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      Giuseppe Capogrossi

      Surface 213

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      Discover Giuseppe Capogrossi: Italian painter blending Renaissance & modernism. Bold brushstrokes, abstract art, & key figure in Venetian & Roman art scenes.
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      Bendroji kaina

      € 54

      Surface 213

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      € 54

      Writing, alphabet, glyphs, the teeth of a comb, forks, segmented tears, locks, chains, claws: the graphic figures of Capogrossi’s signic language express themselves on the canvas in ever-changing modulations. The sign is never repeated as an end unto itself, but is developed in a series of variations, which, as Argan noted in 1967, find a literary parallel in Raymond Queneau’s Exercises in Style, published in 1947, in that, using the same words, the French writer stages narrative situations whose content changes each time it is told. Surface 213 and its counterpart Surface 231 (1957, Simeoni Collection, Florence) are an example of this modulation, in that the variable consists in the positive-negative effect of the colour and the partitioning of the canvas like a card index.

      问答 (or more naturally for a website heading): Klausimai ir atsakymai

      Ar galiu naudoti papildytojąjį realybę, kad pamatytumėte „Surface 213“, autorius – Giuseppe Capogrossi savo kambaryje?

      „Surface 213“, autorius – Giuseppe Capogrossi galite išbandyti ant savo sienos naudodami papildytoji realybės funkciją suderinamame įrenginyje per šio kūrinio AR peržiūra puslapį.

      Kaip „Surface 213“ subalansuoja šviesą ir tamsą?

      „Surface 213“ bendroji ryškumas yra bright, o švytėjimas – Bright Balance.

      Kokia yra „Surface 213“, autorius – Giuseppe Capogrossi dominuojanti spalva?

      Dominuojantis „Surface 213“, autorius – Giuseppe Capogrossi spalvos tonas yra Ochre to Sepia. Šis tonas yra pagrindinė paletės spalva.

      Susiję kūriniai

      Violet, Black, Orange, Yellow On White And Red — Markas Rotko, Abstract Expressionism
      Markas Rotko Violet, Black, Orange, Yellow on White and Red
      Malkų Medis (taip Pat Žinomas Kaip Morkvės Medas) — Vincentas Van Gogas, Post-impressionism
      Vincentas Van Gogas Malkų Medis (Taip pat Žinomas kaip Morkvės Medas)
      The Window Study (in Blue And Yellow) — David Burton Richardson
      David Burton Richardson The Window Study (in Blue and Yellow)
      Arlių Tiltas Langloje — Vincentas Van Gogas, Postimpresionizmas
      Vincentas Van Gogas Arlių tiltas Langloje
      North South — Žoanas Miro, Fauvism
      Žoanas Miro North South
      Gėlės Su Sodo Vaizdu — Vincentas Van Gogas, Impressionizmas
      Vincentas Van Gogas Gėlės su Sodo vaizdu
      Gėlėsiantis Vaisiųgėlis, Apjuostas Ciprinais — Vincentas Van Gogas, Postimpresionizmas
      Vincentas Van Gogas Gėlėsiantis vaisiųgėlis, apjuostas ciprinais
      Untitled (2295) — Polis Sezanas, Impressionism
      Polis Sezanas untitled (2295)
      Nasca Brocaded Fabric — Nasca Artisan
      Nasca Artisan Nasca brocaded fabric
      Heroic Fiddling — Polis Klė, Abstract Expressionism
      Polis Klė Heroic Fiddling

      Autoriaus biografija

      The Genesis of a Visionary: The Early Life of Giuseppe Capogrossi

      Born in the historic heart of Rome in 1900, Giuseppe Capogrossi emerged from a lineage of classical tradition to become one of the most transformative figures in twentieth-century Italian art. His intellectual journey began not with a brush, but with the rigorous study of law, earning his degree between 1923 and 1924. However, the pull of the canvas proved irresistible. Seeking to refine his innate talent, he entered the prestigious Accademia di Belle Arti di Roma, studying under the guidance of Felice Carena. This formal training provided him with a profound understanding of classical foundations, yet it was his thirst for the contemporary that truly defined his trajectory.

      In 1927, a pivotal moment arrived when Capogrossi traveled to Paris alongside his contemporary, Fausto Pirandello. This excursion into the epicenter of the avant-garde exposed him to the shifting tides of European modernism, planting the seeds for a stylistic evolution that would eventually strip away representation in favor of pure form. Throughout the 1930s, Capogrossi became a fixture in the vibrant art circuits of Rome, Venice, and Milan, establishing himself as a rising talent capable of bridging the gap between the old world and the new.

      From Renaissance Echoes to Abstract Innovation

      The early aesthetic of Capogrossi was a sophisticated dialogue between the past and the present. He drew deep inspiration from the grandeur of the Italian Renaissance, particularly the balanced compositions and masterful techniques of Raphael. This reverence for classical harmony, however, was constantly being challenged by his fascination with modernist experimentation. His early works were characterized by a certain representational weight, yet even then, one could sense a burgeoning desire to deconstruct the subject matter.

      As his career progressed, Capogrossi’s brushwork grew bolder and more expressive. He moved away from the literal depiction of figures toward a language of vibrant colors and energetic compositions. A significant milestone in his ideological development was his participation in the 23rd edition of the Venice Biennale in 1930, and his subsequent signing of the Manifesto del Primordialismo Plastico in 1933. This period marked his commitment to a more primal, essential form of art—a movement that sought to find meaning in the fundamental elements of plastic expression rather than in the imitation of nature.

      The Legacy of Informal Art and Abstract Mastery

      The true metamorphosis of Capogrossi’s style occurred in the aftermath of World War II. As the world grappled with the trauma of conflict, the artist found himself at the forefront of Italian Informal Art. Alongside titans such as Lucio Fontana and Alberto Burri, Capogrossi abandoned the recognizable silhouette entirely. His work transitioned into a profound abstraction, often defined by his iconic, repetitive sigla—a unique, calligraphic mark that became his artistic signature.

      These marks, though seemingly simple, functioned as rhythmic, structural elements that transformed the canvas into a field of pure energy and pattern. Through this reductionist approach, he achieved a state of "primordial" expression that resonated with the existential themes of his era. When he passed away in 1972, he left behind a legacy that remains a cornerstone of modern art history. His ability to synthesize the weight of Roman tradition with the radical freedom of abstraction ensures that his work continues to captivate collectors and scholars alike, standing as a testament to the enduring power of the creative spirit.

      Giuseppe Capogrossi

      Giuseppe Capogrossi

      1900 - 1972 , Italy

      Trumpa informacija apie kūrėją

      • Nationality: American
      • Date Of Birth: 1900
      • Date Of Death: 1972
      • Place Of Birth: Rome, Italy
      • Notable Artworks:
        • Descent from the Cross
        • Flatiron Building
      • Artistic Movement Or Style: Various (including Art Nouveau)
      • Artists Who Influenced This Artist: ['Maurice Denis']
      • Artists Or Movements Influenced By This Artist: ['Wassily Kandinsky']