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통계 정보Landscape 02
- 176.0 x 393.0 cm
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지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 수준의 지클레이 및 캔버스 프린트. (
수작업 채색 복제본 주문하기 디지털 이미지로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Landscape 02
지클레 / 아트 프린트
복제본 크기
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최종 결제 금액
₩ 84341
유사한 작품들
작가 정보
A Life Rooted in Kyoto
Born in Kyoto, Japan, Suzuki Shōnen grew up within the walls of a long-standing artistic lineage. His father, Suzuki Hyakunen, had established a studio that carried the weight of tradition from the late Edo period. Shōnen did not merely inherit a name; he inherited a way of seeing. In 1880, he began his official work at the Kyoto Prefecture Painting School, and by the following year, he took over his father's position as an instructor. He later opened his own school, the Matsunen-juku, to pass these methods to others.
His early years were marked by a different name, Hyakusen, before he became known as Shōnen. This period of his life was defined by steady movement through the Kyoto art circles, eventually succeeding Kono Bairei as an instructor at the Kyoto Art Academy. He also served as a professor at the Kyoto Prefecture Painting School in 1881. His connections were deep; he was the brother of Suzuki Hyakusui and Suzuki Mannen, and he acted as the first teacher for Uemura Shoen.
The Brush and the Spirit
The way Shōnen applied ink to paper suggests a man who moved with sudden, decisive intent. He worked without preliminary sketches, allowing his brush to find its path through spontaneous and bold strokes. This method earned him comparisons to Soga Shohaku, with some noting he seemed like a reincarnation of the artist. His focus often rested on figures and the delicate details of flowers and birds.
His technique drew from the Maruyama Shijo school and felt the influence of the Rinpa school. When he painted, there was an impetuous quality to the work, a lack of hesitation that mirrored his temperament. Some of his most noted works include:
- Aged Pines: A pair of six-panel folding screens using ink on gold-leaf.
- Immortals: Ink and color applied to paper and wood.
- Tenryu-ji Hodo Dragon Painting: A work executed in ink.
- Celebrating Victory: A hanging scroll from 1904, featuring men in both Western and Japanese dress.
Recognition and Legacy
Shōnen's reach extended beyond the borders of Kyoto. In 1900, he traveled to the Paris World Exposition, where he was awarded a bronze medal. This moment brought his specific brand of Japanese painting to an international audience. His ability to blend the realism of the Maruyama Shijo style with decorative elements allowed his work to remain grounded in tradition while acknowledging a changing era.
Even as the Meiji period progressed, his hand remained visible in the development of the Suzuki school. He left behind a collection of works that can be found in places such as the British Museum, the Metropolitan Museum of Art, and the Kyoto National Museum. His paintings, often executed on silk or paper, continue to show the weight of his ink and the directness of his hand.
Suzuki Shōnen
1849 - 1918 , Japan
작가 정보 요약
- Artistic Movement Or Style: Maruyama Shijo school; Rinpa influence
- Artists Or Movements Influenced By This Artist: ['Uemura Shoen']
- Artists Who Influenced This Artist: ['Suzuki Hyakunen']
- Full Name: Suzuki Shōnen
- Nationality: Japanese
- Notable Artworks:
- Aged Pines
- Immortals
- Celebrating Victory
- Tenryu-ji Hodo Dragon Painting
- Place Of Birth: Kyoto, Japan
- Date Of Birth: 1849
- Date Of Death: 1918