All I Know
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. ( 손으로 그린 그림 구매
디지털 이미지로 전환)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
All I Know
지클레 / 아트 프린트
복제본 크기
-
최종 결제 금액
$ 62
유사한 작품들
작가 약력
A Life Immersed in Embodiment: The Art of Maria Tomasula
Maria Tomasula, born in Chicago in 1958, is a Latinx studio artist whose paintings, drawings, and prints resonate with a profound emotional intensity and a meticulous attention to material surfaces. Her work isn’t simply *about* experience; it strives to embody it, translating the elusive sensation of being into visual form. Tomasula's artistic journey has been one of deep exploration—an ongoing investigation into selfhood as something inextricably linked to the world around us, shaped by shared histories, environmental forces, and the very fabric of existence. She received her Bachelor of Fine Arts degree from the University of Illinois at Chicago, laying a foundational groundwork for her later explorations, before pursuing an MFA at Northwestern University. This academic grounding provided not just technical skill but also a critical framework for understanding art’s potential to engage with complex ideas.Early Influences and Artistic Development
Tomasula's upbringing in the vibrant cultural landscape of Chicago undoubtedly played a significant role in shaping her artistic sensibility. The city, a melting pot of diverse communities, instilled in her an awareness of hybridity and the layered nature of identity. Her early work began to hint at the themes that would become central to her practice: memory, spirituality, and the subtle power of everyday objects. A key turning point came with her engagement with “new materialist” writers—thinkers who challenge traditional notions of subjectivity and emphasize the interconnectedness of all things. This philosophical shift prompted Tomasula to move beyond representation and towards a more embodied approach to painting. She began to focus on the materiality of paint itself, building up surfaces that are rich in texture and color, almost as if the paintings themselves were accumulating experience over time. The influence of Mexican altar painting is also readily apparent in her compositions—a theatrical use of color and arrangement that imbues even the simplest subjects with a sense of reverence and symbolic weight.Themes of Entanglement and Sensory Experience
Tomasula’s artwork consistently returns to the idea of entanglement – how we are inextricably bound to our surroundings, to history, and to one another. This isn't presented as a burden but rather as an inherent condition of being human. Her paintings often feature seemingly mundane objects—fruit, flowers, textiles—but these aren’t simply still lifes. They become metaphors for the body itself, imbued with evocative qualities and sensual characteristics. A bowl of fruit might suggest abundance and decay, while a draped cloth could evoke both comfort and constraint. The artist masterfully uses color to create emotional resonance, often employing striking combinations that are at once alluring and unsettling. Her compositions frequently feel suspended in time, inviting the viewer to linger and contemplate the subtle nuances of each form. The goal is not to depict reality but to create a space where sensory experience can unfold.Major Achievements and Recognition
Throughout her career, Maria Tomasula has garnered significant recognition for her unique artistic vision. She has exhibited widely in venues across the United States, including solo shows at Forum Gallery in New York and Los Angeles, the Indianapolis Museum of Art, and the National Museum of Mexican Art in Chicago. Her work has been featured in prominent publications such as The New York Times, ARTnews, and The New Yorker. In 2018, Forum Gallery presented a solo exhibition titled “All the Breath We Can Hold,” further solidifying her position within the contemporary art world. More recently, the publication of Soo Y. Kang’s monograph, *The Art of Maria Tomasula: Embodiment and Splendor* (2022), has provided a comprehensive overview of her artistic practice, offering valuable insights into her philosophical underpinnings and technical innovations.Historical Significance and Lasting Legacy
Maria Tomasula's work occupies a unique space within contemporary painting. She challenges traditional notions of representation while simultaneously embracing the power of materiality and sensory experience. Her exploration of embodiment resonates with current debates surrounding identity, subjectivity, and the interconnectedness of all things.- Her commitment to exploring her Latinx heritage adds another layer of complexity to her work.
- Tomasula’s influence extends beyond her own paintings—she is currently a Professor of Art at the University of Notre Dame, mentoring a new generation of artists and fostering critical dialogue about contemporary art practices.
- Her ability to create images that are both visually stunning and intellectually stimulating ensures her lasting legacy as a significant voice in the field of contemporary art.
maria tomasula
1958 - , United States of America
주요 정보
- Artistic Movement Or Style: Contemporary Painting
- Date Of Birth: 1958
- Full Name: Maria Tomasula
- Nationality: Latinx American
- Notable Artworks: ['All I Know']
- Place Of Birth: Chicago, USA

유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.