실제 크기로 보기 AR로 미리보기 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환 보내기
상세 보기 가이드 보기 즐겨찾기에 추가 이미지 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 Q&A 통계 정보
Naddo Ceccarelli

The Crucifixion

Discover naddo ceccarelli, a 14th-century Sienese painter known for Madonna & Child depictions & exquisite metalwork techniques. Explore his art!
상세 보기

지클레 / 아트 프린트

빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)

상세 보기

표준 규격
맞춤 제작
CM
INCH

작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

가로 너비
높이

액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.

상세 보기

상세 보기

상세 보기

전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (2 11월)

상세 보기

전 세계 무료 특급 배송
고품질 린넨 캔버스
배송 전 과정 보험 적용
관세 환급 보장 서비스
원본 색상 일치 보장
제조 결함 발견 시 100일 이내 반품 가능
100% 환불 보장
다량 구매 할인 혜택
상세 보기

총 결제 금액

₩ 83614

The Crucifixion

지클레 / 아트 프린트

복제본 규격

-

총 결제 금액

₩ 83614

관련 작품들

스크로베니 트리пти히크 (the Stefaneschi Triptych) — 조토 디 본도네, Giotto
조토 디 본도네 스크로베니 트리пти히크 (The Stefaneschi Triptych)
Crucifixion — 조토 디 본도네, Proto-renaissance
조토 디 본도네 Crucifixion
십자가 처형 — 프라 안젤리코, 초기 르네상스
프라 안젤리코 십자가 처형
십자가 처형 — 라파엘로, 전성기 르네상스
라파엘로 십자가 처형
십자가 처형 — 만테냐, 초기 르네상스
만테냐 십자가 처형
The Crucifixion — 돈 실베스트로 데이 게라르두치
돈 실베스트로 데이 게라르두치 The Crucifixion
Crucifixión Con San Nicolás Y San Gregorio. Crucifixión — 두치오 디 부오닌세냐, Late Medieval Gothic
두치오 디 부오닌세냐 Crucifixión con San Nicolás y San Gregorio. Crucifixión
White Crucifixion, The Art Institute Of Chicag — 마르크 샤갈, Cubism
마르크 샤갈 White crucifixion, The Art Institute of Chicag
The Crucified Christ Between The Virgin And Saint John The Evangelist — 로렌초 모나코, Early Renaissance
로렌초 모나코 The Crucified Christ between the Virgin and Saint John the Evangelist
The Crucifixion — 조반니 베리니, High Renaissance
조반니 베리니 The Crucifixion

작가 소개

Early Life and Artistic Training

Naddo Ceccarelli emerged onto the artistic landscape of Siena in the mid-14th century, a period marked by fervent religious devotion and burgeoning urban sophistication. Precise biographical details remain elusive, shrouded in the mists of medieval documentation—information about his birth year is uncertain, estimated to be around 1320. However, what we know with relative confidence is that he received his formative artistic education under the tutelage of Simone Martini (ca. 1284–1344), arguably Siena’s most celebrated painter of the era. Martini's workshop was a crucible for innovation and stylistic refinement, attracting ambitious young artists eager to absorb his mastery. Ceccarelli’s association with Martini extended beyond mere instruction; he traveled alongside Martini to Avignon in 1330, immersing himself in the papal court’s artistic milieu—a pivotal experience that undoubtedly broadened his horizons and influenced his subsequent oeuvre.Simone Martini's influence is palpable in Ceccarelli's stylistic choices, particularly evident in his predilection for delicate color palettes and meticulous attention to detail.

Style and Technique

Ceccarelli’s artistic style can be characterized as a harmonious blend of Martini’s expressive grandeur and the more restrained elegance of the master of Palazzo Venezia and Memmi. He excelled in capturing the luminous quality of tempera paint, skillfully layering translucent glazes over gold leaf to achieve breathtaking effects of shimmering brilliance—a technique that mirrored the advancements occurring in goldsmithing at the time. This masterful manipulation of light was particularly evident in depictions of chain mail and other metallic embellishments, demonstrating a keen understanding of how to convey texture and materiality through pigment alone.His compositions are often characterized by serene stillness, reflecting the spiritual ethos of his era. Ceccarelli’s paintings frequently portray Madonna and Child figures—a motif deeply rooted in Marian devotion—often accompanied by saints. These small-scale panels stand apart from Martini's monumental works, suggesting a stylistic divergence driven by individual artistic sensibilities.
    Notable features include:
  • Precise delineation of drapery folds
  • Subtle gradations of color
  • Delicate rendering of facial expressions

    • Major Works and Patronage

    Two signed paintings by Ceccarelli’s hand—the Madonna and Child (formerly in the Cook Collection in Richmond, Surrey) dated to 1347 and Christ The Man Of Sorrows (Liechtenstein Collection, Vaduz)—provide invaluable insight into his artistic output. These masterpieces exemplify Ceccarelli's stylistic prowess and underscore his position as one of Martini’s workshop’s most accomplished pupils.
      The Madonna and Child,
  • displays a masterful use of color and texture, capturing the ethereal beauty of Mary and Jesus with remarkable sensitivity.
  • Christ The Man Of Sorrows
  • is distinguished by its solemn expression and evocative depiction of sorrow—a testament to Ceccarelli’s ability to convey profound emotion through visual imagery.
      Ceccarelli's work was commissioned primarily by ecclesiastical patrons,
    reflecting the pervasive influence of religious faith on artistic production during the fourteenth century. The Madonna and Child with Saints (Pinacoteca Nazionale Siena) represents a larger-scale altarpiece, showcasing Ceccarelli’s ambition to undertake ambitious projects that would elevate his reputation.

    • Historical Significance

    Naddo Ceccarelli's contribution to Sienese art is significant not only for its stylistic refinement but also for its embodiment of a broader cultural trend—the fusion of painting and goldsmithing. Like Martini and Memmi, Ceccarelli pioneered the innovative practice of incorporating gold leaf into panel paintings, transforming them into objects of devotional splendor.This approach reflects a shift away from traditional sculptural representations of saints, prioritizing visual narratives that conveyed spiritual meaning through luminous color and intricate ornamentation. Ceccarelli’s legacy endures as an exemplar of medieval artistic excellence—a painter who skillfully navigated the stylistic currents of his time while forging a distinctive artistic voice.His work serves as a reminder of Siena's role as a center for artistic innovation during the High Gothic period, securing its place in art history.
    Naddo Ceccarelli

    Naddo Ceccarelli

    1320 - 1347

    작가 정보 요약

    • Full Name: Naddo Ceccarelli
    • Nationality: Italian
    • Date Of Birth: 1320
    • Date Of Death: 1347
    • Place Of Birth: Siena, Italy
    • Notable Artworks:
      • Madonna and Child Flanked by Four Saints
      • Christ The Man Of Sorrows
      • Christ As The Man Of Sorrows
    • Artistic Movement Or Style: Late Gothic
    • Artists Who Influenced This Artist: ['Simone Martini']
    • Artists Or Movements Influenced By This Artist:
      • Master of the Palazzo Venezia Madonna
      • Master of the Strauss Madonna