead with his wife, Irina Radetsky. The North London suburb was a playground of the bohemian set and many artists had settled there, including Barbara Hepworth, Ben Nicholson and Naum Gabo, all of whom had an influence on the young Moore. Each of the three sculptures plays a vital role in revealing Moore’s move towards abstraction. He had already rejected tradition, preferring non-Western art over classical figures of the Renaissance and the Graeco-Romans, and Girl with Clasped Hands, made the year after his marriage, is clearly inspired by an ancient Sumerian sculpture he had written about after visiting the British Museum. At the time, Moore had been very influenced by the critic Roger Fry, and in particular Fry’s book Vision and Design (1920), which propounded the theory of significant form. The eyes, hands and breasts of Girl with Clasped Hands evoke primitive sculpture, especially through the positive/negative switch Moore made by drilling holes into the breasts where the nipples should have been.The 1930s were also characterised by Moore’s admiration for Epstein and Brancusi, artists who insisted on direct carving and truth to materials. Moore was fascinated with Surrealism, too, and he even signed the manifesto in 1936. Composition, made in 1933, is an undulating concrete form that appears intent on stretching beyond the capabilities of its rigid medium. Its emerging breasts and nipple, and the yawning cavities, are suggestive of a human form struggling to break free. Moore’s love of Surrealism, coupled with his move towards abstraction, can be seen in this work as a friction between the two opposing forces.In 1934, he visited Spain, and as a consequence was very much affected by the outbreak of the Civil War in 1936. He petitioned Parliament on their non-intervention and even tried to travel to the country as part of a delegation of artists and writers that included Auden and Spender, but he was refused a travel permit by the British government. One of the sculptures to emerge out of this time is Mother and Child, a strange, amorphous form in which two figures appear to be melting into, or emerging out of, one another. Naturally, the work continues to embody Moore’s conflict between the opposing forces of Surrealism and abstraction, but more significantly it is highly charged emotionally, as a response to the outbreak of war in Spain. It was an early indication that this sculptor would become a powerful critic of the Second World War and a sensitive recorder of the plight of the common man caught in the crossfire.(C) Jessica Lack 2009

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Autoriaus biografija

A Life Sculpted in Form: The World of Henry Moore

Henry Spencer Moore, OM CH FBA (30 July 1898 – 31 August 1986) was an English visual artist. He is best known for his semi-abstract monumental bronze sculptures, particularly the reclining figure—a motif that would become synonymous with his name and solidify his place as one of Britain’s most influential sculptors of the twentieth century. Born in Castleford, Yorkshire, Moore's early life instilled in him a profound connection to the landscape of his birthplace, shaping his aesthetic sensibility and informing his artistic vision throughout his career.

Early Influences and Artistic Development

Moore’s formative years were marked by an innate talent for modeling clay and carving wood—skills he honed from childhood and nurtured by his art teacher at Castleford Secondary School. Recognizing his exceptional aptitude, the school encouraged him to pursue formal education, steering him away from a traditional mining profession towards the pursuit of knowledge and artistic exploration. This dedication culminated in enrollment at Leeds School of Art and subsequently the Royal College of Art in London, where he immersed himself in the study of classical sculpture alongside pioneering movements like Cubism. However, Moore wasn’t merely adopting stylistic trends; he synthesized these influences into something uniquely his own—a distinctive sculptural language characterized by organic forms, rounded surfaces, and explorations of spatial relationships.

The Reclining Figure and Mother and Child

A pivotal encounter in 1925 profoundly impacted Moore's artistic trajectory: a visit to Mexico where he encountered pre-Columbian sculptures—particularly those of the Aztec civilization. The striking simplicity and abstract grandeur of these works captivated him, liberating him from representational constraints and inspiring him to embrace abstraction as a primary mode of expression. This liberation fueled his exploration of the human figure as inspiration, but simultaneously pushing him away from strict anatomical accuracy—a departure that would define his signature style. Moore’s artistic output consistently revolved around two recurring motifs: the reclining figure and the mother and child. These sculptures weren't merely depictions of the human body at rest; they were meditations on form, volume, and the relationship between the figure and its surrounding environment. Their undulating curves evoked a sense of timelessness and serenity—a reflection of Moore’s deep appreciation for the Yorkshire landscape—while their often fragmented or pierced forms suggested vulnerability and resilience.

Wartime Reflections and Public Commissions

The Second World War served as a catalyst for Moore's artistic evolution, prompting him to document Londoners sheltering from the Blitz in the Underground stations. These *Shelter Drawings*, created during this period of profound anxiety and uncertainty, demonstrated his ability to translate sculptural principles into two-dimensional form—a remarkable feat of artistic ingenuity. Following the war, Moore received numerous prestigious public commissions—allowing him to realize monumental sculptures for educational institutions, hospitals, and civic spaces. He firmly believed that art should be accessible to all citizens and actively sought opportunities to integrate his work into the fabric of urban life—a testament to his humanist values and unwavering commitment to artistic dissemination. His enduring legacy rests upon these grand projects—which transformed landscapes and inspired generations of artists—solidifying his reputation as a visionary sculptor who championed innovation while honoring tradition.

Legacy and Enduring Influence

Henry Moore’s influence on twentieth-century art is undeniable. He challenged conventional notions of form and space, paving the way for subsequent sculptors to explore abstraction with boldness and conviction. His sculptures continue to resonate with audiences today—inspiring awe and contemplation—and his work remains a powerful reminder of the enduring human spirit and the beauty that can be found in even the most challenging circumstances. Moore’s unwavering dedication to artistic exploration—coupled with his profound connection to the natural world—established him as one of Britain's foremost artists of his time, securing his place in art history as an icon of modernist sculpture.
Henris Muras

Henris Muras

1898 - 1986 , Didžioji Britanija

Trumpa informacija

  • Artistic Movement Or Style: Modernizmas, abstrakcinė skulptūra
  • Artists Who Influenced This Artist: ['John Singer Sargent']
  • Date Of Birth: 1898 m.
  • Date Of Death: 1986 m.
  • Full Name: Henry Spencer Moore
  • Nationality: Anglijos
  • Notable Artworks:
    • Apimastė
    • Šeimų grupė
    • Žieminiai židiniai
  • Place Of Birth: Kaslfordas, JK
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