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      Oliver Lee Jackson

      Untitled No. 8

      • 제작 연도1985
      • 크기274.0 x 213.0 cm

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      Oliver Lee Jackson (1935-present) is an American painter & sculptor known for expressionist figural work, influenced by African art & the Sharpeville Massacre. His paintings explore cultural references and historical events.
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      지클레 / 아트 프린트

      빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)

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      특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
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      맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.

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      전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (27 9월)

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      총 결제 금액

      $ 62

      reproduction

      Untitled No. 8

      지클레 / 아트 프린트

      복제본 규격

      -

      총 결제 금액

      $ 62

      A multi-media artist based in San Francisco, whose expansive practice encompasses painting, sculpture, printmaking, and video, among other materials, Jackson explores his ideas across techniques and often on a considerable scale. This vibrant large painting discreetly betrays the artist’s persistent concern for figuration, one informed by evolving modes of abstraction, steeped in global art history, and responsive especially to mid-twentieth-century American painting (especially the work of Willem de Kooning and Philip Guston. More specifically, the composition attests to Jackson’s deep and enduring investigation of bodily gesture across media. The prominent, dark figure in the lower-right corner, for instance, derives from an inventory of recurring, typically fragmented characters that Jackson developed over time and that variously appear to crouch, reach, fall, and lean as they inhabit environments defined primarily by color and mark. Other gestural references and allusions appear throughout this composition, which characteristically resists explicit narrative or interpretation. As Jackson explained in an interview published in 1989, "we understand states of being by the posture or gesture of the body.… And they carry that without any overlay of talk.… I use them as direct, visual communicative images." Moreover, Jackson’s deliberately inelegant drawing (his incorporation of oil stick here underscores the importance of this medium), is a two-dimensional corollary to an incising technique he pursued in his sculpture around the same time, pointing, once again, to the formal and aesthetic cross-pollination of his holistic approach to making art.

      관련 작품들

      The Park Of Carrières Saint-denis — 브라크, Cubism
      브라크 The Park of Carrières Saint-Denis
      빈센트 반 고흐의 ‘꽃피는 과수원, 사이프러스 나무로 둘러싸임’ (1888)은 강렬한 붓터치와 생생한 색채를 특징으로 하는 후기인상주의 풍경화입니다. 이 작품은 예술 수집가들에게 적합합니다. — 빈센트 반 고흐, 후기 인상주의
      빈센트 반 고흐 빈센트 반 고흐의 ‘꽃피는 과수원, 사이프러스 나무로 둘러싸임’ (1888)은 강렬한 붓터치와 생생한 색채를 특징으로 하는 후기인상주의 풍경화입니다. 이 작품은 예술 수집가들에게 적합합니다.
      Bathers — Cliff Holden
      cliff holden Bathers
      루츠 — 프리다 칼로, Surrealist Style
      프리다 칼로 루츠
      Untitled Xi — 윌렘 드 쿠닝, Abstract Expressionism
      윌렘 드 쿠닝 Untitled XI
      The Red Torero — 조지 스테퍼네스쿠-름닉, Abstract Expressionism
      조지 스테퍼네스쿠-름닉 The Red Torero
      Red Sunday Morning — Born New York City 1924 Died New York City 2007 Michael Goldberg, Abstract Expressionism
      born new york city 1924 died new york city 2007 michael goldberg Red Sunday Morning
      Composition — Ralph William Edward Rumney, Abstract Expressionism
      ralph william edward rumney Composition
      Vividly, We Took Galich — 카지미르 말레비치, Abstract Suprematism
      카지미르 말레비치 Vividly, we took Galich
      Bust Of Satyr — 야콥 요르당스, Baroque
      야콥 요르당스 Bust of Satyr

      작가 소개

      A Legacy Forged in Witness and Vision

      Oliver Lee Jackson’s artistic journey is a profound testament to the power of memory, identity, and the enduring struggle for justice. Born in 1935 in St. Louis, Missouri, into an African American family during the transformative era of the Civil Rights Movement, Jackson developed a sensibility that was both deeply personal and acutely global. His early years were steeped in the vibrant cultural ferment of St. Louis, where he found kinship within the burgeoning Black Arts Movement. Alongside figures like Julius Hemphill, Jackson began to cultivate an artistic language that would eventually bridge the gap between local struggles and the universal human condition. Through his rigorous academic training at Illinois Wesleyan University and the University of Iowa, he mastered the technical foundations of painting and sculpture, yet it was his lived experience that provided the soul for his work.

      The Resonance of History and the Sharpeville Series

      The trajectory of Jackson’s career underwent a seismic shift in 1968, marked by the commencement of his seminal Sharpeville Series. Inspired by the harrowing massacre of Black protestors in South Africa, this body of work transformed his practice into a vehicle for profound social commentary. In these works, the weight of historical trauma meets the fluidity of expressionist form. Jackson does not merely depict events; he invokes the spirit of resistance and the heavy cost of apartheid. This period solidified his ability to weave complex cultural iconographies—drawing from both African traditions and European Modernism—into a cohesive, haunting narrative. His work became a site where the echoes of global struggles could be heard through the medium of paint and clay, creating a space for contemplation on the enduring impact of systemic violence.

      The Fluidity of Form: Between Abstraction and Figuration

      Throughout his expansive career, Jackson has remained a master of ambiguity, constantly exploring the tension between figuration and abstraction. His practice is characterized by a relentless pursuit of hybridity, where the boundaries of medium and meaning are perpetually blurred. Whether working on large-scale canvases that invite the viewer to approach from multiple orientations or creating intricate sculptures that utilize incising techniques, Jackson uses the human gesture as a direct, visual communicative tool. Influenced by the gestural energy of Willem de Kooning and Philip Guston, he incorporates elements like oil stick to create a deliberate, raw texture that mirrors the complexity of the human experience. As an educator at California State University, Sacramento, where he helped shape the Pan African Studies curriculum, Jackson’s influence extended far beyond the studio, fostering a legacy of intellectual rigor and artistic activism that continues to inspire generations of creators to confront the seen and unseen worlds.
      Oliver Lee Jackson

      Oliver Lee Jackson

      1935 - , United States of America

      작가 정보 요약

      • Artistic Movement Or Style: Expressionist Painting
      • Artists Or Movements Influenced By This Artist:
        • European Modernism
        • African Art
      • Artists Who Influenced This Artist: ['Julius Hemphill']
      • Date Of Birth: 1935
      • Full Name: Oliver Lee Jackson
      • Nationality: American
      • Notable Artworks:
        • Sharpeville Series
        • Untitled No. 8
        • Triptych (3.20.15, 5.21.15, 6.8.15)
      • Place Of Birth: St. Louis, United States