Stairs
1983
510.0 x 310.0 cm
Museum Kampa
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. ( 손으로 그린 그림 구매
디지털 이미지로 전환)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Stairs
지클레 / 아트 프린트
복제본 크기
-
최종 결제 금액
$ 62
유사한 작품들
작가 약력
Early Life and Education
Magdalena Jetelová was born in Semily, Czech Republic (1946), a region steeped in Bohemian folklore and artistic tradition. From a young age, she demonstrated an innate fascination with sculpture and spatial exploration—interests that would profoundly shape her artistic trajectory. Her formative years were spent studying at the Prague Academy of Fine Arts from 1965–71, where she honed her skills under the guidance of established sculptors and gained exposure to diverse artistic methodologies. Notably, she undertook a brief stint abroad at Brera Academy in Milan (1967–68), collaborating with Marino Marini—a pivotal encounter that broadened her stylistic horizons and instilled in her an appreciation for Italian sculptural aesthetics. This early immersion into international art discourse cemented Jetelová’s commitment to pushing creative boundaries.Notable Works
Jetelová's artistic reputation ascended dramatically with her groundbreaking installation “Marking by Red Smoke,” executed in Prague during the turbulent years of the Prague Spring (1968). This piece, conceived as a commentary on political repression and societal fragmentation, utilized monumental wooden sculptures to disrupt conventional spatial perceptions. Simultaneously, she captivated audiences with “Place”—a colossal sculpture perched atop the Forest of Dean Sculpture Trail—which endured for nearly three decades before its eventual removal in 2015. The sculpture’s deliberate vulnerability to fire served as a poignant symbol of artistic impermanence and invited contemplation on themes of decay and renewal.Land Art Experiments
Recognizing the transformative potential of engaging directly with natural landscapes, Jetelová embarked upon ambitious land art projects—most notably “Domestication of the Pyramid,” wherein she positioned a pyramid constructed from red quartz sand within Vienna’s Museum of Applied Arts. This audacious intervention challenged viewers to reconsider notions of cultural heritage and artistic representation, prompting dialogue about the relationship between architecture and environment.International Recognition
Jetelová's work garnered widespread acclaim across Europe and beyond, securing prominent exhibitions at institutions such as Museu d’Art Contemporani de Barcelona, Tate Gallery London, Museum of Modern Art, 21er Haus, and Martin-Gropius-Bau. Her sculptures are now housed in prestigious collections—including Hirshhorn Museum, Centre Pompidou, and Museum Ludwig—underscoring her enduring influence on contemporary art.Legacy
Magdalena Jetelová’s artistic legacy resides in her unwavering dedication to exploring the interplay between form, material, and context. Her sculptures—characterized by their monumental scale and deliberate disruption of spatial conventions—remain a testament to her pioneering spirit and her profound engagement with pressing social and philosophical questions. She continues to inspire artists globally through her innovative approach to land art and installation, cementing her place as one of the foremost figures in Czech contemporary sculpture.magdalena jetelová
1946 - , Czech Republic
주요 정보
- Artistic Movement Or Style: Installation art & Land Art
- Artists Or Movements Influenced By This Artist: ['Minimalism']
- Artists Who Influenced This Artist: ['Marino Marini']
- Date Of Birth: June 4, 1946
- Date Of Death: (Living)
- Full Name: Magdalena Jetelová
- Nationality: Czech
- Notable Artworks: ['Marking by Red Smoke']
- Place Of Birth: Semily, Czech Republic

유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.