Peržiūrėti realybėje
Pasidalinti
Dalintis
Išsamiau
Atsisiųsti
Panašūs eksponatai
Rentgeno nuotrauka
Automatinė dioramaField Flowers
Skaityti daugiau
Giclée / Meno spausdinimas
Muziejų lygio „giclée“ arba drobos spausdinimas: greita gamyba ir lankstios apdailos parinktys. (
Perejti prie rankinio darbo paveikslėlio Perjungti į vaizdą)
Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.
Galite nurodyti savo matmenis, kad vaizdas atitiktų konkretų rėmą ar erdvę. Jei pasirinktas dydis nesutaps su originalaus paveikslėlio proporcijomis, mes arba apkirpsime kūrinį, arba išplėsime vaizdą naudojant veideliu atspindėtą arba vientisą šoną. Skaitmeninis maketas bus išsiųstas jums patvirtinti prieš pradedant gamybą.
Atkreipkite dėmesį, kad ekrane matomas vaizdinys neatspindi tikrojo apkirpimo ar išplėtimo. Tik maketas tiksliai parodytų galutinę kompoziciją.
Nors galima rinktis ir individualius dydžius, rekomenduojame pasirinkti vieną iš išanksti nustatytų matmenų, kad būtų išlaikytos originalios proporcijos.
Pristatymas visame pasaulyje () per 2 weeks, o ne įprastas 4/5 savaičių laikotarpis. (9 rugpjūtis)
Nemokamas greitasis pristatymas visame pasaulyje
Aukštos kokybės lininis drobė
Pilnas siuntimo draudimas
Muitinės mokesčių grąžinimo garantija
Tikro spalvų atitikimo garantija
60 dienų grąžinimo politika (tik esant gamyklinėms defektams)
100% pinigų grąžinimo garantija
Nuolaida už kelias reprodukcijas
Stiklo variantas prieinamas tik pasirinkus dydį iki 110 cm
Field Flowers
Giclée / Meno spausdinimas
Reprodukcijos matmenys
-
Galutinė kaina
$ 62
panašūs kūriniai
Autoriaus biografija
Ethel Reed: A Visionary of Art Nouveau and Early American Illustration
Ethel Reed (1874-1912) stands as a remarkable figure in the annals of American graphic art, particularly recognized for her exquisite contributions to the Art Nouveau movement. Born Newburyport, Massachusetts, on March 13th, 1874, Reed’s life was marked by both artistic brilliance and personal challenges—a duality that profoundly shaped her oeuvre and cemented her legacy as a trailblazing artist of her time. Her early years were steeped in familial influences; Edgar Eugene Reed, her father, was a respected photographer, instilling in Ethel a keen appreciation for visual representation and meticulous detail. Elizabeth Mahoney, her mother, an Irish immigrant, provided a grounding in resilience and determination amidst difficult circumstances. Reed’s artistic journey commenced formally at Cowles Art School in 1893, where she honed her skills in drawing and composition—skills that would soon blossom into breathtaking illustrations for periodicals like *The Yellow Book*, a groundbreaking literary journal co-founded by Aubrey Beardsley. This collaboration proved pivotal, exposing Reed to the avant-garde sensibilities of European artistic circles and fostering an enduring fascination with symbolism and decorative art. Notably, she befriended Richard Le Gallienne, a celebrated poet and publisher who championed Reed’s talent and encouraged her exploration of expressive imagery. Her relationship with Bertram Goodhue and Ralph Adams Cram, prominent architects shaping Boston's skyline during the Victorian era, further enriched her artistic perspective—reflecting in her work an awareness of architectural grandeur and humanist ideals. Moreover, Reed cultivated connections with influential figures like Fred Holland Day, whose photographs captured her youthful beauty and grace – notably Chloe and The Gainsborough Hat. These portraits served as inspiration for her own artistic endeavors, demonstrating a reciprocal exchange between observation and creative interpretation. Reed’s prolific output during the early 1900s encompassed numerous poster designs and book illustrations—a testament to her rapid mastery of Art Nouveau techniques. Her distinctive style characterized by flowing lines, delicate floral motifs, and muted color palettes captured the spirit of the era with unparalleled sensitivity. Among her most celebrated works include “Boston Sunday Herald February 24th” (1895), a poignant depiction of loss and remembrance rendered in evocative black and white—and "In Childhood’s Country" (Moulton) (1896), where Reed skillfully employed naive art to convey themes of innocence and pastoral tranquility. These pieces exemplify her ability to distill complex emotions into visually arresting compositions, securing her place as one of the foremost illustrators of her generation. Reed's artistic achievements garnered international acclaim—with exhibitions at institutions such as The Metropolitan Museum of Art and Museum of Modern Art in New York, The National Museum of American History in Washington D.C., The Fine Arts Museum of San Francisco, The Frederick R. Weisman Art Museum of Minnesota, and The Nelson-Atkins Museum of Art in Kansas City. Her enduring influence continues to resonate within the broader context of early American design—a testament to Ethel Reed’s singular vision and unwavering dedication to artistic excellence.
Ethel Reed
1874 - 1912 , United States of America
Trumpa informacija
- Artistic Movement Or Style: Art Nouveau
- Artists Or Movements Influenced By This Artist: The Yellow Book
- Artists Who Influenced This Artist: Laura Hills
- Date Of Birth: March 13, 1874
- Date Of Death: March 1, 1912
- Full Name: Ethel Reed
- Nationality: American
- Notable Artworks:
- In Childhood’s Country
- Boston Sunday Herald
- Place Of Birth: Newburyport, United States
