실제 크기로 보기
보내기
공유하기
상세 보기
가이드 보기
이미지 다운로드
유사 작품 더 보기
X-레이
슬라이드 쇼 보기
Q&A
통계 정보Orpheus and Eurydice
상세 보기
이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.
이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. (
수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Orpheus and Eurydice
지클레 / 아트 프린트
복제본 규격
-
총 결제 금액
₩ 83380
관련 작품들
작가 소개
The lines of a dual life
Nikos Engonopoulos lived through a period where the boundaries between words and images often blurred. Born in Athens in 1907, his early years were marked by a move to Constantinople during the first World War. This movement between places preceded a formative time in Paris, where he studied at a lycee from 1923 to 1927. Upon returning to Greece, he followed the path of many of his generation, completing military service and working in various roles, from a bank translator to a designer for the Urban Planning Department of the Greek Ministry of Public Works.
His training at the Athens School of Fine Arts between 1932 and 1938 brought him into contact with teachers like Konstantinos Parthenis and Yannis Kefallinos. He also spent time as an apprentice to Fotis Kontoglou, absorbing the spirit of Byzantine art. This education was not confined to a single classroom; he sought out independent studies in Munich and several Italian cities. These varied exposures allowed him to develop a way of seeing that pulled from many different eras at once.
A language of symbols
The work produced by Engonopoulos often relies on the unexpected placement of figures. He used techniques such as egg tempera on wood, engraving, and woodcutting to bring together elements that do not naturally belong in the same space. His paintings frequently feature mythological characters, military figures, and the female form, all set against a backdrop that feels both ancient and modern. There is a specific way he uses color and drawing to connect the traditions of Byzantine iconography with the more fragmented logic of surrealism.
His creative output was never limited to the canvas. He was equally active in writing, producing poetry that shared the same surrealist impulses as his visual art. His collections, such as Do Not Distract the Driver and The Clavicembalos of Silence, used language to create much like his paintings used pigment. He also worked in theatre, designing costumes and creating mock-ups for plays like Caesar and Cleopatra. The way he approached a stage set or a book illustration was tied to the same interest in historical and folk Greek imagery.
Recognition and presence
The reception of his work was not always quiet. His first solo exhibition in 1939 drew sharp reactions from critics, yet he continued to build a steady presence in the Greek art scene. He was a founding member of the Armos art group in 1964 and later served as a professor of painting at the National Technical University of Athens. His reach extended beyond Greece, notably representing the country at the Venice Biennale in 1954 and participating in the Sao Paulo Biennale the following year.
Throughout his life, he received several honors for his contributions to both literature and the visual arts, including the First Poetry Award from the Greek Ministry of Education in 1958 and the Gold Cross of George I in 1966. His paintings remain in significant collections, such as the National Gallery of Greece and the Benaki Museum. He passed away in Athens in 1985, leaving behind a body of work that remains tied to the specific historical and cultural textures of the 20th century.
Nikos Engonopoulos
1907 - 1985
작가 정보 요약
- Artistic Movement Or Style: Surrealism, Generation of the '30s
- Artists Who Influenced This Artist:
- Andreas Embirikos
- Yannis Tsarouchis
- Giorgio de Chirico
- Yannis Moralis
- Lautreamont
- Full Name: Nikos Engonopoulos
- Nationality: Greek
- Notable Artworks:
- Bolivar, a Greek Poem
- The Death of Archimedes
- Two Philosophers and a Soldier
- Orpheus
- Place Of Birth: Athens, Greece
- Date Of Birth: 1907
- Date Of Death: 1985