Peržiūrėti realybėje
Pasidalinti
Dalintis
Išsamiau
Atsisiųsti
Panašūs eksponatai
Rentgeno nuotrauka
Automatinė dioramaSelf-portrait
59.0 x 36.0 cm
Accademia di San Luca
Skaityti daugiau
Rankų darbo aliejinės reprodukcijos
Rankiniu būdu tapytas aliejus ant droblio jūsų pageidaujamame dydį ir rėmuose – mūsų menininkų darbas pagal užsakymą. (
Pirkti spaudinį Pirkti vaizdą)
Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.
Galite įvesti savo matmenis, kad jie atitiktų konkretų rėmą ar erdvę. Jei pasirinktas dydis neatitinka originalaus paveikslėlio proporcijų, mes arba apkropsime meno kūrinį, arba papildysime tapybą rankomis dažytい elementais. Prieš pradėdami gamybą, jūsų patvirtinimui atsiųsime skaitmeninį maketą.
Atkreipkite dėmesį, kad ekrane rodomas vaizdas neatspindi tikrojo apkarpymo ar papildymo. Tik maketas tiksliai parodys galutinę kompoziciją.
Nors galima rinktis ir individualius dydžius, rekomenduojame pasirinkti matmenis iš nustatytos sąrašo, kad būtų išlaikytos originalios proporcijos.
Gavus užsakymą, ArtsDot.com komanda susisieks su klientu el. paštu dėl instrukcijų ir pateiks maketo pavyzdį.
Pristatymas visame pasaulyje () per 3–4 savaites, o ne įprastai – per 5 savaites. (25 rugpjūtis). Kokybė lieka nepakeičiama.
Nemokamas greitasis pristatymas visame pasaulyje
Aukštos kokybės lininis drobė
Pilnas siuntimo draudimas
Muitinės mokesčių grąžinimo garantija
Tikro spalvų atitikimo garantija
60 dienų grąžinimo politika (tik esant gamyklinėms defektams)
100% pinigų grąžinimo garantija
Nuolaida už kelias reprodukcijas
Stiklo variantas prieinamas tik pasirinkus dydį iki 110 cm
Self-portrait
Reprodukcijos technika
Reprodukcijos matmenys
-
Galutinė kaina
$ 263
panašūs kūriniai
Autoriaus biografija
The Sculptor of Ravenna’s Soul
Aurelio Mistruzzi (1880-1961) remains a profound testament to the enduring spirit of Italian sculpture, a master who breathed life into the cold surfaces of marble and bronze. Born in the historic city of Ravenna, Italy, Mistruzzi was raised amidst a landscape steeped in Byzantine grandeur and an ancient artistic tradition. This rich cultural heritage provided the fertile ground necessary for his creative awakening. His early artistic journey was shaped significantly under the tutelage of Renato Signorini, a prominent figure in Impressionism and Neoimpressionism. From Signorini, Mistruzzi inherited a profound appreciation for capturing fleeting moments and conveying deep-seated emotion through form, a sensibility that would become the hallmark of his subsequent oeuvre.
Mistruzzi’s sculptural output is characterized by a remarkable sensitivity to both material and technique. He possessed an uncanny ability to manipulate stone, primarily working with marble to achieve a breathtaking realism. His hands could capture the most delicate nuances of human anatomy and the subtle shifts in facial expression with meticulous detail. Perhaps his most hauntingly beautiful achievement is his self-portrait, rendered in alabaster. This piece transcends mere physical likeness; it embodies an introspective gaze and conveys a palpable sense of melancholy, demonstrating Mistruzzi’s unique ability to transform stone into a conduit for psychological depth and human vulnerability.
Mastery of Form and Metal
While marble allowed him to explore the heights of realism, Mistruzzi also ventured into the more intimate realm of bronze casting. In this medium, he specialized in small-scale sculptures that often explored themes of human dignity and quiet contemplation. Unlike the grand, imposing monuments that defined much of the era's public art, Mistruzzi’s bronze works prioritized subtlety and emotional resonance. This approach marked a deliberate departure from prevailing academic trends, aligning him with the burgeoning interest in expressive realism championed by his contemporaries. His work sought to move beyond rigid conventions to find the truth within the human condition.
The breadth of his technical mastery extended even further into the intricate world of medals and exonumia. Mistruzzi skillfully executed bronze medallions bearing portraits of notable figures, a feat that required absolute command over both sculptural form and complex metallurgical processes. Through these small but powerful works, he bridged the gap between fine art and commemorative craft:
- Portrait Medallions: His ability to condense a person's essence into a miniature bronze relief.
- Material Versatility: The seamless transition from the translucent delicacy of alabaster to the enduring strength of bronze.
- Artistic Legacy: A contribution to the tradition of Renaissance-style portraiture within a modern context.
Ultimately, the historical significance of Aurelio Mistruzzi lies in his ability to marry the classical traditions of his Italian upbringing with the emotive, psychological explorations of the early twentieth century. His work remains a vital link in the evolution of Italian sculpture, reminding us that true art does not merely represent the world, but captures the very soul of its subjects.
Aurelio Mistruzzi
1880 - 1961 , Italy
Trumpa informacija
- Artistic Movement Or Style: Sculpture
- Artists Or Movements Influenced By This Artist: Bronze sculpture
- Artists Who Influenced This Artist: Renato Signorini
- Date Of Birth: 1880
- Full Name: Aurelio Mistruzzi
- Nationality: Italian
- Notable Artworks: ['Self-portrait']
- Place Of Birth: Ravenna, Italy
