Composition #71
Abstract Art
1982
60.0 x 85.0 cm
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞도록 직접 크기를 입력할 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않는 경우, 작품을 자르거나 추가적인 손으로 그린 요소를 사용하여 그림을 확장합니다. 제작 시작 전 승인을 위해 디지털 목업을 보내드립니다.
화면 미리 보기는 실제 자르기 또는 확장을 반영하지 않습니다. 최종 구성은 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본 비율을 유지하기 위해 사전 정의된 목록에서 크기를 선택하시는 것을 권장합니다.
주문 후 ArtsDot.com 팀에서 상세 안내를 위해 고객님께 이메일을 보내드리며, 미리보기 시안을 제공해 드립니다.
Composition #71
재현 기법
복제본 크기
-
최종 결제 금액
$ 263
유사한 작품들
작가 약력
Yuri Zlotnikov: Pioneer of Russian Abstract Art
Yuri Zlotnikov (1930 – 2016) stands as a singular figure in the history of Soviet art, recognized primarily for his groundbreaking contribution to abstract painting and his unwavering commitment to exploring the intersection between art and science. Born in Moscow during the tumultuous years following World War II, Zlotnikov’s artistic journey unfolded against the backdrop of Khrushchev’s Thaw—a period characterized by a cautious liberalization of cultural expression after decades of rigid ideological control—and he quickly established himself as a champion of nonconformist aesthetics within the Soviet art scene. His formative years were marked by exposure to influential figures like Ilya Kabakov and Lev Povzner, who instilled in him a critical perspective on Socialist Realism and fueled his desire to forge an independent artistic path.- Early Influences: Zlotnikov’s intellectual curiosity extended beyond painting itself; he was deeply engaged with the burgeoning field of cybernetics—a discipline pioneered by Norbert Wiener—which explored the principles of communication and control in both biological systems and machines. This fascination profoundly shaped his artistic methodology, informing his belief that art could actively contribute to reshaping societal understanding and behavior.
- The “Signal System” Series (1957-1962): Zlotnikov’s most celebrated achievement resides in the “Signal System” series—a collection of abstract paintings created during the Thaw era. These works, executed primarily in gouache and tempera on paper, represent a pivotal moment in Soviet art history. Rejecting the prevailing dogma of Socialist Realism, Zlotnikov sought to liberate painting from its constraints by investigating the psychological impact of color and form—drawing inspiration from composers like Anton Webern and mathematicians exploring geometric patterns.
- Scientific Approach: Unlike many fellow nonconformist artists who embraced emotional expression as their primary artistic impulse, Zlotnikov insisted on a rigorously scientific framework for his creative endeavors. He meticulously documented his experiments with electrocardiograms and bio-currents—collaborating closely with researchers at Botkin Hospital—demonstrating that he viewed painting not merely as an aesthetic pursuit but as a tool for probing the fundamental laws governing human perception and behavior.
- Collaboration with Technocrats: Zlotnikov’s artistic vision found resonance among young engineers working in closed military institutes, who championed independent artists and facilitated access to laboratory facilities. This partnership proved instrumental in validating his hypotheses about the transformative potential of art—particularly its capacity to influence the design of spacecraft and contribute to advancements in technological innovation.
- Legacy: Zlotnikov’s unwavering conviction that art could reshape society—echoing the utopian aspirations of Constructivist artists—remained a defining characteristic throughout his life. His work continues to inspire contemporary artists and scholars alike, serving as a testament to the enduring power of artistic experimentation and intellectual rigor in challenging conventional notions of beauty and truth.
Exploring Geometric Abstraction and Cybernetic Influences
Zlotnikov’s artistic method was characterized by an uncompromising dedication to mathematical precision—a stance that contrasted sharply with the prevailing trend among Soviet nonconformist artists who prioritized emotional subjectivity. He meticulously analyzed geometric patterns, mirroring the principles of cybernetics—the science of communication and control—which Wiener had championed in 1948. This scientific approach wasn’t merely a stylistic choice; it represented Zlotnikov's profound belief that art could illuminate underlying realities—much like the microschematics of computer engineers—and contribute to reshaping human understanding. The “Signal System” series exemplifies this conviction, presenting abstract signs rendered with crystalline clarity and reflecting both Chintz fabrics from Khrushchev’s Thaw and the cartography of Soviet settlements.The Tretyakov Gallery Exhibition: Rediscovering Zlotnikov's Vision
A recent exhibition at the State Tretyakov Gallery in Moscow—titled “Yuri Zlotnikov: Exploring Geometric Abstraction”—provided a crucial opportunity to revisit Zlotnikov’s artistic legacy and reaffirm his significance within Soviet art history. Featuring works from the Tsukanov Family Foundation and other private collections, the show underscored Zlotnikov's pioneering role in establishing abstract painting as a viable alternative to Socialist Realism—a movement that had dominated Soviet culture for decades. The exhibition highlighted Zlotnikov’s collaboration with young engineers who embraced cybernetics and championed independent artists—demonstrating that his artistic explorations were deeply intertwined with broader intellectual currents shaping the Soviet era.A Dialogue Between Art and Science: Reflections on Zlotnikov's Philosophy
Zlotnikov’s philosophical outlook—rooted in positivism and rationalism—fueled his conviction that art should engage rigorously with scientific research—a stance that distinguished him from many of his contemporaries who prioritized emotional expression. He likened the impact of Wiener’s cybernetics to “the sudden destruction of the entire world,” recognizing its potential to fundamentally alter human perception and behavior. This intellectual fervor extended beyond painting itself; Zlotnikov pursued studies in mathematics, philosophy, and psychology—reflecting a broader humanist impulse to comprehend the complexities of human experience and contribute to advancing knowledge.yuri zlotnikov
1930 - 2016 , Russia
주요 정보
- Artistic Movement Or Style: Abstract Art
- Artists Or Movements Influenced By This Artist:
- Rothko
- Pollock
- Artists Who Influenced This Artist:
- Kandinsky
- Malevich
- Date Of Birth: April 23, 1930
- Date Of Death: October 25, 2016
- Full Name: Yuri Zlotnikov
- Nationality: Russian
- Notable Artworks: ['Composition #71']
- Place Of Birth: Moscow, Russian Federation

유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.